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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 110 13 it is the complementary color RGB 69 145 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 110 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 186 110 13: RGB 191 110 8, RGB 208 128 27, RGB 225 146 46, RGB 242 164 65 and RGB 255 182 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 110 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 186 110 13: RGB 186 110 13, RGB 169 92 0, RGB 152 74 0, RGB 135 56 0 and RGB 118 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 93 / 27

HEX #BA6E0D

RGB 186 110 13

HSL 33.64, 0.87%, 0.39%

LAB 53.62, 24.06, 58.39

 

Complementary color

CMYK 71 / 40 / 0 / 5

HEX #4591F2

RGB 69 145 242

HSL 213.64, 0.87%, 0.61%

LAB 59.82, 8.26, -55.49

 

CMYK 0 / 42 / 96 / 25

HEX #BF6E08

RGB 191 110 8

HSL 33.44, 0.92%, 0.39%

LAB 54.29, 26.15, 60.15

 

CMYK 0 / 38 / 87 / 18

HEX #D0801B

RGB 208 128 27

HSL 33.48, 0.77%, 0.46%

LAB 60.72, 24.01, 61.46

 

CMYK 0 / 35 / 80 / 12

HEX #E1922E

RGB 225 146 46

HSL 33.52, 0.75%, 0.53%

LAB 67.1, 22.12, 61.38

 

CMYK 0 / 32 / 73 / 5

HEX #F2A441

RGB 242 164 65

HSL 33.56, 0.87%, 0.6%

LAB 73.42, 20.46, 60.57

 

CMYK 0 / 29 / 67 / 0

HEX #FFB654

RGB 255 182 84

HSL 34.39, 1%, 0.66%

LAB 79.25, 17.34, 58.83

 

CMYK 0 / 41 / 93 / 27

HEX #BA6E0D

RGB 186 110 13

HSL 33.64, 0.87%, 0.39%

LAB 53.62, 24.06, 58.39

 

CMYK 0 / 46 / 100 / 34

HEX #A95C00

RGB 169 92 0

HSL 32.66, 1%, 0.33%

LAB 47.09, 26.38, 55.65

 

CMYK 0 / 51 / 100 / 40

HEX #984A00

RGB 152 74 0

HSL 29.21, 1%, 0.3%

LAB 40.53, 28.91, 50.36

 

CMYK 0 / 59 / 100 / 47

HEX #873800

RGB 135 56 0

HSL 24.89, 1%, 0.26%

LAB 33.94, 31.37, 45.09

 

CMYK 0 / 68 / 100 / 54

HEX #762600

RGB 118 38 0

HSL 19.32, 1%, 0.23%

LAB 27.4, 33.54, 38.94

 

CMYK 0 / 41 / 93 / 27

HEX #BA6E0D

RGB 186 110 13

HSL 33.64, 0.87%, 0.39%

LAB 53.62, 24.06, 58.39

 

CMYK 0 / 26 / 94 / 27

HEX #B9880C

RGB 185 136 12

HSL 43.01, 0.88%, 0.39%

LAB 59.84, 9.23, 63.08

 

CMYK 0 / 11 / 94 / 27

HEX #B9A50C

RGB 185 165 12

HSL 53.06, 0.88%, 0.39%

LAB 67.46, -6.47, 68.78

 

CMYK 4 / 0 / 94 / 27

HEX #B1B90C

RGB 177 185 12

HSL 62.77, 0.88%, 0.39%

LAB 72.28, -20.26, 72.15

 

CMYK 20 / 0 / 94 / 27

HEX #94B90C

RGB 148 185 12

HSL 72.83, 0.88%, 0.39%

LAB 70.19, -32.49, 69.63

 

CMYK 0 / 41 / 93 / 27

HEX #BA6E0D

RGB 186 110 13

HSL 33.64, 0.87%, 0.39%

LAB 53.62, 24.06, 58.39

 

CMYK 0 / 41 / 93 / 7

HEX #ED8C11

RGB 237 140 17

HSL 33.55, 0.87%, 0.5%

LAB 67.13, 29.66, 70.33

 

CMYK 0 / 39 / 94 / 87

HEX #211402

RGB 33 20 2

HSL 34.84, 0.89%, 0.07%

LAB 7.48, 4.12, 10.46

 

CMYK 0 / 40 / 93 / 67

HEX #543206

RGB 84 50 6

HSL 33.85, 0.87%, 0.18%

LAB 24.26, 11.68, 31.46

 

CMYK 0 / 41 / 93 / 47

HEX #875009

RGB 135 80 9

HSL 33.81, 0.88%, 0.28%

LAB 39.42, 18.12, 45.74

 

CMYK 0 / 41 / 93 / 27

HEX #BA6E0D

RGB 186 110 13

HSL 33.64, 0.87%, 0.39%

LAB 53.62, 24.06, 58.39

 

CMYK 70 / 0 / 94 / 27

HEX #38B90C

RGB 56 185 12

HSL 104.74, 0.88%, 0.39%

LAB 66.19, -61.66, 64.72

 

CMYK 79 / 94 / 0 / 27

HEX #260CB9

RGB 38 12 185

HSL 249.02, 0.88%, 0.39%

LAB 24.25, 60.07, -80.88

 

CMYK 0 / 41 / 93 / 27

HEX #BA6E0D

RGB 186 110 13

HSL 33.64, 0.87%, 0.39%

LAB 53.62, 24.06, 58.39

 

CMYK 94 / 0 / 42 / 27

HEX #0CB96C

RGB 12 185 108

HSL 153.29, 0.88%, 0.39%

LAB 66.41, -56.8, 28.32

 

CMYK 42 / 94 / 0 / 27

HEX #6C0CB9

RGB 108 12 185

HSL 273.29, 0.88%, 0.39%

LAB 31.7, 65.03, -68.31

 

CMYK 0 / 41 / 93 / 27

HEX #BA6E0D

RGB 186 110 13

HSL 33.64, 0.87%, 0.39%

LAB 53.62, 24.06, 58.39

 

CMYK 70 / 0 / 94 / 27

HEX #38B90C

RGB 56 185 12

HSL 104.74, 0.88%, 0.39%

LAB 66.19, -61.66, 64.72

 

CMYK 94 / 51 / 0 / 27

HEX #0C5AB9

RGB 12 90 185

HSL 212.95, 0.88%, 0.39%

LAB 39.4, 15.91, -56

 

CMYK 23 / 94 / 0 / 27

HEX #8E0CB9

RGB 142 12 185

HSL 285.09, 0.88%, 0.39%

LAB 36.96, 69.33, -59.5

 

CMYK 0 / 41 / 93 / 27

HEX #BA6E0D

RGB 186 110 13

HSL 33.64, 0.87%, 0.39%

LAB 53.62, 24.06, 58.39

 

CMYK 94 / 0 / 89 / 27

HEX #0CB915

RGB 12 185 21

HSL 123.12, 0.88%, 0.39%

LAB 65.62, -66.61, 62.54

 

CMYK 94 / 51 / 0 / 27

HEX #0C5AB9

RGB 12 90 185

HSL 212.95, 0.88%, 0.39%

LAB 39.4, 15.91, -56

 

CMYK 0 / 94 / 4 / 27

HEX #B90CB1

RGB 185 12 177

HSL 302.77, 0.88%, 0.39%

LAB 43.87, 74.91, -43.24

 

Description

Color code: RGB 186 110 13 | qconv.com Color code: RGB 186 110 13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 110 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 110 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 93 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 93% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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