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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 146 123 it is the complementary color RGB 71 109 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 146 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 146 123: RGB 189 146 118, RGB 206 164 137, RGB 223 182 156, RGB 240 200 175 and RGB 255 218 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 146 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 146 123: RGB 184 146 123, RGB 167 128 104, RGB 150 110 85, RGB 133 92 66 and RGB 116 74 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 33 / 28

HEX #B8927B

RGB 184 146 123

HSL 22.62, 0.3%, 0.6%

LAB 63.49, 10.98, 17.63

 

Complementary color

CMYK 46 / 17 / 0 / 48

HEX #476D84

RGB 71 109 132

HSL 202.62, 0.3%, 0.4%

LAB 44.15, -6.83, -16.9

 

CMYK 0 / 23 / 38 / 26

HEX #BD9276

RGB 189 146 118

HSL 23.66, 0.35%, 0.6%

LAB 63.9, 12.37, 21.07

 

CMYK 0 / 20 / 33 / 19

HEX #CEA489

RGB 206 164 137

HSL 23.48, 0.41%, 0.67%

LAB 70.51, 11.67, 19.9

 

CMYK 0 / 18 / 30 / 13

HEX #DFB69C

RGB 223 182 156

HSL 23.28, 0.51%, 0.74%

LAB 77.01, 11.06, 18.81

 

CMYK 0 / 17 / 27 / 6

HEX #F0C8AF

RGB 240 200 175

HSL 23.08, 0.68%, 0.81%

LAB 83.4, 10.52, 17.8

 

CMYK 0 / 15 / 24 / 0

HEX #FFDAC2

RGB 255 218 194

HSL 23.61, 1%, 0.88%

LAB 89.53, 9.3, 16.57

 

CMYK 0 / 21 / 33 / 28

HEX #B8927B

RGB 184 146 123

HSL 22.62, 0.3%, 0.6%

LAB 63.49, 10.98, 17.63

 

CMYK 0 / 23 / 38 / 35

HEX #A78068

RGB 167 128 104

HSL 22.86, 0.26%, 0.53%

LAB 56.74, 11.7, 18.83

 

CMYK 0 / 27 / 43 / 41

HEX #966E55

RGB 150 110 85

HSL 23.08, 0.28%, 0.46%

LAB 49.85, 12.54, 20.15

 

CMYK 0 / 31 / 50 / 48

HEX #855C42

RGB 133 92 66

HSL 23.28, 0.34%, 0.39%

LAB 42.81, 13.55, 21.64

 

CMYK 0 / 36 / 59 / 55

HEX #744A2F

RGB 116 74 47

HSL 23.48, 0.42%, 0.32%

LAB 35.63, 14.8, 23.34

 

CMYK 0 / 21 / 33 / 28

HEX #B8927B

RGB 184 146 123

HSL 22.62, 0.3%, 0.6%

LAB 63.49, 10.98, 17.63

 

CMYK 0 / 15 / 33 / 28

HEX #B79B7A

RGB 183 155 122

HSL 32.46, 0.3%, 0.6%

LAB 65.68, 5.49, 21.17

 

CMYK 0 / 10 / 33 / 28

HEX #B7A57A

RGB 183 165 122

HSL 42.3, 0.3%, 0.6%

LAB 68.3, 0.05, 24.71

 

CMYK 0 / 4 / 33 / 28

HEX #B7AF7A

RGB 183 175 122

HSL 52.13, 0.3%, 0.6%

LAB 70.96, -5.3, 28.25

 

CMYK 1 / 0 / 33 / 28

HEX #B5B77A

RGB 181 183 122

HSL 61.97, 0.3%, 0.6%

LAB 72.95, -10.29, 30.85

 

CMYK 0 / 21 / 33 / 28

HEX #B8927B

RGB 184 146 123

HSL 22.62, 0.3%, 0.6%

LAB 63.49, 10.98, 17.63

 

CMYK 0 / 21 / 33 / 8

HEX #EBBA9D

RGB 235 186 157

HSL 22.31, 0.66%, 0.77%

LAB 79.16, 13.68, 21.43

 

CMYK 0 / 19 / 32 / 88

HEX #1F1915

RGB 31 25 21

HSL 24, 0.19%, 0.1%

LAB 9.33, 2.13, 3.85

 

CMYK 0 / 21 / 33 / 68

HEX #524137

RGB 82 65 55

HSL 22.22, 0.2%, 0.27%

LAB 29.03, 5.64, 8.88

 

CMYK 0 / 20 / 33 / 48

HEX #856A59

RGB 133 106 89

HSL 23.18, 0.2%, 0.44%

LAB 47, 8.12, 13.62

 

CMYK 0 / 21 / 33 / 28

HEX #B8927B

RGB 184 146 123

HSL 22.62, 0.3%, 0.6%

LAB 63.49, 10.98, 17.63

 

CMYK 19 / 0 / 33 / 28

HEX #94B77A

RGB 148 183 122

HSL 94.43, 0.3%, 0.6%

LAB 70.57, -22.95, 27.26

 

CMYK 33 / 32 / 0 / 28

HEX #7A7CB7

RGB 122 124 183

HSL 238.03, 0.3%, 0.6%

LAB 54, 13.35, -31.31

 

CMYK 0 / 21 / 33 / 28

HEX #B8927B

RGB 184 146 123

HSL 22.62, 0.3%, 0.6%

LAB 63.49, 10.98, 17.63

 

CMYK 33 / 0 / 21 / 28

HEX #7AB790

RGB 122 183 144

HSL 141.64, 0.3%, 0.6%

LAB 69.48, -28.05, 13.68

 

CMYK 21 / 33 / 0 / 28

HEX #907AB7

RGB 144 122 183

HSL 261.64, 0.3%, 0.6%

LAB 55.35, 21.19, -29.06

 

CMYK 0 / 21 / 33 / 28

HEX #B8927B

RGB 184 146 123

HSL 22.62, 0.3%, 0.6%

LAB 63.49, 10.98, 17.63

 

CMYK 19 / 0 / 33 / 28

HEX #94B77A

RGB 148 183 122

HSL 94.43, 0.3%, 0.6%

LAB 70.57, -22.95, 27.26

 

CMYK 33 / 12 / 0 / 28

HEX #7AA1B7

RGB 122 161 183

HSL 201.64, 0.3%, 0.6%

LAB 64.2, -7.85, -15.65

 

CMYK 14 / 33 / 0 / 28

HEX #9D7AB7

RGB 157 122 183

HSL 274.43, 0.3%, 0.6%

LAB 56.59, 25.3, -27.04

 

CMYK 0 / 21 / 33 / 28

HEX #B8927B

RGB 184 146 123

HSL 22.62, 0.3%, 0.6%

LAB 63.49, 10.98, 17.63

 

CMYK 29 / 0 / 33 / 28

HEX #82B77A

RGB 130 183 122

HSL 112.13, 0.3%, 0.6%

LAB 69.48, -29.35, 25.62

 

CMYK 33 / 12 / 0 / 28

HEX #7AA1B7

RGB 122 161 183

HSL 201.64, 0.3%, 0.6%

LAB 64.2, -7.85, -15.65

 

CMYK 4 / 33 / 0 / 28

HEX #AF7AB7

RGB 175 122 183

HSL 292.13, 0.3%, 0.6%

LAB 58.46, 31.12, -23.99

 

Description

Color code: RGB 184 146 123 | qconv.com Color code: RGB 184 146 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 146 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 146 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 33 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 33% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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