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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 15 127 it is the complementary color RGB 71 240 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 15 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 15 127: RGB 189 15 122, RGB 206 33 141, RGB 223 51 160, RGB 240 69 179 and RGB 255 87 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 15 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 15 127: RGB 184 15 127, RGB 167 0 108, RGB 150 0 89, RGB 133 0 70 and RGB 116 0 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 31 / 28

HEX #B80F7F

RGB 184 15 127

HSL 320.24, 0.85%, 0.39%

LAB 41.32, 67.95, -17.01

 

Complementary color

CMYK 70 / 0 / 47 / 6

HEX #47F080

RGB 71 240 128

HSL 140.24, 0.85%, 0.61%

LAB 84.6, -66.38, 41.83

 

CMYK 0 / 92 / 35 / 26

HEX #BD0F7A

RGB 189 15 122

HSL 323.1, 0.85%, 0.4%

LAB 42.1, 68.51, -12.63

 

CMYK 0 / 84 / 32 / 19

HEX #CE218D

RGB 206 33 141

HSL 322.54, 0.72%, 0.47%

LAB 47.15, 71.26, -16.29

 

CMYK 0 / 77 / 28 / 13

HEX #DF33A0

RGB 223 51 160

HSL 321.98, 0.73%, 0.54%

LAB 52.5, 72.95, -19.2

 

CMYK 0 / 71 / 25 / 6

HEX #F045B3

RGB 240 69 179

HSL 321.4, 0.85%, 0.61%

LAB 58.07, 73.86, -21.53

 

CMYK 0 / 66 / 22 / 0

HEX #FF57C6

RGB 255 87 198

HSL 320.36, 1%, 0.67%

LAB 63.47, 73.71, -23.93

 

CMYK 0 / 92 / 31 / 28

HEX #B80F7F

RGB 184 15 127

HSL 320.24, 0.85%, 0.39%

LAB 41.32, 67.95, -17.01

 

CMYK 0 / 100 / 35 / 35

HEX #A7006C

RGB 167 0 108

HSL 321.2, 1%, 0.33%

LAB 36.55, 63.99, -12.69

 

CMYK 0 / 100 / 41 / 41

HEX #960059

RGB 150 0 89

HSL 324.4, 1%, 0.29%

LAB 32.27, 58.37, -7.26

 

CMYK 0 / 100 / 47 / 48

HEX #850046

RGB 133 0 70

HSL 328.42, 1%, 0.26%

LAB 27.92, 52.69, -1.52

 

CMYK 0 / 100 / 56 / 55

HEX #740033

RGB 116 0 51

HSL 333.62, 1%, 0.23%

LAB 23.51, 46.97, 4.63

 

CMYK 0 / 92 / 31 / 28

HEX #B80F7F

RGB 184 15 127

HSL 320.24, 0.85%, 0.39%

LAB 41.32, 67.95, -17.01

 

CMYK 0 / 92 / 46 / 28

HEX #B70E63

RGB 183 14 99

HSL 329.82, 0.86%, 0.39%

LAB 40.05, 65.1, -1.4

 

CMYK 0 / 92 / 61 / 28

HEX #B70E47

RGB 183 14 71

HSL 339.76, 0.86%, 0.39%

LAB 39.3, 63.04, 15.4

 

CMYK 0 / 92 / 77 / 28

HEX #B70E2B

RGB 183 14 43

HSL 349.7, 0.86%, 0.39%

LAB 38.82, 61.69, 32.4

 

CMYK 0 / 92 / 92 / 28

HEX #B70E0E

RGB 183 14 14

HSL 0, 0.86%, 0.39%

LAB 38.57, 60.99, 47.42

 

CMYK 0 / 92 / 31 / 28

HEX #B80F7F

RGB 184 15 127

HSL 320.24, 0.85%, 0.39%

LAB 41.32, 67.95, -17.01

 

CMYK 0 / 92 / 31 / 8

HEX #EB13A2

RGB 235 19 162

HSL 320.28, 0.85%, 0.5%

LAB 52.66, 81.89, -19.95

 

CMYK 0 / 90 / 32 / 88

HEX #1F0315

RGB 31 3 21

HSL 321.43, 0.82%, 0.07%

LAB 3.71, 14.04, -4.33

 

CMYK 0 / 91 / 30 / 68

HEX #520739

RGB 82 7 57

HSL 320, 0.84%, 0.17%

LAB 16.71, 37.11, -10.52

 

CMYK 0 / 92 / 31 / 48

HEX #850B5C

RGB 133 11 92

HSL 320.16, 0.85%, 0.28%

LAB 29.41, 53.17, -13.9

 

CMYK 0 / 92 / 31 / 28

HEX #B80F7F

RGB 184 15 127

HSL 320.24, 0.85%, 0.39%

LAB 41.32, 67.95, -17.01

 

CMYK 0 / 43 / 92 / 28

HEX #B7690E

RGB 183 105 14

HSL 32.31, 0.86%, 0.39%

LAB 52.06, 25.51, 56.85

 

CMYK 92 / 0 / 6 / 28

HEX #0EB7AC

RGB 14 183 172

HSL 176.09, 0.86%, 0.39%

LAB 67.23, -40.28, -5.32

 

CMYK 0 / 92 / 31 / 28

HEX #B80F7F

RGB 184 15 127

HSL 320.24, 0.85%, 0.39%

LAB 41.32, 67.95, -17.01

 

CMYK 31 / 0 / 92 / 28

HEX #7FB70E

RGB 127 183 14

HSL 79.88, 0.86%, 0.39%

LAB 68.32, -39.86, 67.33

 

CMYK 92 / 31 / 0 / 28

HEX #0E7FB7

RGB 14 127 183

HSL 199.88, 0.86%, 0.39%

LAB 50.32, -7.99, -37.38

 

CMYK 0 / 92 / 31 / 28

HEX #B80F7F

RGB 184 15 127

HSL 320.24, 0.85%, 0.39%

LAB 41.32, 67.95, -17.01

 

CMYK 0 / 43 / 92 / 28

HEX #B7690E

RGB 183 105 14

HSL 32.31, 0.86%, 0.39%

LAB 52.06, 25.51, 56.85

 

CMYK 92 / 0 / 61 / 28

HEX #0EB747

RGB 14 183 71

HSL 140.24, 0.86%, 0.39%

LAB 65.29, -61.93, 45.23

 

CMYK 92 / 49 / 0 / 28

HEX #0E5DB7

RGB 14 93 183

HSL 211.95, 0.86%, 0.39%

LAB 40.15, 13.21, -53.61

 

CMYK 0 / 92 / 31 / 28

HEX #B80F7F

RGB 184 15 127

HSL 320.24, 0.85%, 0.39%

LAB 41.32, 67.95, -17.01

 

CMYK 0 / 15 / 92 / 28

HEX #B79B0E

RGB 183 155 14

HSL 50.06, 0.86%, 0.39%

LAB 64.6, -2.01, 66.22

 

CMYK 92 / 0 / 61 / 28

HEX #0EB747

RGB 14 183 71

HSL 140.24, 0.86%, 0.39%

LAB 65.29, -61.93, 45.23

 

CMYK 92 / 77 / 0 / 28

HEX #0E2BB7

RGB 14 43 183

HSL 229.7, 0.86%, 0.39%

LAB 27.41, 45.69, -74.47

 

Description

Color code: RGB 184 15 127 | qconv.com Color code: RGB 184 15 127 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 15 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 15 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 31 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 31% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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