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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 92 42 it is the complementary color RGB 71 163 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 92 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 92 42: RGB 189 92 37, RGB 206 110 56, RGB 223 128 75, RGB 240 146 94 and RGB 255 164 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 92 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 92 42: RGB 184 92 42, RGB 167 74 23, RGB 150 56 4, RGB 133 38 0 and RGB 116 20 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 77 / 28

HEX #B85C2A

RGB 184 92 42

HSL 21.13, 0.63%, 0.44%

LAB 49.51, 33.71, 44.31

 

Complementary color

CMYK 67 / 23 / 0 / 16

HEX #47A3D5

RGB 71 163 213

HSL 201.13, 0.63%, 0.56%

LAB 63.62, -11.67, -33.45

 

CMYK 0 / 51 / 80 / 26

HEX #BD5C25

RGB 189 92 37

HSL 21.71, 0.67%, 0.44%

LAB 50.22, 35.54, 47.6

 

CMYK 0 / 47 / 73 / 19

HEX #CE6E38

RGB 206 110 56

HSL 21.6, 0.6%, 0.51%

LAB 56.64, 33.78, 45.86

 

CMYK 0 / 43 / 66 / 13

HEX #DF804B

RGB 223 128 75

HSL 21.49, 0.7%, 0.58%

LAB 63.04, 32.19, 44.02

 

CMYK 0 / 39 / 61 / 6

HEX #F0925E

RGB 240 146 94

HSL 21.37, 0.83%, 0.65%

LAB 69.39, 30.75, 42.25

 

CMYK 0 / 36 / 56 / 0

HEX #FFA471

RGB 255 164 113

HSL 21.55, 1%, 0.72%

LAB 75.45, 28.67, 40.23

 

CMYK 0 / 50 / 77 / 28

HEX #B85C2A

RGB 184 92 42

HSL 21.13, 0.63%, 0.44%

LAB 49.51, 33.71, 44.31

 

CMYK 0 / 56 / 86 / 35

HEX #A74A17

RGB 167 74 23

HSL 21.25, 0.76%, 0.37%

LAB 43.03, 35.55, 45.88

 

CMYK 0 / 63 / 97 / 41

HEX #963804

RGB 150 56 4

HSL 21.37, 0.95%, 0.3%

LAB 36.6, 37.44, 46.48

 

CMYK 0 / 71 / 100 / 48

HEX #852600

RGB 133 38 0

HSL 17.14, 1%, 0.26%

LAB 30.33, 39.17, 42.52

 

CMYK 0 / 83 / 100 / 55

HEX #741400

RGB 116 20 0

HSL 10.34, 1%, 0.23%

LAB 24.36, 40.02, 35.99

 

CMYK 0 / 50 / 77 / 28

HEX #B85C2A

RGB 184 92 42

HSL 21.13, 0.63%, 0.44%

LAB 49.51, 33.71, 44.31

 

CMYK 0 / 37 / 77 / 29

HEX #B67229

RGB 182 114 41

HSL 31.06, 0.63%, 0.44%

LAB 54.18, 20.88, 49.29

 

CMYK 0 / 24 / 77 / 29

HEX #B68A29

RGB 182 138 41

HSL 41.28, 0.63%, 0.44%

LAB 60.14, 7.55, 55

 

CMYK 0 / 12 / 77 / 29

HEX #B6A129

RGB 182 161 41

HSL 51.06, 0.63%, 0.44%

LAB 66.21, -4.94, 60.64

 

CMYK 1 / 0 / 77 / 29

HEX #B4B629

RGB 180 182 41

HSL 60.85, 0.63%, 0.44%

LAB 71.77, -16.73, 65.64

 

CMYK 0 / 50 / 77 / 28

HEX #B85C2A

RGB 184 92 42

HSL 21.13, 0.63%, 0.44%

LAB 49.51, 33.71, 44.31

 

CMYK 0 / 50 / 77 / 8

HEX #EB7636

RGB 235 118 54

HSL 21.22, 0.82%, 0.57%

LAB 62.41, 41.05, 54.06

 

CMYK 0 / 48 / 77 / 88

HEX #1F1007

RGB 31 16 7

HSL 22.5, 0.63%, 0.07%

LAB 6.12, 5.94, 6.4

 

CMYK 0 / 50 / 77 / 68

HEX #522913

RGB 82 41 19

HSL 20.95, 0.62%, 0.2%

LAB 21.68, 16.99, 22.44

 

CMYK 0 / 50 / 77 / 48

HEX #85431E

RGB 133 67 30

HSL 21.55, 0.63%, 0.32%

LAB 36.17, 25.38, 34.21

Pantone® 7517 C

CMYK 0 / 50 / 77 / 28

HEX #B85C2A

RGB 184 92 42

HSL 21.13, 0.63%, 0.44%

LAB 49.51, 33.71, 44.31

 

CMYK 42 / 0 / 77 / 29

HEX #69B629

RGB 105 182 41

HSL 92.77, 0.63%, 0.44%

LAB 66.99, -46.35, 59.47

 

CMYK 77 / 74 / 0 / 29

HEX #2930B6

RGB 41 48 182

HSL 237.02, 0.63%, 0.44%

LAB 29.32, 43.93, -70.68

 

CMYK 0 / 50 / 77 / 28

HEX #B85C2A

RGB 184 92 42

HSL 21.13, 0.63%, 0.44%

LAB 49.51, 33.71, 44.31

 

CMYK 77 / 0 / 51 / 29

HEX #29B65A

RGB 41 182 90

HSL 140.85, 0.63%, 0.44%

LAB 65.49, -56.4, 36.43

 

CMYK 51 / 77 / 0 / 29

HEX #5A29B6

RGB 90 41 182

HSL 260.85, 0.63%, 0.44%

LAB 32.12, 53.17, -65.93

 

CMYK 0 / 50 / 77 / 28

HEX #B85C2A

RGB 184 92 42

HSL 21.13, 0.63%, 0.44%

LAB 49.51, 33.71, 44.31

 

CMYK 42 / 0 / 77 / 29

HEX #69B629

RGB 105 182 41

HSL 92.77, 0.63%, 0.44%

LAB 66.99, -46.35, 59.47

 

CMYK 77 / 27 / 0 / 29

HEX #2985B6

RGB 41 133 182

HSL 200.85, 0.63%, 0.44%

LAB 52.54, -9.64, -33.31

 

CMYK 35 / 77 / 0 / 29

HEX #7729B6

RGB 119 41 182

HSL 273.19, 0.63%, 0.44%

LAB 35.76, 57.74, -59.82

 

CMYK 0 / 50 / 77 / 28

HEX #B85C2A

RGB 184 92 42

HSL 21.13, 0.63%, 0.44%

LAB 49.51, 33.71, 44.31

 

CMYK 66 / 0 / 77 / 29

HEX #3EB629

RGB 62 182 41

HSL 111.06, 0.63%, 0.44%

LAB 65.47, -58.21, 57.48

 

CMYK 77 / 27 / 0 / 29

HEX #2985B6

RGB 41 133 182

HSL 200.85, 0.63%, 0.44%

LAB 52.54, -9.64, -33.31

 

CMYK 12 / 77 / 0 / 29

HEX #A129B6

RGB 161 41 182

HSL 291.06, 0.63%, 0.44%

LAB 42.06, 65.47, -49.32

 

Description

Color code: RGB 184 92 42 | qconv.com Color code: RGB 184 92 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 92 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 92 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 77 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 77% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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