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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 126 115 it is the complementary color RGB 69 129 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 126 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 186 126 115: RGB 191 126 110, RGB 208 144 129, RGB 225 162 148, RGB 242 180 167 and RGB 255 198 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 126 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 186 126 115: RGB 186 126 115, RGB 169 108 96, RGB 152 90 77, RGB 135 72 58 and RGB 118 54 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 38 / 27

HEX #BA7E73

RGB 186 126 115

HSL 9.3, 0.34%, 0.59%

LAB 58.6, 21.9, 15.45

 

Complementary color

CMYK 51 / 8 / 0 / 45

HEX #45818C

RGB 69 129 140

HSL 189.3, 0.34%, 0.41%

LAB 50.52, -16.3, -11.97

 

CMYK 0 / 34 / 42 / 25

HEX #BF7E6E

RGB 191 126 110

HSL 11.85, 0.39%, 0.59%

LAB 59.09, 23.31, 19.06

 

CMYK 0 / 31 / 38 / 18

HEX #D09081

RGB 208 144 129

HSL 11.39, 0.46%, 0.66%

LAB 65.7, 22.36, 17.74

 

CMYK 0 / 28 / 34 / 12

HEX #E1A294

RGB 225 162 148

HSL 10.91, 0.56%, 0.73%

LAB 72.22, 21.53, 16.54

 

CMYK 0 / 26 / 31 / 5

HEX #F2B4A7

RGB 242 180 167

HSL 10.4, 0.74%, 0.8%

LAB 78.64, 20.77, 15.44

 

CMYK 0 / 22 / 27 / 0

HEX #FFC6BA

RGB 255 198 186

HSL 10.43, 1%, 0.86%

LAB 84.58, 18.62, 13.82

 

CMYK 0 / 32 / 38 / 27

HEX #BA7E73

RGB 186 126 115

HSL 9.3, 0.34%, 0.59%

LAB 58.6, 21.9, 15.45

 

CMYK 0 / 36 / 43 / 34

HEX #A96C60

RGB 169 108 96

HSL 9.86, 0.3%, 0.52%

LAB 51.84, 22.88, 16.82

 

CMYK 0 / 41 / 49 / 40

HEX #985A4D

RGB 152 90 77

HSL 10.4, 0.33%, 0.45%

LAB 44.97, 24.02, 18.4

 

CMYK 0 / 47 / 57 / 47

HEX #87483A

RGB 135 72 58

HSL 10.91, 0.4%, 0.38%

LAB 38.01, 25.31, 20.26

 

CMYK 0 / 54 / 67 / 54

HEX #763627

RGB 118 54 39

HSL 11.39, 0.5%, 0.31%

LAB 30.96, 26.78, 22.52

 

CMYK 0 / 32 / 38 / 27

HEX #BA7E73

RGB 186 126 115

HSL 9.3, 0.34%, 0.59%

LAB 58.6, 21.9, 15.45

 

CMYK 0 / 26 / 38 / 27

HEX #B98972

RGB 185 137 114

HSL 19.44, 0.34%, 0.59%

LAB 61.15, 15.25, 19.5

 

CMYK 0 / 19 / 38 / 27

HEX #B99572

RGB 185 149 114

HSL 29.58, 0.34%, 0.59%

LAB 64.18, 8.61, 23.59

 

CMYK 0 / 13 / 38 / 27

HEX #B9A172

RGB 185 161 114

HSL 39.72, 0.34%, 0.59%

LAB 67.29, 2.04, 27.73

 

CMYK 0 / 7 / 38 / 27

HEX #B9AC72

RGB 185 172 114

HSL 49.01, 0.34%, 0.59%

LAB 70.2, -3.86, 31.53

 

CMYK 0 / 32 / 38 / 27

HEX #BA7E73

RGB 186 126 115

HSL 9.3, 0.34%, 0.59%

LAB 58.6, 21.9, 15.45

 

CMYK 0 / 32 / 38 / 7

HEX #EDA193

RGB 237 161 147

HSL 9.33, 0.71%, 0.75%

LAB 73.29, 26.53, 18.77

 

CMYK 0 / 33 / 39 / 87

HEX #211614

RGB 33 22 20

HSL 9.23, 0.25%, 0.1%

LAB 8.55, 5.21, 3.44

 

CMYK 0 / 32 / 38 / 67

HEX #543934

RGB 84 57 52

HSL 9.38, 0.24%, 0.27%

LAB 26.9, 11.23, 7.91

 

CMYK 0 / 33 / 39 / 47

HEX #875B53

RGB 135 91 83

HSL 9.23, 0.24%, 0.43%

LAB 43.15, 17, 11.94

 

CMYK 0 / 32 / 38 / 27

HEX #BA7E73

RGB 186 126 115

HSL 9.3, 0.34%, 0.59%

LAB 58.6, 21.9, 15.45

 

CMYK 13 / 0 / 38 / 27

HEX #A1B972

RGB 161 185 114

HSL 80.28, 0.34%, 0.59%

LAB 71.89, -20.15, 33.35

 

CMYK 38 / 29 / 0 / 27

HEX #7284B9

RGB 114 132 185

HSL 224.79, 0.34%, 0.59%

LAB 55.67, 6.89, -29.9

 

CMYK 0 / 32 / 38 / 27

HEX #BA7E73

RGB 186 126 115

HSL 9.3, 0.34%, 0.59%

LAB 58.6, 21.9, 15.45

 

CMYK 38 / 0 / 32 / 27

HEX #72B97D

RGB 114 185 125

HSL 129.3, 0.34%, 0.59%

LAB 69.3, -35, 23.62

 

CMYK 32 / 38 / 0 / 27

HEX #7D72B9

RGB 125 114 185

HSL 249.3, 0.34%, 0.59%

LAB 51.72, 20.72, -36

 

CMYK 0 / 32 / 38 / 27

HEX #BA7E73

RGB 186 126 115

HSL 9.3, 0.34%, 0.59%

LAB 58.6, 21.9, 15.45

 

CMYK 13 / 0 / 38 / 27

HEX #A1B972

RGB 161 185 114

HSL 80.28, 0.34%, 0.59%

LAB 71.89, -20.15, 33.35

 

CMYK 38 / 5 / 0 / 27

HEX #72AFB9

RGB 114 175 185

HSL 188.45, 0.34%, 0.59%

LAB 67.83, -17.06, -11.34

 

CMYK 25 / 38 / 0 / 27

HEX #8B72B9

RGB 139 114 185

HSL 261.13, 0.34%, 0.59%

LAB 52.98, 24.83, -33.94

 

CMYK 0 / 32 / 38 / 27

HEX #BA7E73

RGB 186 126 115

HSL 9.3, 0.34%, 0.59%

LAB 58.6, 21.9, 15.45

 

CMYK 25 / 0 / 38 / 27

HEX #8BB972

RGB 139 185 114

HSL 98.87, 0.34%, 0.59%

LAB 70.46, -28.36, 31.22

 

CMYK 38 / 5 / 0 / 27

HEX #72AFB9

RGB 114 175 185

HSL 188.45, 0.34%, 0.59%

LAB 67.83, -17.06, -11.34

 

CMYK 13 / 38 / 0 / 27

HEX #A172B9

RGB 161 114 185

HSL 279.72, 0.34%, 0.59%

LAB 55.19, 31.57, -30.32

 

Description

Color code: RGB 186 126 115 | qconv.com Color code: RGB 186 126 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 126 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 126 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 38 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 38% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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