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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 125 49 it is the complementary color RGB 70 130 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 125 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 185 125 49: RGB 190 125 44, RGB 207 143 63, RGB 224 161 82, RGB 241 179 101 and RGB 255 197 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 125 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 185 125 49: RGB 185 125 49, RGB 168 107 30, RGB 151 89 11, RGB 134 71 0 and RGB 117 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 74 / 27

HEX #B97D31

RGB 185 125 49

HSL 33.53, 0.58%, 0.46%

LAB 57.27, 16.45, 48.98

 

Complementary color

CMYK 66 / 37 / 0 / 19

HEX #4682CE

RGB 70 130 206

HSL 213.53, 0.58%, 0.54%

LAB 53.73, 4.78, -45.05

 

CMYK 0 / 34 / 77 / 25

HEX #BE7D2C

RGB 190 125 44

HSL 33.29, 0.62%, 0.46%

LAB 57.84, 18.41, 51.92

 

CMYK 0 / 31 / 70 / 19

HEX #CF8F3F

RGB 207 143 63

HSL 33.33, 0.6%, 0.53%

LAB 64.38, 16.81, 50.81

 

CMYK 0 / 28 / 63 / 12

HEX #E0A152

RGB 224 161 82

HSL 33.38, 0.7%, 0.6%

LAB 70.83, 15.44, 49.48

 

CMYK 0 / 26 / 58 / 5

HEX #F1B365

RGB 241 179 101

HSL 33.43, 0.83%, 0.67%

LAB 77.21, 14.25, 48.09

 

CMYK 0 / 23 / 53 / 0

HEX #FFC578

RGB 255 197 120

HSL 34.22, 1%, 0.74%

LAB 83.2, 12, 46.27

 

CMYK 0 / 32 / 74 / 27

HEX #B97D31

RGB 185 125 49

HSL 33.53, 0.58%, 0.46%

LAB 57.27, 16.45, 48.98

 

CMYK 0 / 36 / 82 / 34

HEX #A86B1E

RGB 168 107 30

HSL 33.48, 0.7%, 0.39%

LAB 50.61, 18.2, 49.82

 

CMYK 0 / 41 / 93 / 41

HEX #97590B

RGB 151 89 11

HSL 33.43, 0.86%, 0.32%

LAB 43.87, 20.27, 49.54

 

CMYK 0 / 47 / 100 / 47

HEX #864700

RGB 134 71 0

HSL 31.79, 1%, 0.26%

LAB 37.07, 22.68, 46.85

 

CMYK 0 / 55 / 100 / 54

HEX #753500

RGB 117 53 0

HSL 27.18, 1%, 0.23%

LAB 30.23, 25.3, 41.13

 

CMYK 0 / 32 / 74 / 27

HEX #B97D31

RGB 185 125 49

HSL 33.53, 0.58%, 0.46%

LAB 57.27, 16.45, 48.98

 

CMYK 0 / 21 / 74 / 27

HEX #B99231

RGB 185 146 49

HSL 42.79, 0.58%, 0.46%

LAB 62.59, 4.85, 54.31

 

CMYK 0 / 9 / 74 / 27

HEX #B9A931

RGB 185 169 49

HSL 52.94, 0.58%, 0.46%

LAB 68.69, -7.51, 60.25

 

CMYK 4 / 0 / 74 / 27

HEX #B2B931

RGB 178 185 49

HSL 63.09, 0.58%, 0.46%

LAB 72.48, -18.76, 63.66

 

CMYK 16 / 0 / 74 / 27

HEX #9BB931

RGB 155 185 49

HSL 73.24, 0.58%, 0.46%

LAB 70.79, -28.39, 61.46

 

CMYK 0 / 32 / 74 / 27

HEX #B97D31

RGB 185 125 49

HSL 33.53, 0.58%, 0.46%

LAB 57.27, 16.45, 48.98

 

CMYK 0 / 33 / 73 / 7

HEX #EC9F3F

RGB 236 159 63

HSL 33.29, 0.82%, 0.59%

LAB 71.55, 20.5, 59.3

 

CMYK 0 / 31 / 75 / 87

HEX #201608

RGB 32 22 8

HSL 35, 0.6%, 0.08%

LAB 8.11, 2.86, 8.92

 

CMYK 0 / 33 / 73 / 67

HEX #533816

RGB 83 56 22

HSL 33.44, 0.58%, 0.21%

LAB 25.94, 8.15, 25.44

 

CMYK 0 / 32 / 74 / 47

HEX #865B23

RGB 134 91 35

HSL 33.94, 0.59%, 0.33%

LAB 42.26, 12.14, 38.07

 

CMYK 0 / 32 / 74 / 27

HEX #B97D31

RGB 185 125 49

HSL 33.53, 0.58%, 0.46%

LAB 57.27, 16.45, 48.98

 

CMYK 55 / 0 / 74 / 27

HEX #53B931

RGB 83 185 49

HSL 105, 0.58%, 0.46%

LAB 67.1, -53.66, 56.57

 

CMYK 63 / 74 / 0 / 27

HEX #4531B9

RGB 69 49 185

HSL 248.82, 0.58%, 0.46%

LAB 31.73, 47.25, -68.43

 

CMYK 0 / 32 / 74 / 27

HEX #B97D31

RGB 185 125 49

HSL 33.53, 0.58%, 0.46%

LAB 57.27, 16.45, 48.98

 

CMYK 74 / 0 / 33 / 27

HEX #31B97C

RGB 49 185 124

HSL 153.09, 0.58%, 0.46%

LAB 67.13, -50.15, 20.86

 

CMYK 33 / 74 / 0 / 27

HEX #7C31B9

RGB 124 49 185

HSL 273.09, 0.58%, 0.46%

LAB 37.81, 56.06, -58.23

 

CMYK 0 / 32 / 74 / 27

HEX #B97D31

RGB 185 125 49

HSL 33.53, 0.58%, 0.46%

LAB 57.27, 16.45, 48.98

 

CMYK 55 / 0 / 74 / 27

HEX #53B931

RGB 83 185 49

HSL 105, 0.58%, 0.46%

LAB 67.1, -53.66, 56.57

 

CMYK 74 / 41 / 0 / 27

HEX #316EB9

RGB 49 110 185

HSL 213.09, 0.58%, 0.46%

LAB 46.05, 6.29, -45.26

 

CMYK 18 / 74 / 0 / 27

HEX #9731B9

RGB 151 49 185

HSL 285, 0.58%, 0.46%

LAB 41.66, 61.33, -51.83

 

CMYK 0 / 32 / 74 / 27

HEX #B97D31

RGB 185 125 49

HSL 33.53, 0.58%, 0.46%

LAB 57.27, 16.45, 48.98

 

CMYK 74 / 0 / 70 / 27

HEX #31B938

RGB 49 185 56

HSL 123.09, 0.58%, 0.46%

LAB 66.24, -60.45, 52.78

 

CMYK 74 / 41 / 0 / 27

HEX #316EB9

RGB 49 110 185

HSL 213.09, 0.58%, 0.46%

LAB 46.05, 6.29, -45.26

 

CMYK 0 / 74 / 4 / 27

HEX #B931B2

RGB 185 49 178

HSL 303.09, 0.58%, 0.46%

LAB 46.61, 67.28, -39.48

 

Description

Color code: RGB 185 125 49 | qconv.com Color code: RGB 185 125 49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 125 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 125 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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