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Color name
RGB 185 23 84

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 23 84 it is the complementary color RGB 70 232 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 23 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 23 84 shade: RGB 190 23 79, RGB 207 41 98, RGB 224 59 117, RGB 241 77 136 and RGB 255 95 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 23 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 23 84 shade: RGB 185 23 84, RGB 168 5 65, RGB 151 0 46, RGB 134 0 27 and RGB 117 0 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 23 84 shade: RGB 186 23 84, RGB 186 23 40 and RGB 186 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 23 84 shade: RGB 186 23 84, RGB 186 23 128, RGB 186 23 172, RGB 155 23 186 and RGB 111 23 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 23 84 shade matches the following richer shades: RGB 186 23 84 and RGB 203 6 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 23 84 shade: RGB 186 23 84, RGB 169 39 88, RGB 152 56 92, RGB 135 73 96 and RGB 118 90 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 23 84 shade: RGB 186 23 172, RGB 186 23 129, RGB 186 23 85, RGB 186 23 42 and RGB 186 47 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 23 84 shade: RGB 112 13 51, RGB 149 18 67, RGB 186 23 84, RGB 222 27 101 and RGB 230 60 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 23 84 shade: RGB 185 23 84, RGB 186 156 23 and RGB 23 150 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 23 84 shade: RGB 185 23 84, RGB 85 186 23 and RGB 23 85 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 23 84 shade: RGB 185 23 84, RGB 186 156 23, RGB 23 186 123 and RGB 23 52 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 23 84 shade: RGB 185 23 84, RGB 167 186 23, RGB 23 186 123 and RGB 42 23 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 55 / 27

HEX #B91754

RGB 185 23 84

HSL 337.41, 0.78%, 0.41%

LAB 40.52, 62.98, 8.85

 

Complementary color

CMYK 70 / 0 / 26 / 9

HEX #46E8AB

RGB 70 232 171

HSL 157.41, 0.78%, 0.59%

LAB 82.89, -55.55, 17.82

 

CMYK 0 / 88 / 58 / 25

HEX #BE174F

RGB 190 23 79

HSL 339.88, 0.78%, 0.42%

LAB 41.41, 63.89, 13.42

 

CMYK 0 / 80 / 53 / 19

HEX #CF2962

RGB 207 41 98

HSL 339.4, 0.67%, 0.49%

LAB 46.62, 65.63, 9.29

 

CMYK 0 / 74 / 48 / 12

HEX #E03B75

RGB 224 59 117

HSL 338.91, 0.73%, 0.55%

LAB 52.13, 66.47, 5.96

 

CMYK 0 / 68 / 44 / 5

HEX #F14D88

RGB 241 77 136

HSL 338.41, 0.85%, 0.62%

LAB 57.83, 66.7, 3.25

 

CMYK 0 / 63 / 39 / 0

HEX #FF5F9B

RGB 255 95 155

HSL 337.5, 1%, 0.69%

LAB 63.19, 65.64, 0.25

 

CMYK 0 / 88 / 55 / 27

HEX #B91754

RGB 185 23 84

HSL 337.41, 0.78%, 0.41%

LAB 40.52, 62.98, 8.85

 

CMYK 0 / 97 / 61 / 34

HEX #A80541

RGB 168 5 65

HSL 337.91, 0.94%, 0.34%

LAB 35.63, 60.05, 13.77

 

CMYK 0 / 100 / 70 / 41

HEX #97002E

RGB 151 0 46

HSL 341.72, 1%, 0.3%

LAB 31.29, 55.44, 19.86

 

CMYK 0 / 100 / 80 / 47

HEX #86001B

RGB 134 0 27

HSL 347.91, 1%, 0.26%

LAB 27.15, 50.28, 26.43

 

CMYK 0 / 100 / 93 / 54

HEX #750008

RGB 117 0 8

HSL 355.9, 1%, 0.23%

LAB 23, 45.22, 31.44

 

CMYK 0 / 88 / 55 / 27

HEX #BA1754

RGB 186 23 84

HSL 337.55, 0.78%, 0.41%

LAB 40.72, 63.23, 9.16

 

CMYK 0 / 88 / 78 / 27

HEX #BA1728

RGB 186 23 40

HSL 353.74, 0.78%, 0.41%

LAB 39.92, 60.93, 35.57

 

CMYK 0 / 88 / 88 / 27

HEX #BA1717

RGB 186 23 23

HSL 0, 0.78%, 0.41%

LAB 39.77, 60.48, 44.61

 

CMYK 0 / 88 / 55 / 27

HEX #BA1754

RGB 186 23 84

HSL 337.55, 0.78%, 0.41%

LAB 40.72, 63.23, 9.16

 

CMYK 0 / 88 / 31 / 27

HEX #BA1780

RGB 186 23 128

HSL 321.35, 0.78%, 0.41%

LAB 42.17, 67.27, -16.29

 

CMYK 0 / 88 / 8 / 27

HEX #BA17AC

RGB 186 23 172

HSL 305.15, 0.78%, 0.41%

LAB 44.28, 72.89, -39.63

 

CMYK 17 / 88 / 0 / 27

HEX #9B17BA

RGB 155 23 186

HSL 288.59, 0.78%, 0.41%

LAB 39.79, 69.67, -55.39

 

CMYK 40 / 88 / 0 / 27

HEX #6F17BA

RGB 111 23 186

HSL 272.39, 0.78%, 0.41%

LAB 33, 63.28, -66.75

 

CMYK 0 / 88 / 55 / 27

HEX #BA1754

RGB 186 23 84

HSL 337.55, 0.78%, 0.41%

LAB 40.72, 63.23, 9.16

 

CMYK 0 / 97 / 61 / 20

HEX #CB0650

RGB 203 6 80

HSL 337.46, 0.94%, 0.41%

LAB 43.37, 69.26, 15.89

 

CMYK 0 / 88 / 55 / 27

HEX #BA1754

RGB 186 23 84

HSL 337.55, 0.78%, 0.41%

LAB 40.72, 63.23, 9.16

 

CMYK 0 / 77 / 48 / 34

HEX #A92758

RGB 169 39 88

HSL 337.38, 0.63%, 0.41%

LAB 38.88, 55.02, 3.55

 

CMYK 0 / 63 / 39 / 40

HEX #98385C

RGB 152 56 92

HSL 337.5, 0.46%, 0.41%

LAB 38.33, 43.56, -0.17

 

CMYK 0 / 46 / 29 / 47

HEX #874960

RGB 135 73 96

HSL 337.74, 0.3%, 0.41%

LAB 39.17, 29.26, -1.76

 

CMYK 0 / 24 / 14 / 54

HEX #765A65

RGB 118 90 101

HSL 336.43, 0.13%, 0.41%

LAB 41.38, 13.4, -1.86

 

CMYK 0 / 88 / 8 / 27

HEX #BA17AC

RGB 186 23 172

HSL 305.15, 0.78%, 0.41%

LAB 44.28, 72.89, -39.63

 

CMYK 0 / 88 / 31 / 27

HEX #BA1781

RGB 186 23 129

HSL 320.98, 0.78%, 0.41%

LAB 42.21, 67.38, -16.85

 

CMYK 0 / 88 / 54 / 27

HEX #BA1755

RGB 186 23 85

HSL 337.18, 0.78%, 0.41%

LAB 40.75, 63.3, 8.57

 

CMYK 0 / 88 / 77 / 27

HEX #BA172A

RGB 186 23 42

HSL 353.01, 0.78%, 0.41%

LAB 39.95, 61, 34.42

 

CMYK 0 / 75 / 88 / 27

HEX #BA2F17

RGB 186 47 23

HSL 8.83, 0.78%, 0.41%

LAB 42.05, 54.05, 46.45

 

CMYK 0 / 88 / 54 / 56

HEX #700D33

RGB 112 13 51

HSL 336.97, 0.79%, 0.25%

LAB 23.58, 43.14, 4.6

 

CMYK 0 / 88 / 55 / 42

HEX #951243

RGB 149 18 67

HSL 337.56, 0.78%, 0.33%

LAB 32.32, 53.4, 7.26

 

CMYK 0 / 88 / 55 / 27

HEX #BA1754

RGB 186 23 84

HSL 337.55, 0.78%, 0.41%

LAB 40.72, 63.23, 9.16

 

CMYK 0 / 88 / 55 / 13

HEX #DE1B65

RGB 222 27 101

HSL 337.23, 0.78%, 0.49%

LAB 48.58, 72.59, 10.61

 

CMYK 0 / 74 / 46 / 10

HEX #E63C7C

RGB 230 60 124

HSL 337.41, 0.77%, 0.57%

LAB 53.5, 68.39, 3.87

 

CMYK 0 / 88 / 55 / 27

HEX #B91754

RGB 185 23 84

HSL 337.41, 0.78%, 0.41%

LAB 40.52, 62.98, 8.85

 

CMYK 0 / 16 / 88 / 27

HEX #BA9C17

RGB 186 156 23

HSL 48.96, 0.78%, 0.41%

LAB 65.18, -1.03, 65.04

 

CMYK 88 / 19 / 0 / 27

HEX #1796BA

RGB 23 150 186

HSL 193.25, 0.78%, 0.41%

LAB 57.6, -19.23, -27.74

 

CMYK 0 / 88 / 55 / 27

HEX #B91754

RGB 185 23 84

HSL 337.41, 0.78%, 0.41%

LAB 40.52, 62.98, 8.85

 

CMYK 54 / 0 / 88 / 27

HEX #55BA17

RGB 85 186 23

HSL 97.18, 0.78%, 0.41%

LAB 67.36, -54.85, 64.21

 

CMYK 88 / 54 / 0 / 27

HEX #1755BA

RGB 23 85 186

HSL 217.18, 0.78%, 0.41%

LAB 38.24, 20.23, -58.45

 

CMYK 0 / 88 / 55 / 27

HEX #B91754

RGB 185 23 84

HSL 337.41, 0.78%, 0.41%

LAB 40.52, 62.98, 8.85

 

CMYK 0 / 16 / 88 / 27

HEX #BA9C17

RGB 186 156 23

HSL 48.96, 0.78%, 0.41%

LAB 65.18, -1.03, 65.04

 

CMYK 88 / 0 / 34 / 27

HEX #17BA7B

RGB 23 186 123

HSL 156.81, 0.78%, 0.41%

LAB 67.07, -53.49, 21.26

 

CMYK 88 / 72 / 0 / 27

HEX #1734BA

RGB 23 52 186

HSL 229.33, 0.78%, 0.41%

LAB 29.87, 41.77, -72.17

 

CMYK 0 / 88 / 55 / 27

HEX #B91754

RGB 185 23 84

HSL 337.41, 0.78%, 0.41%

LAB 40.52, 62.98, 8.85

 

CMYK 10 / 0 / 88 / 27

HEX #A7BA17

RGB 167 186 23

HSL 66.99, 0.78%, 0.41%

LAB 71.82, -24.83, 69.75

 

CMYK 88 / 0 / 34 / 27

HEX #17BA7B

RGB 23 186 123

HSL 156.81, 0.78%, 0.41%

LAB 67.07, -53.49, 21.26

 

CMYK 77 / 88 / 0 / 27

HEX #2A17BA

RGB 42 23 186

HSL 246.99, 0.78%, 0.41%

LAB 25.71, 57.21, -79.03

 

Description

Color code: RGB 185 23 84 | qconv.com Color code: RGB 185 23 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 23 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 23 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 55 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 55% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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