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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 96 164 it is the complementary color RGB 71 159 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 96 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 96 164: RGB 189 96 159, RGB 206 114 178, RGB 223 132 197, RGB 240 150 216 and RGB 255 168 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 96 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 96 164: RGB 184 96 164, RGB 167 78 145, RGB 150 60 126, RGB 133 42 107 and RGB 116 24 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 11 / 28

HEX #B860A4

RGB 184 96 164

HSL 313.64, 0.38%, 0.55%

LAB 53.21, 44.57, -21

 

Complementary color

CMYK 55 / 0 / 43 / 38

HEX #479F5B

RGB 71 159 91

HSL 133.64, 0.38%, 0.45%

LAB 58.87, -41.65, 27.67

 

CMYK 0 / 49 / 16 / 26

HEX #BD609F

RGB 189 96 159

HSL 319.35, 0.41%, 0.56%

LAB 53.69, 45.34, -17.27

 

CMYK 0 / 45 / 14 / 19

HEX #CE72B2

RGB 206 114 178

HSL 318.26, 0.48%, 0.63%

LAB 60.22, 44.6, -18.12

 

CMYK 0 / 41 / 12 / 13

HEX #DF84C5

RGB 223 132 197

HSL 317.14, 0.59%, 0.7%

LAB 66.69, 43.85, -18.85

 

CMYK 0 / 38 / 10 / 6

HEX #F096D8

RGB 240 150 216

HSL 316, 0.75%, 0.76%

LAB 73.09, 43.1, -19.5

 

CMYK 0 / 34 / 8 / 0

HEX #FFA8EB

RGB 255 168 235

HSL 313.79, 1%, 0.83%

LAB 79.19, 41.73, -20.43

 

CMYK 0 / 48 / 11 / 28

HEX #B860A4

RGB 184 96 164

HSL 313.64, 0.38%, 0.55%

LAB 53.21, 44.57, -21

 

CMYK 0 / 53 / 13 / 35

HEX #A74E91

RGB 167 78 145

HSL 314.83, 0.36%, 0.48%

LAB 46.59, 45.24, -20.12

 

CMYK 0 / 60 / 16 / 41

HEX #963C7E

RGB 150 60 126

HSL 316, 0.43%, 0.41%

LAB 39.95, 45.74, -19.01

 

CMYK 0 / 68 / 20 / 48

HEX #852A6B

RGB 133 42 107

HSL 317.14, 0.52%, 0.34%

LAB 33.36, 45.88, -17.51

 

CMYK 0 / 79 / 24 / 55

HEX #741858

RGB 116 24 88

HSL 318.26, 0.66%, 0.27%

LAB 26.94, 45.26, -15.36

 

CMYK 0 / 48 / 11 / 28

HEX #B860A4

RGB 184 96 164

HSL 313.64, 0.38%, 0.55%

LAB 53.21, 44.57, -21

 

CMYK 0 / 48 / 18 / 28

HEX #B76096

RGB 183 96 150

HSL 322.76, 0.38%, 0.55%

LAB 52.55, 41.98, -13.81

 

CMYK 0 / 48 / 26 / 28

HEX #B76087

RGB 183 96 135

HSL 333.1, 0.38%, 0.55%

LAB 52.04, 39.74, -5.7

 

CMYK 0 / 48 / 34 / 28

HEX #B76079

RGB 183 96 121

HSL 342.76, 0.38%, 0.55%

LAB 51.63, 37.85, 2

 

CMYK 0 / 48 / 42 / 28

HEX #B7606A

RGB 183 96 106

HSL 353.1, 0.38%, 0.55%

LAB 51.24, 36.06, 10.37

 

CMYK 0 / 48 / 11 / 28

HEX #B860A4

RGB 184 96 164

HSL 313.64, 0.38%, 0.55%

LAB 53.21, 44.57, -21

 

CMYK 0 / 48 / 11 / 8

HEX #EB7BD1

RGB 235 123 209

HSL 313.93, 0.74%, 0.7%

LAB 66.85, 54.06, -25.19

 

CMYK 0 / 48 / 10 / 88

HEX #1F101C

RGB 31 16 28

HSL 312, 0.32%, 0.09%

LAB 6.74, 10.08, -5.21

 

CMYK 0 / 48 / 11 / 68

HEX #522B49

RGB 82 43 73

HSL 313.85, 0.31%, 0.25%

LAB 23.68, 22.9, -10.87

 

CMYK 0 / 48 / 11 / 48

HEX #854577

RGB 133 69 119

HSL 313.13, 0.32%, 0.4%

LAB 38.85, 34.54, -16.59

 

CMYK 0 / 48 / 11 / 28

HEX #B860A4

RGB 184 96 164

HSL 313.64, 0.38%, 0.55%

LAB 53.21, 44.57, -21

 

CMYK 0 / 28 / 48 / 28

HEX #B78460

RGB 183 132 96

HSL 24.83, 0.38%, 0.55%

LAB 59.36, 15.21, 27.13

 

CMYK 48 / 0 / 9 / 28

HEX #60B7A7

RGB 96 183 167

HSL 168.97, 0.38%, 0.55%

LAB 68.86, -30.19, 0.02

 

CMYK 0 / 48 / 11 / 28

HEX #B860A4

RGB 184 96 164

HSL 313.64, 0.38%, 0.55%

LAB 53.21, 44.57, -21

 

CMYK 10 / 0 / 48 / 28

HEX #A4B760

RGB 164 183 96

HSL 73.1, 0.38%, 0.55%

LAB 71.29, -20.06, 41.8

 

CMYK 48 / 10 / 0 / 28

HEX #60A4B7

RGB 96 164 183

HSL 193.1, 0.38%, 0.55%

LAB 63.72, -16.37, -16.5

 

CMYK 0 / 48 / 11 / 28

HEX #B860A4

RGB 184 96 164

HSL 313.64, 0.38%, 0.55%

LAB 53.21, 44.57, -21

 

CMYK 0 / 28 / 48 / 28

HEX #B78460

RGB 183 132 96

HSL 24.83, 0.38%, 0.55%

LAB 59.36, 15.21, 27.13

 

CMYK 48 / 0 / 37 / 28

HEX #60B773

RGB 96 183 115

HSL 133.1, 0.38%, 0.55%

LAB 67.72, -41.13, 26.69

 

CMYK 48 / 20 / 0 / 28

HEX #6093B7

RGB 96 147 183

HSL 204.83, 0.38%, 0.55%

LAB 58.76, -7.09, -24.06

 

CMYK 0 / 48 / 11 / 28

HEX #B860A4

RGB 184 96 164

HSL 313.64, 0.38%, 0.55%

LAB 53.21, 44.57, -21

 

CMYK 0 / 13 / 48 / 28

HEX #B79F60

RGB 183 159 96

HSL 43.45, 0.38%, 0.55%

LAB 66.3, 0.34, 35.99

 

CMYK 48 / 0 / 37 / 28

HEX #60B773

RGB 96 183 115

HSL 133.1, 0.38%, 0.55%

LAB 67.72, -41.13, 26.69

 

CMYK 48 / 34 / 0 / 28

HEX #6079B7

RGB 96 121 183

HSL 222.76, 0.38%, 0.55%

LAB 51.36, 8.08, -35.56

 

Description

Color code: RGB 184 96 164 | qconv.com Color code: RGB 184 96 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 96 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 96 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 11 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 11% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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