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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 115 168 it is the complementary color RGB 71 140 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 115 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 184 115 168: RGB 189 115 163, RGB 206 133 182, RGB 223 151 201, RGB 240 169 220 and RGB 255 187 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 115 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 184 115 168: RGB 184 115 168, RGB 167 97 149, RGB 150 79 130, RGB 133 61 111 and RGB 116 43 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 9 / 28

HEX #B873A8

RGB 184 115 168

HSL 313.91, 0.33%, 0.59%

LAB 57.35, 35.15, -17

 

Complementary color

CMYK 49 / 0 / 38 / 45

HEX #478C57

RGB 71 140 87

HSL 133.91, 0.33%, 0.41%

LAB 52.71, -34.03, 21.77

 

CMYK 0 / 39 / 14 / 26

HEX #BD73A3

RGB 189 115 163

HSL 321.08, 0.36%, 0.6%

LAB 57.77, 35.99, -13.41

 

CMYK 0 / 35 / 12 / 19

HEX #CE85B6

RGB 206 133 182

HSL 319.73, 0.43%, 0.66%

LAB 64.38, 35.22, -14.1

 

CMYK 0 / 32 / 10 / 13

HEX #DF97C9

RGB 223 151 201

HSL 318.33, 0.53%, 0.73%

LAB 70.9, 34.49, -14.72

 

CMYK 0 / 30 / 8 / 6

HEX #F0A9DC

RGB 240 169 220

HSL 316.9, 0.7%, 0.8%

LAB 77.32, 33.8, -15.29

 

CMYK 0 / 27 / 6 / 0

HEX #FFBBEF

RGB 255 187 239

HSL 314.12, 1%, 0.87%

LAB 83.46, 32.49, -16.14

 

CMYK 0 / 38 / 9 / 28

HEX #B873A8

RGB 184 115 168

HSL 313.91, 0.33%, 0.59%

LAB 57.35, 35.15, -17

 

CMYK 0 / 42 / 11 / 35

HEX #A76195

RGB 167 97 149

HSL 315.43, 0.28%, 0.52%

LAB 50.61, 35.94, -16.35

 

CMYK 0 / 47 / 13 / 41

HEX #964F82

RGB 150 79 130

HSL 316.9, 0.31%, 0.45%

LAB 43.78, 36.73, -15.59

 

CMYK 0 / 54 / 17 / 48

HEX #853D6F

RGB 133 61 111

HSL 318.33, 0.37%, 0.38%

LAB 36.88, 37.46, -14.63

 

CMYK 0 / 63 / 21 / 55

HEX #742B5C

RGB 116 43 92

HSL 319.73, 0.46%, 0.31%

LAB 29.94, 37.99, -13.36

 

CMYK 0 / 38 / 9 / 28

HEX #B873A8

RGB 184 115 168

HSL 313.91, 0.33%, 0.59%

LAB 57.35, 35.15, -17

 

CMYK 0 / 38 / 14 / 28

HEX #B8739E

RGB 184 115 158

HSL 322.61, 0.33%, 0.59%

LAB 57, 33.44, -11.75

 

CMYK 0 / 38 / 21 / 28

HEX #B87392

RGB 184 115 146

HSL 333.04, 0.33%, 0.59%

LAB 56.61, 31.51, -5.37

 

CMYK 0 / 38 / 27 / 28

HEX #B87387

RGB 184 115 135

HSL 342.61, 0.33%, 0.59%

LAB 56.29, 29.87, 0.56

 

CMYK 0 / 38 / 33 / 28

HEX #B8737B

RGB 184 115 123

HSL 353.04, 0.33%, 0.59%

LAB 55.97, 28.21, 7.09

 

CMYK 0 / 38 / 9 / 28

HEX #B873A8

RGB 184 115 168

HSL 313.91, 0.33%, 0.59%

LAB 57.35, 35.15, -17

 

CMYK 0 / 37 / 9 / 8

HEX #EB93D7

RGB 235 147 215

HSL 313.64, 0.69%, 0.75%

LAB 71.85, 42.89, -20.88

 

CMYK 0 / 39 / 10 / 88

HEX #1F131C

RGB 31 19 28

HSL 315, 0.24%, 0.1%

LAB 7.6, 8.13, -3.92

 

CMYK 0 / 38 / 9 / 68

HEX #52334B

RGB 82 51 75

HSL 313.55, 0.23%, 0.26%

LAB 25.77, 18.3, -9.03

 

CMYK 0 / 38 / 9 / 48

HEX #855379

RGB 133 83 121

HSL 314.4, 0.23%, 0.42%

LAB 42.08, 26.97, -12.89

 

CMYK 0 / 38 / 9 / 28

HEX #B873A8

RGB 184 115 168

HSL 313.91, 0.33%, 0.59%

LAB 57.35, 35.15, -17

 

CMYK 0 / 22 / 38 / 28

HEX #B89073

RGB 184 144 115

HSL 25.22, 0.33%, 0.59%

LAB 62.82, 11.08, 21.19

 

CMYK 38 / 0 / 7 / 28

HEX #73B8AC

RGB 115 184 172

HSL 169.57, 0.33%, 0.59%

LAB 70.11, -24.57, -0.79

 

CMYK 0 / 38 / 9 / 28

HEX #B873A8

RGB 184 115 168

HSL 313.91, 0.33%, 0.59%

LAB 57.35, 35.15, -17

 

CMYK 8 / 0 / 38 / 28

HEX #AAB873

RGB 170 184 115

HSL 72.17, 0.33%, 0.59%

LAB 72.27, -16.02, 33.45

 

CMYK 38 / 8 / 0 / 28

HEX #73AAB8

RGB 115 170 184

HSL 192.17, 0.33%, 0.59%

LAB 66.41, -14.41, -12.91

 

CMYK 0 / 38 / 9 / 28

HEX #B873A8

RGB 184 115 168

HSL 313.91, 0.33%, 0.59%

LAB 57.35, 35.15, -17

 

CMYK 0 / 22 / 38 / 28

HEX #B89073

RGB 184 144 115

HSL 25.22, 0.33%, 0.59%

LAB 62.82, 11.08, 21.19

 

CMYK 38 / 0 / 29 / 28

HEX #73B882

RGB 115 184 130

HSL 133.04, 0.33%, 0.59%

LAB 69.14, -33.34, 20.74

 

CMYK 38 / 15 / 0 / 28

HEX #739CB8

RGB 115 156 184

HSL 204.35, 0.33%, 0.59%

LAB 62.41, -6.82, -18.96

 

CMYK 0 / 38 / 9 / 28

HEX #B873A8

RGB 184 115 168

HSL 313.91, 0.33%, 0.59%

LAB 57.35, 35.15, -17

 

CMYK 0 / 10 / 38 / 28

HEX #B8A573

RGB 184 165 115

HSL 43.48, 0.33%, 0.59%

LAB 68.27, -0.41, 28.46

 

CMYK 38 / 0 / 29 / 28

HEX #73B882

RGB 115 184 130

HSL 133.04, 0.33%, 0.59%

LAB 69.14, -33.34, 20.74

 

CMYK 38 / 27 / 0 / 28

HEX #7387B8

RGB 115 135 184

HSL 222.61, 0.33%, 0.59%

LAB 56.52, 5.13, -28

 

Description

Color code: RGB 184 115 168 | qconv.com Color code: RGB 184 115 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 115 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 115 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 9 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 9% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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