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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 68 190 it is the complementary color RGB 71 187 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 68 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 68 190: RGB 189 68 185, RGB 206 86 204, RGB 223 104 223, RGB 240 122 242 and RGB 255 140 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 68 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 68 190: RGB 184 68 190, RGB 167 50 171, RGB 150 32 152, RGB 133 14 133 and RGB 116 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 64 / 0 / 25

HEX #B844BE

RGB 184 68 190

HSL 297.05, 0.48%, 0.51%

LAB 49.55, 62.12, -41.86

 

Complementary color

CMYK 62 / 0 / 65 / 27

HEX #47BB41

RGB 71 187 65

HSL 117.05, 0.48%, 0.49%

LAB 67.47, -55.98, 50.58

 

CMYK 0 / 64 / 2 / 26

HEX #BD44B9

RGB 189 68 185

HSL 301.98, 0.48%, 0.5%

LAB 50.04, 62.47, -38.12

 

CMYK 0 / 58 / 1 / 19

HEX #CE56CC

RGB 206 86 204

HSL 301, 0.55%, 0.57%

LAB 56.22, 62.38, -39.16

 

CMYK 0 / 53 / 0 / 13

HEX #DF68DF

RGB 223 104 223

HSL 300, 0.65%, 0.64%

LAB 62.44, 62.01, -39.98

 

CMYK 1 / 50 / 0 / 5

HEX #F07AF2

RGB 240 122 242

HSL 299, 0.82%, 0.71%

LAB 68.65, 61.48, -40.64

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 3 / 64 / 0 / 25

HEX #B844BE

RGB 184 68 190

HSL 297.05, 0.48%, 0.51%

LAB 49.55, 62.12, -41.86

 

CMYK 2 / 71 / 0 / 33

HEX #A732AB

RGB 167 50 171

HSL 298.02, 0.55%, 0.43%

LAB 43.41, 61.8, -40.6

 

CMYK 1 / 79 / 0 / 40

HEX #962098

RGB 150 32 152

HSL 299, 0.65%, 0.36%

LAB 37.45, 60.73, -38.85

 

CMYK 0 / 89 / 0 / 48

HEX #850E85

RGB 133 14 133

HSL 300, 0.81%, 0.29%

LAB 31.79, 58.45, -36.36

 

CMYK 0 / 100 / 2 / 55

HEX #740072

RGB 116 0 114

HSL 301.03, 1%, 0.23%

LAB 26.53, 54.6, -32.94

 

CMYK 3 / 64 / 0 / 25

HEX #B844BE

RGB 184 68 190

HSL 297.05, 0.48%, 0.51%

LAB 49.55, 62.12, -41.86

 

CMYK 0 / 63 / 7 / 25

HEX #BE46B0

RGB 190 70 176

HSL 307, 0.48%, 0.51%

LAB 50.05, 60.43, -32.84

 

CMYK 0 / 63 / 18 / 25

HEX #BE469C

RGB 190 70 156

HSL 317, 0.48%, 0.51%

LAB 49.16, 57.37, -22.43

 

CMYK 0 / 63 / 28 / 25

HEX #BE4688

RGB 190 70 136

HSL 327, 0.48%, 0.51%

LAB 48.39, 54.62, -11.65

 

CMYK 0 / 63 / 39 / 25

HEX #BE4674

RGB 190 70 116

HSL 337, 0.48%, 0.51%

LAB 47.74, 52.23, -0.53

 

CMYK 3 / 64 / 0 / 25

HEX #B844BE

RGB 184 68 190

HSL 297.05, 0.48%, 0.51%

LAB 49.55, 62.12, -41.86

 

CMYK 3 / 64 / 0 / 5

HEX #E956F1

RGB 233 86 241

HSL 296.9, 0.85%, 0.64%

LAB 61.94, 75.11, -50.71

 

CMYK 3 / 65 / 0 / 85

HEX #240D25

RGB 36 13 37

HSL 297.5, 0.48%, 0.1%

LAB 7.19, 16.62, -11.34

 

CMYK 3 / 65 / 0 / 65

HEX #551F58

RGB 85 31 88

HSL 296.84, 0.48%, 0.23%

LAB 22.36, 33.72, -22.92

 

CMYK 3 / 64 / 0 / 45

HEX #87328B

RGB 135 50 139

HSL 297.3, 0.47%, 0.37%

LAB 36.55, 48.38, -32.5

 

CMYK 3 / 64 / 0 / 25

HEX #B844BE

RGB 184 68 190

HSL 297.05, 0.48%, 0.51%

LAB 49.55, 62.12, -41.86

 

CMYK 0 / 54 / 63 / 25

HEX #BE5846

RGB 190 88 70

HSL 9, 0.48%, 0.51%

LAB 49.94, 39.64, 30

 

CMYK 63 / 0 / 28 / 25

HEX #46BE88

RGB 70 190 136

HSL 153, 0.48%, 0.51%

LAB 69.4, -46.13, 17.6

 

CMYK 3 / 64 / 0 / 25

HEX #B844BE

RGB 184 68 190

HSL 297.05, 0.48%, 0.51%

LAB 49.55, 62.12, -41.86

 

CMYK 0 / 3 / 63 / 25

HEX #BEB846

RGB 190 184 70

HSL 57, 0.48%, 0.51%

LAB 73.33, -11.98, 56.74

 

CMYK 63 / 0 / 3 / 25

HEX #46BEB8

RGB 70 190 184

HSL 177, 0.48%, 0.51%

LAB 70.59, -34.34, -6.86

 

CMYK 3 / 64 / 0 / 25

HEX #B844BE

RGB 184 68 190

HSL 297.05, 0.48%, 0.51%

LAB 49.55, 62.12, -41.86

 

CMYK 0 / 54 / 63 / 25

HEX #BE5846

RGB 190 88 70

HSL 9, 0.48%, 0.51%

LAB 49.94, 39.64, 30

 

CMYK 60 / 0 / 63 / 25

HEX #4CBE46

RGB 76 190 70

HSL 117, 0.48%, 0.51%

LAB 68.61, -55.4, 49.73

 

CMYK 63 / 9 / 0 / 25

HEX #46ACBE

RGB 70 172 190

HSL 189, 0.48%, 0.51%

LAB 65.38, -23.82, -17.98

 

CMYK 3 / 64 / 0 / 25

HEX #B844BE

RGB 184 68 190

HSL 297.05, 0.48%, 0.51%

LAB 49.55, 62.12, -41.86

 

CMYK 0 / 35 / 63 / 25

HEX #BE7C46

RGB 190 124 70

HSL 27, 0.48%, 0.51%

LAB 57.85, 20.39, 39.51

 

CMYK 60 / 0 / 63 / 25

HEX #4CBE46

RGB 76 190 70

HSL 117, 0.48%, 0.51%

LAB 68.61, -55.4, 49.73

 

CMYK 63 / 28 / 0 / 25

HEX #4688BE

RGB 70 136 190

HSL 207, 0.48%, 0.51%

LAB 54.69, -4.23, -34.45

 

Description

Color code: RGB 184 68 190 | qconv.com Color code: RGB 184 68 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 68 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 68 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 64 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 64% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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