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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 97 175 it is the complementary color RGB 71 158 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 97 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 97 175: RGB 189 97 170, RGB 206 115 189, RGB 223 133 208, RGB 240 151 227 and RGB 255 169 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 97 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 97 175: RGB 184 97 175, RGB 167 79 156, RGB 150 61 137, RGB 133 43 118 and RGB 116 25 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 5 / 28

HEX #B861AF

RGB 184 97 175

HSL 306.21, 0.38%, 0.55%

LAB 53.85, 45.95, -26.41

 

Complementary color

CMYK 55 / 0 / 49 / 38

HEX #479E50

RGB 71 158 80

HSL 126.21, 0.38%, 0.45%

LAB 58.39, -43, 32.84

 

CMYK 0 / 49 / 10 / 26

HEX #BD61AA

RGB 189 97 170

HSL 312.39, 0.41%, 0.56%

LAB 54.31, 46.62, -22.74

 

CMYK 0 / 44 / 8 / 19

HEX #CE73BD

RGB 206 115 189

HSL 311.21, 0.48%, 0.63%

LAB 60.83, 45.91, -23.46

 

CMYK 0 / 40 / 7 / 13

HEX #DF85D0

RGB 223 133 208

HSL 310, 0.58%, 0.7%

LAB 67.29, 45.17, -24.08

 

CMYK 0 / 37 / 5 / 6

HEX #F097E3

RGB 240 151 227

HSL 308.76, 0.75%, 0.77%

LAB 73.68, 44.43, -24.63

 

CMYK 0 / 34 / 4 / 0

HEX #FFA9F6

RGB 255 169 246

HSL 306.28, 1%, 0.83%

LAB 79.78, 43.09, -25.47

 

CMYK 0 / 47 / 5 / 28

HEX #B861AF

RGB 184 97 175

HSL 306.21, 0.38%, 0.55%

LAB 53.85, 45.95, -26.41

 

CMYK 0 / 53 / 7 / 35

HEX #A74F9C

RGB 167 79 156

HSL 307.5, 0.36%, 0.48%

LAB 47.25, 46.6, -25.67

 

CMYK 0 / 59 / 9 / 41

HEX #963D89

RGB 150 61 137

HSL 308.76, 0.42%, 0.41%

LAB 40.62, 47.08, -24.72

 

CMYK 0 / 68 / 11 / 48

HEX #852B76

RGB 133 43 118

HSL 310, 0.51%, 0.35%

LAB 34.03, 47.19, -23.43

 

CMYK 0 / 78 / 15 / 55

HEX #741963

RGB 116 25 99

HSL 311.21, 0.65%, 0.28%

LAB 27.6, 46.55, -21.55

 

CMYK 0 / 47 / 5 / 28

HEX #B861AF

RGB 184 97 175

HSL 306.21, 0.38%, 0.55%

LAB 53.85, 45.95, -26.41

 

CMYK 0 / 48 / 13 / 28

HEX #B760A0

RGB 183 96 160

HSL 315.86, 0.38%, 0.55%

LAB 52.92, 43.59, -19.11

 

CMYK 0 / 48 / 20 / 28

HEX #B76092

RGB 183 96 146

HSL 325.52, 0.38%, 0.55%

LAB 52.41, 41.36, -11.66

 

CMYK 0 / 48 / 28 / 28

HEX #B76083

RGB 183 96 131

HSL 335.86, 0.38%, 0.55%

LAB 51.92, 39.18, -3.51

 

CMYK 0 / 48 / 37 / 28

HEX #B76074

RGB 183 96 116

HSL 346.21, 0.38%, 0.55%

LAB 51.49, 37.23, 4.78

 

CMYK 0 / 47 / 5 / 28

HEX #B861AF

RGB 184 97 175

HSL 306.21, 0.38%, 0.55%

LAB 53.85, 45.95, -26.41

 

CMYK 0 / 47 / 5 / 8

HEX #EB7CE0

RGB 235 124 224

HSL 305.95, 0.74%, 0.7%

LAB 67.62, 56.03, -32.34

 

CMYK 0 / 48 / 6 / 88

HEX #1F101D

RGB 31 16 29

HSL 308, 0.32%, 0.09%

LAB 6.78, 10.34, -5.91

 

CMYK 0 / 48 / 5 / 68

HEX #522B4E

RGB 82 43 78

HSL 306.15, 0.31%, 0.25%

LAB 23.91, 23.91, -13.87

 

CMYK 0 / 47 / 5 / 48

HEX #85467E

RGB 133 70 126

HSL 306.67, 0.31%, 0.4%

LAB 39.37, 35.28, -20.12

 

CMYK 0 / 47 / 5 / 28

HEX #B861AF

RGB 184 97 175

HSL 306.21, 0.38%, 0.55%

LAB 53.85, 45.95, -26.41

 

CMYK 0 / 33 / 48 / 28

HEX #B77A60

RGB 183 122 96

HSL 17.93, 0.38%, 0.55%

LAB 56.91, 20.78, 23.92

 

CMYK 48 / 0 / 14 / 28

HEX #60B79D

RGB 96 183 157

HSL 162.07, 0.38%, 0.55%

LAB 68.6, -32.57, 5.15

 

CMYK 0 / 47 / 5 / 28

HEX #B861AF

RGB 184 97 175

HSL 306.21, 0.38%, 0.55%

LAB 53.85, 45.95, -26.41

 

CMYK 4 / 0 / 48 / 28

HEX #AFB760

RGB 175 183 96

HSL 65.52, 0.38%, 0.55%

LAB 72.11, -15.62, 42.99

 

CMYK 48 / 4 / 0 / 28

HEX #60AFB7

RGB 96 175 183

HSL 185.52, 0.38%, 0.55%

LAB 66.95, -22.1, -11.64

 

CMYK 0 / 47 / 5 / 28

HEX #B861AF

RGB 184 97 175

HSL 306.21, 0.38%, 0.55%

LAB 53.85, 45.95, -26.41

 

CMYK 0 / 33 / 48 / 28

HEX #B77A60

RGB 183 122 96

HSL 17.93, 0.38%, 0.55%

LAB 56.91, 20.78, 23.92

 

CMYK 48 / 0 / 43 / 28

HEX #60B769

RGB 96 183 105

HSL 126.21, 0.38%, 0.55%

LAB 67.56, -42.79, 31.72

 

CMYK 48 / 14 / 0 / 28

HEX #609DB7

RGB 96 157 183

HSL 197.93, 0.38%, 0.55%

LAB 61.67, -12.61, -19.61

 

CMYK 0 / 47 / 5 / 28

HEX #B861AF

RGB 184 97 175

HSL 306.21, 0.38%, 0.55%

LAB 53.85, 45.95, -26.41

 

CMYK 0 / 19 / 48 / 28

HEX #B79460

RGB 183 148 96

HSL 35.86, 0.38%, 0.55%

LAB 63.42, 6.34, 32.36

 

CMYK 48 / 0 / 43 / 28

HEX #60B769

RGB 96 183 105

HSL 126.21, 0.38%, 0.55%

LAB 67.56, -42.79, 31.72

 

CMYK 48 / 28 / 0 / 28

HEX #6083B7

RGB 96 131 183

HSL 215.86, 0.38%, 0.55%

LAB 54.17, 2.12, -31.16

 

Description

Color code: RGB 184 97 175 | qconv.com Color code: RGB 184 97 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 97 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 97 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 5 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 5% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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