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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 56 179 it is the complementary color RGB 71 199 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 56 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 56 179: RGB 189 56 174, RGB 206 74 193, RGB 223 92 212, RGB 240 110 231 and RGB 255 128 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 56 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 56 179: RGB 184 56 179, RGB 167 38 160, RGB 150 20 141, RGB 133 2 122 and RGB 116 0 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 3 / 28

HEX #B838B3

RGB 184 56 179

HSL 302.34, 0.53%, 0.47%

LAB 47.33, 64.85, -38.94

 

Complementary color

CMYK 64 / 0 / 62 / 22

HEX #47C74C

RGB 71 199 76

HSL 122.34, 0.53%, 0.53%

LAB 71.36, -59.08, 50.16

 

CMYK 0 / 70 / 8 / 26

HEX #BD38AE

RGB 189 56 174

HSL 306.77, 0.54%, 0.48%

LAB 47.88, 65.22, -35.08

 

CMYK 0 / 64 / 6 / 19

HEX #CE4AC1

RGB 206 74 193

HSL 305.91, 0.57%, 0.55%

LAB 53.89, 65.57, -36.53

 

CMYK 0 / 59 / 5 / 13

HEX #DF5CD4

RGB 223 92 212

HSL 305.04, 0.67%, 0.62%

LAB 59.98, 65.49, -37.65

 

CMYK 0 / 54 / 4 / 6

HEX #F06EE7

RGB 240 110 231

HSL 304.15, 0.81%, 0.69%

LAB 66.09, 65.15, -38.55

 

CMYK 0 / 50 / 2 / 0

HEX #FF80FA

RGB 255 128 250

HSL 302.36, 1%, 0.75%

LAB 71.96, 64.1, -39.7

 

CMYK 0 / 70 / 3 / 28

HEX #B838B3

RGB 184 56 179

HSL 302.34, 0.53%, 0.47%

LAB 47.33, 64.85, -38.94

 

CMYK 0 / 77 / 4 / 35

HEX #A726A0

RGB 167 38 160

HSL 303.26, 0.63%, 0.4%

LAB 41.44, 63.89, -37.17

 

CMYK 0 / 87 / 6 / 41

HEX #96148D

RGB 150 20 141

HSL 304.15, 0.76%, 0.33%

LAB 35.81, 61.88, -34.74

 

CMYK 0 / 98 / 8 / 48

HEX #85027A

RGB 133 2 122

HSL 305.04, 0.97%, 0.26%

LAB 30.48, 58.61, -31.53

 

CMYK 0 / 100 / 11 / 55

HEX #740067

RGB 116 0 103

HSL 306.72, 1%, 0.23%

LAB 25.84, 52.92, -26.92

 

CMYK 0 / 70 / 3 / 28

HEX #B838B3

RGB 184 56 179

HSL 302.34, 0.53%, 0.47%

LAB 47.33, 64.85, -38.94

 

CMYK 0 / 69 / 14 / 28

HEX #B7389D

RGB 183 56 157

HSL 312.28, 0.53%, 0.47%

LAB 46.08, 61.2, -27.89

 

CMYK 0 / 69 / 26 / 28

HEX #B73888

RGB 183 56 136

HSL 322.2, 0.53%, 0.47%

LAB 45.18, 58.28, -16.63

 

CMYK 0 / 69 / 37 / 28

HEX #B73873

RGB 183 56 115

HSL 332.13, 0.53%, 0.47%

LAB 44.42, 55.75, -4.93

 

CMYK 0 / 69 / 49 / 28

HEX #B7385E

RGB 183 56 94

HSL 342.05, 0.53%, 0.47%

LAB 43.81, 53.63, 7.16

 

CMYK 0 / 70 / 3 / 28

HEX #B838B3

RGB 184 56 179

HSL 302.34, 0.53%, 0.47%

LAB 47.33, 64.85, -38.94

 

CMYK 0 / 69 / 3 / 8

HEX #EB48E5

RGB 235 72 229

HSL 302.21, 0.8%, 0.6%

LAB 59.85, 78.63, -47.3

 

CMYK 0 / 71 / 3 / 88

HEX #1F091E

RGB 31 9 30

HSL 302.73, 0.55%, 0.08%

LAB 5.24, 14.1, -9

 

CMYK 0 / 70 / 2 / 68

HEX #521950

RGB 82 25 80

HSL 302.11, 0.53%, 0.21%

LAB 20.32, 34.19, -20.82

 

CMYK 0 / 70 / 3 / 48

HEX #852881

RGB 133 40 129

HSL 302.58, 0.54%, 0.34%

LAB 34.17, 50.27, -30.1

 

CMYK 0 / 70 / 3 / 28

HEX #B838B3

RGB 184 56 179

HSL 302.34, 0.53%, 0.47%

LAB 47.33, 64.85, -38.94

 

CMYK 0 / 54 / 69 / 28

HEX #B75538

RGB 183 85 56

HSL 13.7, 0.53%, 0.47%

LAB 48.07, 37.61, 35.41

 

CMYK 69 / 0 / 26 / 28

HEX #38B788

RGB 56 183 136

HSL 157.8, 0.53%, 0.47%

LAB 66.89, -45.67, 14.05

 

CMYK 0 / 70 / 3 / 28

HEX #B838B3

RGB 184 56 179

HSL 302.34, 0.53%, 0.47%

LAB 47.33, 64.85, -38.94

 

CMYK 2 / 0 / 69 / 28

HEX #B3B738

RGB 179 183 56

HSL 61.89, 0.53%, 0.47%

LAB 72.05, -16.98, 60.76

 

CMYK 69 / 2 / 0 / 28

HEX #38B3B7

RGB 56 179 183

HSL 181.89, 0.53%, 0.47%

LAB 66.9, -31.52, -11.84

 

CMYK 0 / 70 / 3 / 28

HEX #B838B3

RGB 184 56 179

HSL 302.34, 0.53%, 0.47%

LAB 47.33, 64.85, -38.94

 

CMYK 0 / 54 / 69 / 28

HEX #B75538

RGB 183 85 56

HSL 13.7, 0.53%, 0.47%

LAB 48.07, 37.61, 35.41

 

CMYK 69 / 0 / 67 / 28

HEX #38B73C

RGB 56 183 60

HSL 121.89, 0.53%, 0.47%

LAB 65.78, -58.19, 50.71

 

CMYK 69 / 16 / 0 / 28

HEX #3899B7

RGB 56 153 183

HSL 194.17, 0.53%, 0.47%

LAB 59.01, -18.35, -23.81

 

CMYK 0 / 70 / 3 / 28

HEX #B838B3

RGB 184 56 179

HSL 302.34, 0.53%, 0.47%

LAB 47.33, 64.85, -38.94

 

CMYK 0 / 32 / 69 / 28

HEX #B77C38

RGB 183 124 56

HSL 32.13, 0.53%, 0.47%

LAB 56.85, 16.5, 45.19

 

CMYK 69 / 0 / 67 / 28

HEX #38B73C

RGB 56 183 60

HSL 121.89, 0.53%, 0.47%

LAB 65.78, -58.19, 50.71

 

CMYK 69 / 37 / 0 / 28

HEX #3873B7

RGB 56 115 183

HSL 212.13, 0.53%, 0.47%

LAB 47.65, 3.49, -41.55

 

Description

Color code: RGB 184 56 179 | qconv.com Color code: RGB 184 56 179 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 56 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 56 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 3 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 3% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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