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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 126 116 it is the complementary color RGB 70 129 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 126 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 185 126 116: RGB 190 126 111, RGB 207 144 130, RGB 224 162 149, RGB 241 180 168 and RGB 255 198 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 126 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 185 126 116: RGB 185 126 116, RGB 168 108 97, RGB 151 90 78, RGB 134 72 59 and RGB 117 54 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 37 / 27

HEX #B97E74

RGB 185 126 116

HSL 8.7, 0.33%, 0.59%

LAB 58.51, 21.62, 14.72

 

Complementary color

CMYK 50 / 7 / 0 / 45

HEX #46818B

RGB 70 129 139

HSL 188.7, 0.33%, 0.41%

LAB 50.53, -16.35, -11.37

 

CMYK 0 / 34 / 42 / 25

HEX #BE7E6F

RGB 190 126 111

HSL 11.39, 0.38%, 0.59%

LAB 58.99, 23.02, 18.34

 

CMYK 0 / 30 / 37 / 19

HEX #CF9082

RGB 207 144 130

HSL 10.91, 0.45%, 0.66%

LAB 65.61, 22.09, 17.03

 

CMYK 0 / 28 / 33 / 12

HEX #E0A295

RGB 224 162 149

HSL 10.4, 0.55%, 0.73%

LAB 72.13, 21.27, 15.85

 

CMYK 0 / 25 / 30 / 5

HEX #F1B4A8

RGB 241 180 168

HSL 9.86, 0.72%, 0.8%

LAB 78.56, 20.53, 14.77

 

CMYK 0 / 22 / 27 / 0

HEX #FFC6BB

RGB 255 198 187

HSL 9.71, 1%, 0.87%

LAB 84.61, 18.76, 13.32

 

CMYK 0 / 32 / 37 / 27

HEX #B97E74

RGB 185 126 116

HSL 8.7, 0.33%, 0.59%

LAB 58.51, 21.62, 14.72

 

CMYK 0 / 36 / 42 / 34

HEX #A86C61

RGB 168 108 97

HSL 9.3, 0.29%, 0.52%

LAB 51.74, 22.59, 16.07

 

CMYK 0 / 40 / 48 / 41

HEX #975A4E

RGB 151 90 78

HSL 9.86, 0.32%, 0.45%

LAB 44.86, 23.7, 17.62

 

CMYK 0 / 46 / 56 / 47

HEX #86483B

RGB 134 72 59

HSL 10.4, 0.39%, 0.38%

LAB 37.88, 24.98, 19.46

 

CMYK 0 / 54 / 66 / 54

HEX #753628

RGB 117 54 40

HSL 10.91, 0.49%, 0.31%

LAB 30.82, 26.43, 21.68

 

CMYK 0 / 32 / 37 / 27

HEX #B97E74

RGB 185 126 116

HSL 8.7, 0.33%, 0.59%

LAB 58.51, 21.62, 14.72

 

CMYK 0 / 26 / 38 / 28

HEX #B88873

RGB 184 136 115

HSL 18.26, 0.33%, 0.59%

LAB 60.81, 15.53, 18.45

 

CMYK 0 / 20 / 38 / 28

HEX #B89473

RGB 184 148 115

HSL 28.7, 0.33%, 0.59%

LAB 63.84, 8.87, 22.56

 

CMYK 0 / 14 / 38 / 28

HEX #B89F73

RGB 184 159 115

HSL 38.26, 0.33%, 0.59%

LAB 66.69, 2.84, 26.37

 

CMYK 0 / 7 / 38 / 28

HEX #B8AB73

RGB 184 171 115

HSL 48.7, 0.33%, 0.59%

LAB 69.86, -3.62, 30.55

 

CMYK 0 / 32 / 37 / 27

HEX #B97E74

RGB 185 126 116

HSL 8.7, 0.33%, 0.59%

LAB 58.51, 21.62, 14.72

 

CMYK 0 / 32 / 37 / 7

HEX #ECA194

RGB 236 161 148

HSL 8.86, 0.7%, 0.75%

LAB 73.19, 26.26, 18.08

 

CMYK 0 / 31 / 38 / 87

HEX #201614

RGB 32 22 20

HSL 10, 0.23%, 0.1%

LAB 8.41, 4.68, 3.22

 

CMYK 0 / 31 / 37 / 67

HEX #533934

RGB 83 57 52

HSL 9.68, 0.23%, 0.26%

LAB 26.77, 10.78, 7.71

 

CMYK 0 / 32 / 37 / 47

HEX #865B54

RGB 134 91 84

HSL 8.4, 0.23%, 0.43%

LAB 43.05, 16.71, 11.17

 

CMYK 0 / 32 / 37 / 27

HEX #B97E74

RGB 185 126 116

HSL 8.7, 0.33%, 0.59%

LAB 58.51, 21.62, 14.72

 

CMYK 13 / 0 / 38 / 28

HEX #A1B873

RGB 161 184 115

HSL 80, 0.33%, 0.59%

LAB 71.62, -19.52, 32.48

 

CMYK 38 / 27 / 0 / 28

HEX #7386B8

RGB 115 134 184

HSL 223.48, 0.33%, 0.59%

LAB 56.24, 5.72, -28.43

 

CMYK 0 / 32 / 37 / 27

HEX #B97E74

RGB 185 126 116

HSL 8.7, 0.33%, 0.59%

LAB 58.51, 21.62, 14.72

 

CMYK 38 / 0 / 32 / 28

HEX #73B87D

RGB 115 184 125

HSL 128.7, 0.33%, 0.59%

LAB 69.04, -34.23, 23.29

 

CMYK 32 / 38 / 0 / 28

HEX #7D73B8

RGB 125 115 184

HSL 248.7, 0.33%, 0.59%

LAB 51.93, 19.86, -35.09

 

CMYK 0 / 32 / 37 / 27

HEX #B97E74

RGB 185 126 116

HSL 8.7, 0.33%, 0.59%

LAB 58.51, 21.62, 14.72

 

CMYK 13 / 0 / 38 / 28

HEX #A1B873

RGB 161 184 115

HSL 80, 0.33%, 0.59%

LAB 71.62, -19.52, 32.48

 

CMYK 38 / 5 / 0 / 28

HEX #73AFB8

RGB 115 175 184

HSL 187.83, 0.33%, 0.59%

LAB 67.85, -17.05, -10.76

 

CMYK 25 / 38 / 0 / 28

HEX #8A73B8

RGB 138 115 184

HSL 260, 0.33%, 0.59%

LAB 53.09, 23.69, -33.2

 

CMYK 0 / 32 / 37 / 27

HEX #B97E74

RGB 185 126 116

HSL 8.7, 0.33%, 0.59%

LAB 58.51, 21.62, 14.72

 

CMYK 23 / 0 / 38 / 28

HEX #8DB873

RGB 141 184 115

HSL 97.39, 0.33%, 0.59%

LAB 70.3, -27.01, 30.52

 

CMYK 38 / 5 / 0 / 28

HEX #73AFB8

RGB 115 175 184

HSL 187.83, 0.33%, 0.59%

LAB 67.85, -17.05, -10.76

 

CMYK 14 / 38 / 0 / 28

HEX #9F73B8

RGB 159 115 184

HSL 278.26, 0.33%, 0.59%

LAB 55.17, 30.16, -29.8

 

Description

Color code: RGB 185 126 116 | qconv.com Color code: RGB 185 126 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 126 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 126 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 37 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 37% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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