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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 179 174 it is the complementary color RGB 70 76 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 179 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 185 179 174: RGB 190 179 169, RGB 207 197 188, RGB 224 215 207, RGB 241 233 226 and RGB 255 251 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 179 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 185 179 174: RGB 185 179 174, RGB 168 161 155, RGB 151 143 136, RGB 134 125 117 and RGB 117 107 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 6 / 27

HEX #B9B3AE

RGB 185 179 174

HSL 27.27, 0.07%, 0.7%

LAB 73.29, 1.23, 3.29

 

Complementary color

CMYK 14 / 6 / 0 / 68

HEX #464C51

RGB 70 76 81

HSL 207.27, 0.07%, 0.3%

LAB 31.95, -1.24, -3.79

 

CMYK 0 / 6 / 11 / 25

HEX #BEB3A9

RGB 190 179 169

HSL 28.57, 0.14%, 0.7%

LAB 73.58, 2.18, 6.5

 

CMYK 0 / 5 / 9 / 19

HEX #CFC5BC

RGB 207 197 188

HSL 28.42, 0.17%, 0.77%

LAB 80.08, 1.94, 5.75

 

CMYK 0 / 4 / 8 / 12

HEX #E0D7CF

RGB 224 215 207

HSL 28.24, 0.22%, 0.85%

LAB 86.48, 1.71, 5.03

 

CMYK 0 / 3 / 6 / 5

HEX #F1E9E2

RGB 241 233 226

HSL 28, 0.35%, 0.92%

LAB 92.78, 1.5, 4.34

 

CMYK 0 / 2 / 4 / 0

HEX #FFFBF5

RGB 255 251 245

HSL 36, 1%, 0.98%

LAB 98.77, 0.3, 3.33

 

CMYK 0 / 3 / 6 / 27

HEX #B9B3AE

RGB 185 179 174

HSL 27.27, 0.07%, 0.7%

LAB 73.29, 1.23, 3.29

 

CMYK 0 / 4 / 8 / 34

HEX #A8A19B

RGB 168 161 155

HSL 27.69, 0.07%, 0.63%

LAB 66.66, 1.45, 4.01

 

CMYK 0 / 5 / 10 / 41

HEX #978F88

RGB 151 143 136

HSL 28, 0.07%, 0.56%

LAB 59.89, 1.69, 4.77

 

CMYK 0 / 7 / 13 / 47

HEX #867D75

RGB 134 125 117

HSL 28.24, 0.07%, 0.49%

LAB 52.97, 1.96, 5.58

 

CMYK 0 / 9 / 16 / 54

HEX #756B62

RGB 117 107 98

HSL 28.42, 0.09%, 0.42%

LAB 45.88, 2.27, 6.46

 

CMYK 0 / 3 / 6 / 27

HEX #B9B3AE

RGB 185 179 174

HSL 27.27, 0.07%, 0.7%

LAB 73.29, 1.23, 3.29

 

CMYK 0 / 2 / 5 / 28

HEX #B7B3AD

RGB 183 179 173

HSL 36, 0.06%, 0.7%

LAB 73.11, 0.33, 3.55

 

CMYK 0 / 1 / 5 / 28

HEX #B7B5AD

RGB 183 181 173

HSL 48, 0.06%, 0.7%

LAB 73.63, -0.74, 4.31

 

CMYK 0 / 0 / 5 / 28

HEX #B7B7AD

RGB 183 183 173

HSL 60, 0.06%, 0.7%

LAB 74.16, -1.81, 5.07

 

CMYK 1 / 0 / 5 / 28

HEX #B6B7AD

RGB 182 183 173

HSL 66, 0.06%, 0.7%

LAB 74.08, -2.17, 4.95

 

CMYK 0 / 3 / 6 / 27

HEX #B9B3AE

RGB 185 179 174

HSL 27.27, 0.07%, 0.7%

LAB 73.29, 1.23, 3.29

 

CMYK 0 / 3 / 6 / 7

HEX #ECE4DE

RGB 236 228 222

HSL 25.71, 0.27%, 0.9%

LAB 91.05, 1.68, 3.88

 

CMYK 0 / 3 / 6 / 87

HEX #201F1E

RGB 32 31 30

HSL 30, 0.03%, 0.12%

LAB 11.83, 0.23, 0.85

 

CMYK 0 / 4 / 6 / 67

HEX #53504E

RGB 83 80 78

HSL 24, 0.03%, 0.32%

LAB 34.24, 0.81, 1.61

 

CMYK 0 / 3 / 6 / 47

HEX #86827E

RGB 134 130 126

HSL 30, 0.03%, 0.51%

LAB 54.6, 0.74, 2.69

 

CMYK 0 / 3 / 6 / 27

HEX #B9B3AE

RGB 185 179 174

HSL 27.27, 0.07%, 0.7%

LAB 73.29, 1.23, 3.29

 

CMYK 4 / 0 / 5 / 28

HEX #B0B7AD

RGB 176 183 173

HSL 102, 0.06%, 0.7%

LAB 73.62, -4.31, 4.23

 

CMYK 5 / 5 / 0 / 28

HEX #ADADB7

RGB 173 173 183

HSL 240, 0.06%, 0.7%

LAB 71, 1.93, -5.11

 

CMYK 0 / 3 / 6 / 27

HEX #B9B3AE

RGB 185 179 174

HSL 27.27, 0.07%, 0.7%

LAB 73.29, 1.23, 3.29

 

CMYK 5 / 0 / 3 / 28

HEX #ADB7B1

RGB 173 183 177

HSL 144, 0.06%, 0.7%

LAB 73.5, -4.62, 1.84

 

CMYK 3 / 5 / 0 / 28

HEX #B1ADB7

RGB 177 173 183

HSL 264, 0.06%, 0.7%

LAB 71.32, 3.32, -4.61

 

CMYK 0 / 3 / 6 / 27

HEX #B9B3AE

RGB 185 179 174

HSL 27.27, 0.07%, 0.7%

LAB 73.29, 1.23, 3.29

 

CMYK 4 / 0 / 5 / 28

HEX #B0B7AD

RGB 176 183 173

HSL 102, 0.06%, 0.7%

LAB 73.62, -4.31, 4.23

 

CMYK 5 / 2 / 0 / 28

HEX #ADB3B7

RGB 173 179 183

HSL 204, 0.06%, 0.7%

LAB 72.59, -1.32, -2.77

 

CMYK 2 / 5 / 0 / 28

HEX #B4ADB7

RGB 180 173 183

HSL 282, 0.06%, 0.7%

LAB 71.56, 4.36, -4.22

 

CMYK 0 / 3 / 6 / 27

HEX #B9B3AE

RGB 185 179 174

HSL 27.27, 0.07%, 0.7%

LAB 73.29, 1.23, 3.29

 

CMYK 5 / 0 / 5 / 28

HEX #ADB7AD

RGB 173 183 173

HSL 120, 0.06%, 0.7%

LAB 73.39, -5.36, 3.87

 

CMYK 5 / 2 / 0 / 28

HEX #ADB3B7

RGB 173 179 183

HSL 204, 0.06%, 0.7%

LAB 72.59, -1.32, -2.77

 

CMYK 0 / 5 / 0 / 28

HEX #B7ADB7

RGB 183 173 183

HSL 300, 0.06%, 0.7%

LAB 71.81, 5.41, -3.83

 

Description

Color code: RGB 185 179 174 | qconv.com Color code: RGB 185 179 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 179 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 179 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 6 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 6% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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