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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 87 73 it is the complementary color RGB 71 168 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 87 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 87 73: RGB 189 87 68, RGB 206 105 87, RGB 223 123 106, RGB 240 141 125 and RGB 255 159 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 87 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 87 73: RGB 184 87 73, RGB 167 69 54, RGB 150 51 35, RGB 133 33 16 and RGB 116 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 60 / 28

HEX #B85749

RGB 184 87 73

HSL 7.57, 0.44%, 0.5%

LAB 48.87, 38.07, 26.72

 

Complementary color

CMYK 61 / 8 / 0 / 29

HEX #47A8B6

RGB 71 168 182

HSL 187.57, 0.44%, 0.5%

LAB 63.94, -24, -15.71

 

CMYK 0 / 54 / 64 / 26

HEX #BD5744

RGB 189 87 68

HSL 9.42, 0.48%, 0.5%

LAB 49.56, 39.63, 30.64

 

CMYK 0 / 49 / 58 / 19

HEX #CE6957

RGB 206 105 87

HSL 9.08, 0.55%, 0.57%

LAB 56, 38.3, 28.43

 

CMYK 0 / 45 / 52 / 13

HEX #DF7B6A

RGB 223 123 106

HSL 8.72, 0.65%, 0.65%

LAB 62.42, 37.05, 26.5

 

CMYK 0 / 41 / 48 / 6

HEX #F08D7D

RGB 240 141 125

HSL 8.35, 0.79%, 0.72%

LAB 68.79, 35.88, 24.8

 

CMYK 0 / 38 / 44 / 0

HEX #FF9F90

RGB 255 159 144

HSL 8.11, 1%, 0.78%

LAB 74.87, 34.05, 22.91

 

CMYK 0 / 53 / 60 / 28

HEX #B85749

RGB 184 87 73

HSL 7.57, 0.44%, 0.5%

LAB 48.87, 38.07, 26.72

 

CMYK 0 / 59 / 68 / 35

HEX #A74536

RGB 167 69 54

HSL 7.96, 0.51%, 0.43%

LAB 42.37, 39.39, 29.2

 

CMYK 0 / 66 / 77 / 41

HEX #963323

RGB 150 51 35

HSL 8.35, 0.62%, 0.36%

LAB 35.93, 40.62, 32.09

 

CMYK 0 / 75 / 88 / 48

HEX #852110

RGB 133 33 16

HSL 8.72, 0.79%, 0.29%

LAB 29.69, 41.51, 35.2

 

CMYK 0 / 87 / 100 / 55

HEX #740F00

RGB 116 15 0

HSL 7.76, 1%, 0.23%

LAB 23.85, 41.47, 35.49

 

CMYK 0 / 53 / 60 / 28

HEX #B85749

RGB 184 87 73

HSL 7.57, 0.44%, 0.5%

LAB 48.87, 38.07, 26.72

 

CMYK 0 / 44 / 61 / 28

HEX #B76747

RGB 183 103 71

HSL 17.14, 0.44%, 0.5%

LAB 52.09, 29.07, 31.85

 

CMYK 0 / 34 / 61 / 28

HEX #B77947

RGB 183 121 71

HSL 26.79, 0.44%, 0.5%

LAB 56.28, 19.14, 36.92

 

CMYK 0 / 23 / 61 / 28

HEX #B78C47

RGB 183 140 71

HSL 36.96, 0.44%, 0.5%

LAB 61.03, 8.59, 42.48

 

CMYK 0 / 13 / 61 / 28

HEX #B79F47

RGB 183 159 71

HSL 47.14, 0.44%, 0.5%

LAB 66, -1.78, 48.12

 

CMYK 0 / 53 / 60 / 28

HEX #B85749

RGB 184 87 73

HSL 7.57, 0.44%, 0.5%

LAB 48.87, 38.07, 26.72

 

CMYK 0 / 53 / 60 / 8

HEX #EB6F5D

RGB 235 111 93

HSL 7.61, 0.78%, 0.64%

LAB 61.5, 46.55, 32.91

 

CMYK 0 / 52 / 61 / 88

HEX #1F0F0C

RGB 31 15 12

HSL 9.47, 0.44%, 0.08%

LAB 5.96, 7.19, 4.08

 

CMYK 0 / 52 / 60 / 68

HEX #522721

RGB 82 39 33

HSL 7.35, 0.43%, 0.23%

LAB 21.41, 19.35, 13.08

 

CMYK 0 / 53 / 60 / 48

HEX #853F35

RGB 133 63 53

HSL 7.5, 0.43%, 0.36%

LAB 35.59, 29.09, 20.17

 

CMYK 0 / 53 / 60 / 28

HEX #B85749

RGB 184 87 73

HSL 7.57, 0.44%, 0.5%

LAB 48.87, 38.07, 26.72

 

CMYK 19 / 0 / 61 / 28

HEX #94B747

RGB 148 183 71

HSL 78.75, 0.44%, 0.5%

LAB 69.91, -28.79, 51.68

 

CMYK 61 / 44 / 0 / 28

HEX #4767B7

RGB 71 103 183

HSL 222.86, 0.44%, 0.5%

LAB 44.88, 13.62, -45.91

 

CMYK 0 / 53 / 60 / 28

HEX #B85749

RGB 184 87 73

HSL 7.57, 0.44%, 0.5%

LAB 48.87, 38.07, 26.72

 

CMYK 61 / 0 / 54 / 28

HEX #47B754

RGB 71 183 84

HSL 126.96, 0.44%, 0.5%

LAB 66.4, -52.28, 40.67

 

CMYK 54 / 61 / 0 / 28

HEX #5447B7

RGB 84 71 183

HSL 246.96, 0.44%, 0.5%

LAB 37.5, 36.3, -57.76

 

CMYK 0 / 53 / 60 / 28

HEX #B85749

RGB 184 87 73

HSL 7.57, 0.44%, 0.5%

LAB 48.87, 38.07, 26.72

 

CMYK 19 / 0 / 61 / 28

HEX #94B747

RGB 148 183 71

HSL 78.75, 0.44%, 0.5%

LAB 69.91, -28.79, 51.68

 

CMYK 61 / 7 / 0 / 28

HEX #47AAB7

RGB 71 170 183

HSL 186.96, 0.44%, 0.5%

LAB 64.57, -24.72, -15.31

 

CMYK 42 / 61 / 0 / 28

HEX #6A47B7

RGB 106 71 183

HSL 258.75, 0.44%, 0.5%

LAB 39.56, 40.8, -54.31

 

CMYK 0 / 53 / 60 / 28

HEX #B85749

RGB 184 87 73

HSL 7.57, 0.44%, 0.5%

LAB 48.87, 38.07, 26.72

 

CMYK 38 / 0 / 61 / 28

HEX #72B747

RGB 114 183 71

HSL 96.96, 0.44%, 0.5%

LAB 67.95, -41.43, 48.96

 

CMYK 61 / 7 / 0 / 28

HEX #47AAB7

RGB 71 170 183

HSL 186.96, 0.44%, 0.5%

LAB 64.57, -24.72, -15.31

 

CMYK 23 / 61 / 0 / 28

HEX #8C47B7

RGB 140 71 183

HSL 276.96, 0.44%, 0.5%

LAB 43.51, 48.7, -47.76

 

Description

Color code: RGB 184 87 73 | qconv.com Color code: RGB 184 87 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 87 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 87 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 60 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 60% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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