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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 139 251 it is the complementary color RGB 71 116 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 139 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 139 251: RGB 189 139 246, RGB 206 157 255, RGB 223 175 255, RGB 240 193 255 and RGB 255 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 139 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 139 251: RGB 184 139 251, RGB 167 121 232, RGB 150 103 213, RGB 133 85 194 and RGB 116 67 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 45 / 0 / 2

HEX #B88BFB

RGB 184 139 251

HSL 264.11, 0.93%, 0.76%

LAB 66.23, 39.3, -49.8

 

Complementary color

CMYK 39 / 0 / 97 / 55

HEX #477404

RGB 71 116 4

HSL 84.11, 0.93%, 0.24%

LAB 44, -31.87, 48.01

 

CMYK 23 / 43 / 0 / 4

HEX #BD8BF6

RGB 189 139 246

HSL 268.04, 0.86%, 0.75%

LAB 66.47, 39.49, -46.65

 

CMYK 19 / 38 / 0 / 0

HEX #CE9DFF

RGB 206 157 255

HSL 270, 1%, 0.81%

LAB 72.53, 36.46, -41.93

 

CMYK 13 / 31 / 0 / 0

HEX #DFAFFF

RGB 223 175 255

HSL 276, 1%, 0.84%

LAB 78.21, 31.74, -33

 

CMYK 6 / 24 / 0 / 0

HEX #F0C1FF

RGB 240 193 255

HSL 285.48, 1%, 0.88%

LAB 83.91, 27.38, -24.14

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 27 / 45 / 0 / 2

HEX #B88BFB

RGB 184 139 251

HSL 264.11, 0.93%, 0.76%

LAB 66.23, 39.3, -49.8

 

CMYK 28 / 48 / 0 / 9

HEX #A779E8

RGB 167 121 232

HSL 264.86, 0.71%, 0.69%

LAB 59.63, 40.2, -49.86

 

CMYK 30 / 52 / 0 / 16

HEX #9667D5

RGB 150 103 213

HSL 265.64, 0.57%, 0.62%

LAB 52.94, 41.15, -49.93

 

CMYK 31 / 56 / 0 / 24

HEX #8555C2

RGB 133 85 194

HSL 266.42, 0.47%, 0.55%

LAB 46.15, 42.15, -49.99

 

CMYK 34 / 62 / 0 / 31

HEX #7443AF

RGB 116 67 175

HSL 267.22, 0.45%, 0.47%

LAB 39.28, 43.15, -49.99

 

CMYK 27 / 45 / 0 / 2

HEX #B88BFB

RGB 184 139 251

HSL 264.11, 0.93%, 0.76%

LAB 66.23, 39.3, -49.8

 

CMYK 20 / 46 / 0 / 2

HEX #C988FA

RGB 201 136 250

HSL 274.21, 0.92%, 0.76%

LAB 67.22, 45.3, -47.57

 

CMYK 12 / 46 / 0 / 2

HEX #DC88FA

RGB 220 136 250

HSL 284.21, 0.92%, 0.76%

LAB 69.27, 50.54, -44.21

 

CMYK 4 / 46 / 0 / 2

HEX #EF88FA

RGB 239 136 250

HSL 294.21, 0.92%, 0.76%

LAB 71.46, 55.84, -40.63

 

CMYK 0 / 46 / 3 / 2

HEX #FA88F3

RGB 250 136 243

HSL 303.68, 0.92%, 0.76%

LAB 72.5, 57.72, -35.09

 

CMYK 27 / 45 / 0 / 2

HEX #B88BFB

RGB 184 139 251

HSL 264.11, 0.93%, 0.76%

LAB 66.23, 39.3, -49.8

 

CMYK 28 / 45 / 0 / 82

HEX #221A2F

RGB 34 26 47

HSL 262.86, 0.29%, 0.14%

LAB 11.16, 9.5, -12.59

 

CMYK 27 / 45 / 0 / 62

HEX #483662

RGB 72 54 98

HSL 264.55, 0.29%, 0.3%

LAB 26.44, 18.29, -23.18

 

CMYK 27 / 44 / 0 / 42

HEX #6D5395

RGB 109 83 149

HSL 263.64, 0.28%, 0.45%

LAB 40.59, 25.24, -32.43

 

CMYK 27 / 45 / 0 / 22

HEX #936FC8

RGB 147 111 200

HSL 264.27, 0.45%, 0.61%

LAB 53.75, 32.6, -41.26

 

CMYK 27 / 45 / 0 / 2

HEX #B88BFB

RGB 184 139 251

HSL 264.11, 0.93%, 0.76%

LAB 66.23, 39.3, -49.8

 

CMYK 0 / 46 / 27 / 2

HEX #FA88B6

RGB 250 136 182

HSL 335.79, 0.92%, 0.76%

LAB 70.39, 48.46, -4.56

 

CMYK 46 / 0 / 46 / 2

HEX #88FA88

RGB 136 250 136

HSL 120, 0.92%, 0.76%

LAB 89.57, -54.73, 44.66

 

CMYK 27 / 45 / 0 / 2

HEX #B88BFB

RGB 184 139 251

HSL 264.11, 0.93%, 0.76%

LAB 66.23, 39.3, -49.8

 

CMYK 0 / 27 / 46 / 2

HEX #FAB688

RGB 250 182 136

HSL 24.21, 0.92%, 0.76%

LAB 79.36, 19.29, 33.1

 

CMYK 46 / 0 / 27 / 2

HEX #88FAB6

RGB 136 250 182

HSL 144.21, 0.92%, 0.76%

LAB 90.31, -47.27, 22.74

 

CMYK 27 / 45 / 0 / 2

HEX #B88BFB

RGB 184 139 251

HSL 264.11, 0.93%, 0.76%

LAB 66.23, 39.3, -49.8

 

CMYK 0 / 46 / 27 / 2

HEX #FA88B6

RGB 250 136 182

HSL 335.79, 0.92%, 0.76%

LAB 70.39, 48.46, -4.56

 

CMYK 18 / 0 / 46 / 2

HEX #CDFA88

RGB 205 250 136

HSL 83.68, 0.92%, 0.76%

LAB 93.07, -32.33, 49.79

 

CMYK 46 / 0 / 18 / 2

HEX #88FACD

RGB 136 250 205

HSL 156.32, 0.92%, 0.76%

LAB 90.79, -42.72, 11.58

 

CMYK 27 / 45 / 0 / 2

HEX #B88BFB

RGB 184 139 251

HSL 264.11, 0.93%, 0.76%

LAB 66.23, 39.3, -49.8

 

CMYK 0 / 46 / 41 / 2

HEX #FA8894

RGB 250 136 148

HSL 353.68, 0.92%, 0.76%

LAB 69.52, 44.4, 13.2

 

CMYK 18 / 0 / 46 / 2

HEX #CDFA88

RGB 205 250 136

HSL 83.68, 0.92%, 0.76%

LAB 93.07, -32.33, 49.79

 

CMYK 46 / 0 / 4 / 2

HEX #88FAEF

RGB 136 250 239

HSL 174.21, 0.92%, 0.76%

LAB 91.61, -35.12, -4.84

 

Description

Color code: RGB 184 139 251 | qconv.com Color code: RGB 184 139 251 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 139 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 139 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 45 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 45% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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