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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 171 146 it is the complementary color RGB 70 84 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 171 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 185 171 146: RGB 190 171 141, RGB 207 189 160, RGB 224 207 179, RGB 241 225 198 and RGB 255 243 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 171 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 185 171 146: RGB 185 171 146, RGB 168 153 127, RGB 151 135 108, RGB 134 117 89 and RGB 117 99 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 21 / 27

HEX #B9AB92

RGB 185 171 146

HSL 38.46, 0.22%, 0.65%

LAB 70.54, 0.94, 14.7

 

Complementary color

CMYK 36 / 23 / 0 / 57

HEX #46546D

RGB 70 84 109

HSL 218.46, 0.22%, 0.35%

LAB 35.49, 1.26, -16.12

 

CMYK 0 / 10 / 26 / 25

HEX #BEAB8D

RGB 190 171 141

HSL 36.73, 0.27%, 0.65%

LAB 70.87, 2.14, 17.97

 

CMYK 0 / 9 / 23 / 19

HEX #CFBDA0

RGB 207 189 160

HSL 37.02, 0.33%, 0.72%

LAB 77.4, 1.78, 16.98

 

CMYK 0 / 8 / 20 / 12

HEX #E0CFB3

RGB 224 207 179

HSL 37.33, 0.42%, 0.79%

LAB 83.82, 1.46, 16.06

 

CMYK 0 / 7 / 18 / 5

HEX #F1E1C6

RGB 241 225 198

HSL 37.67, 0.61%, 0.86%

LAB 90.15, 1.17, 15.18

 

CMYK 0 / 5 / 15 / 0

HEX #FFF3D9

RGB 255 243 217

HSL 41.05, 1%, 0.93%

LAB 96.15, -0.15, 13.98

 

CMYK 0 / 8 / 21 / 27

HEX #B9AB92

RGB 185 171 146

HSL 38.46, 0.22%, 0.65%

LAB 70.54, 0.94, 14.7

 

CMYK 0 / 9 / 24 / 34

HEX #A8997F

RGB 168 153 127

HSL 38.05, 0.19%, 0.58%

LAB 63.87, 1.28, 15.69

 

CMYK 0 / 11 / 28 / 41

HEX #97876C

RGB 151 135 108

HSL 37.67, 0.17%, 0.51%

LAB 57.07, 1.68, 16.74

 

CMYK 0 / 13 / 34 / 47

HEX #867559

RGB 134 117 89

HSL 37.33, 0.2%, 0.44%

LAB 50.11, 2.15, 17.89

 

CMYK 0 / 15 / 40 / 54

HEX #756346

RGB 117 99 70

HSL 37.02, 0.25%, 0.37%

LAB 42.99, 2.73, 19.16

 

CMYK 0 / 8 / 21 / 27

HEX #B9AB92

RGB 185 171 146

HSL 38.46, 0.22%, 0.65%

LAB 70.54, 0.94, 14.7

 

CMYK 0 / 4 / 21 / 27

HEX #B9B192

RGB 185 177 146

HSL 47.69, 0.22%, 0.65%

LAB 72.12, -2.28, 16.91

 

CMYK 0 / 1 / 21 / 27

HEX #B9B892

RGB 185 184 146

HSL 58.46, 0.22%, 0.65%

LAB 73.98, -5.99, 19.49

 

CMYK 3 / 0 / 21 / 27

HEX #B4B992

RGB 180 185 146

HSL 67.69, 0.22%, 0.65%

LAB 73.85, -8.41, 19.25

 

CMYK 6 / 0 / 21 / 27

HEX #ADB992

RGB 173 185 146

HSL 78.46, 0.22%, 0.65%

LAB 73.32, -11.03, 18.44

 

CMYK 0 / 8 / 21 / 27

HEX #B9AB92

RGB 185 171 146

HSL 38.46, 0.22%, 0.65%

LAB 70.54, 0.94, 14.7

 

CMYK 0 / 8 / 21 / 7

HEX #ECDABA

RGB 236 218 186

HSL 38.4, 0.57%, 0.83%

LAB 87.74, 1.2, 18

 

CMYK 0 / 6 / 22 / 87

HEX #201E19

RGB 32 30 25

HSL 42.86, 0.12%, 0.11%

LAB 11.32, -0.18, 3.77

 

CMYK 0 / 7 / 20 / 67

HEX #534D42

RGB 83 77 66

HSL 38.82, 0.11%, 0.29%

LAB 33.01, 0.37, 7.43

 

CMYK 0 / 7 / 21 / 47

HEX #867C6A

RGB 134 124 106

HSL 38.57, 0.12%, 0.47%

LAB 52.42, 0.67, 11.21

 

CMYK 0 / 8 / 21 / 27

HEX #B9AB92

RGB 185 171 146

HSL 38.46, 0.22%, 0.65%

LAB 70.54, 0.94, 14.7

 

CMYK 18 / 0 / 21 / 27

HEX #98B992

RGB 152 185 146

HSL 110.77, 0.22%, 0.65%

LAB 71.86, -18.67, 16.18

 

CMYK 16 / 21 / 0 / 27

HEX #9B92B9

RGB 155 146 185

HSL 253.85, 0.22%, 0.65%

LAB 62.53, 11.33, -19.08

 

CMYK 0 / 8 / 21 / 27

HEX #B9AB92

RGB 185 171 146

HSL 38.46, 0.22%, 0.65%

LAB 70.54, 0.94, 14.7

 

CMYK 21 / 0 / 8 / 27

HEX #92B9AA

RGB 146 185 170

HSL 156.92, 0.22%, 0.65%

LAB 72.04, -16.17, 3.31

 

CMYK 8 / 21 / 0 / 27

HEX #AA92B9

RGB 170 146 185

HSL 276.92, 0.22%, 0.65%

LAB 63.84, 16.32, -16.97

 

CMYK 0 / 8 / 21 / 27

HEX #B9AB92

RGB 185 171 146

HSL 38.46, 0.22%, 0.65%

LAB 70.54, 0.94, 14.7

 

CMYK 18 / 0 / 21 / 27

HEX #98B992

RGB 152 185 146

HSL 110.77, 0.22%, 0.65%

LAB 71.86, -18.67, 16.18

 

CMYK 21 / 14 / 0 / 27

HEX #92A0B9

RGB 146 160 185

HSL 218.46, 0.22%, 0.65%

LAB 65.56, 0.52, -14.56

 

CMYK 4 / 21 / 0 / 27

HEX #B292B9

RGB 178 146 185

HSL 289.23, 0.22%, 0.65%

LAB 64.58, 19.03, -15.77

 

CMYK 0 / 8 / 21 / 27

HEX #B9AB92

RGB 185 171 146

HSL 38.46, 0.22%, 0.65%

LAB 70.54, 0.94, 14.7

 

CMYK 21 / 0 / 18 / 27

HEX #92B997

RGB 146 185 151

HSL 127.69, 0.22%, 0.65%

LAB 71.58, -19.86, 13.03

 

CMYK 21 / 14 / 0 / 27

HEX #92A0B9

RGB 146 160 185

HSL 218.46, 0.22%, 0.65%

LAB 65.56, 0.52, -14.56

 

CMYK 0 / 21 / 3 / 27

HEX #B992B4

RGB 185 146 180

HSL 307.69, 0.22%, 0.65%

LAB 65.1, 20.48, -12.13

 

Description

Color code: RGB 185 171 146 | qconv.com Color code: RGB 185 171 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 171 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 171 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 21 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 21% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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