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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 73 200 it is the complementary color RGB 72 182 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 73 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 183 73 200: RGB 188 73 195, RGB 205 91 214, RGB 222 109 233, RGB 239 127 252 and RGB 255 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 73 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 183 73 200: RGB 183 73 200, RGB 166 55 181, RGB 149 37 162, RGB 132 19 143 and RGB 115 1 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 64 / 0 / 22

HEX #B749C8

RGB 183 73 200

HSL 291.97, 0.54%, 0.54%

LAB 50.69, 61.59, -45.83

 

Complementary color

CMYK 60 / 0 / 70 / 29

HEX #48B637

RGB 72 182 55

HSL 111.97, 0.54%, 0.46%

LAB 65.83, -54.89, 52.91

 

CMYK 4 / 63 / 0 / 24

HEX #BC49C3

RGB 188 73 195

HSL 296.56, 0.5%, 0.53%

LAB 51.15, 61.89, -42.18

 

CMYK 4 / 57 / 0 / 16

HEX #CD5BD6

RGB 205 91 214

HSL 295.61, 0.6%, 0.6%

LAB 57.38, 61.66, -43.03

 

CMYK 5 / 53 / 0 / 9

HEX #DE6DE9

RGB 222 109 233

HSL 294.68, 0.74%, 0.67%

LAB 63.63, 61.2, -43.69

 

CMYK 5 / 50 / 0 / 1

HEX #EF7FFC

RGB 239 127 252

HSL 293.76, 0.95%, 0.74%

LAB 69.86, 60.61, -44.22

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 9 / 64 / 0 / 22

HEX #B749C8

RGB 183 73 200

HSL 291.97, 0.54%, 0.54%

LAB 50.69, 61.59, -45.83

 

CMYK 8 / 70 / 0 / 29

HEX #A637B5

RGB 166 55 181

HSL 292.86, 0.53%, 0.46%

LAB 44.48, 61.49, -44.82

 

CMYK 8 / 77 / 0 / 36

HEX #9525A2

RGB 149 37 162

HSL 293.76, 0.63%, 0.39%

LAB 38.41, 60.75, -43.37

 

CMYK 8 / 87 / 0 / 44

HEX #84138F

RGB 132 19 143

HSL 294.68, 0.77%, 0.32%

LAB 32.6, 58.94, -41.28

 

CMYK 7 / 99 / 0 / 51

HEX #73017C

RGB 115 1 124

HSL 295.61, 0.98%, 0.25%

LAB 27.08, 55.89, -38.45

 

CMYK 9 / 64 / 0 / 22

HEX #B749C8

RGB 183 73 200

HSL 291.97, 0.54%, 0.54%

LAB 50.69, 61.59, -45.83

 

CMYK 0 / 63 / 1 / 21

HEX #C94AC6

RGB 201 74 198

HSL 301.42, 0.54%, 0.54%

LAB 53.38, 65.15, -40.26

 

CMYK 0 / 63 / 12 / 21

HEX #C94AB1

RGB 201 74 177

HSL 311.34, 0.54%, 0.54%

LAB 52.39, 61.8, -29.66

 

CMYK 0 / 63 / 22 / 21

HEX #C94A9C

RGB 201 74 156

HSL 321.26, 0.54%, 0.54%

LAB 51.51, 58.76, -18.67

 

CMYK 0 / 63 / 33 / 21

HEX #C94A87

RGB 201 74 135

HSL 331.18, 0.54%, 0.54%

LAB 50.76, 56.07, -7.32

 

CMYK 9 / 64 / 0 / 22

HEX #B749C8

RGB 183 73 200

HSL 291.97, 0.54%, 0.54%

LAB 50.69, 61.59, -45.83

 

CMYK 8 / 63 / 0 / 2

HEX #E65CFB

RGB 230 92 251

HSL 292.08, 0.95%, 0.67%

LAB 62.88, 73.79, -54.77

 

CMYK 9 / 64 / 0 / 82

HEX #2B112F

RGB 43 17 47

HSL 292, 0.47%, 0.13%

LAB 9.95, 19.15, -14.4

 

CMYK 8 / 63 / 0 / 62

HEX #5A2462

RGB 90 36 98

HSL 292.26, 0.46%, 0.26%

LAB 24.69, 34.7, -25.77

 

CMYK 9 / 64 / 0 / 42

HEX #883695

RGB 136 54 149

HSL 291.79, 0.47%, 0.4%

LAB 37.92, 48.74, -36.42

 

CMYK 9 / 64 / 0 / 22

HEX #B749C8

RGB 183 73 200

HSL 291.97, 0.54%, 0.54%

LAB 50.69, 61.59, -45.83

 

CMYK 0 / 60 / 63 / 21

HEX #C9504A

RGB 201 80 74

HSL 2.83, 0.54%, 0.54%

LAB 50.27, 47.79, 28.48

 

CMYK 63 / 0 / 35 / 21

HEX #4AC983

RGB 74 201 131

HSL 146.93, 0.54%, 0.54%

LAB 72.8, -50.85, 24.93

 

CMYK 9 / 64 / 0 / 22

HEX #B749C8

RGB 183 73 200

HSL 291.97, 0.54%, 0.54%

LAB 50.69, 61.59, -45.83

 

CMYK 0 / 9 / 63 / 21

HEX #C9B64A

RGB 201 182 74

HSL 51.02, 0.54%, 0.54%

LAB 73.78, -6, 55.78

 

CMYK 63 / 0 / 9 / 21

HEX #4AC9B6

RGB 74 201 182

HSL 171.02, 0.54%, 0.54%

LAB 73.94, -39.27, -0.82

 

CMYK 9 / 64 / 0 / 22

HEX #B749C8

RGB 183 73 200

HSL 291.97, 0.54%, 0.54%

LAB 50.69, 61.59, -45.83

 

CMYK 0 / 60 / 63 / 21

HEX #C9504A

RGB 201 80 74

HSL 2.83, 0.54%, 0.54%

LAB 50.27, 47.79, 28.48

 

CMYK 54 / 0 / 63 / 21

HEX #5DC94A

RGB 93 201 74

HSL 111.02, 0.54%, 0.54%

LAB 72.62, -54.8, 52.62

 

CMYK 63 / 3 / 0 / 21

HEX #4AC2C9

RGB 74 194 201

HSL 183.31, 0.54%, 0.54%

LAB 72.4, -30.83, -13.43

 

CMYK 9 / 64 / 0 / 22

HEX #B749C8

RGB 183 73 200

HSL 291.97, 0.54%, 0.54%

LAB 50.69, 61.59, -45.83

 

CMYK 0 / 41 / 63 / 21

HEX #C9764A

RGB 201 118 74

HSL 20.79, 0.54%, 0.54%

LAB 57.91, 28.53, 37.82

 

CMYK 54 / 0 / 63 / 21

HEX #5DC94A

RGB 93 201 74

HSL 111.02, 0.54%, 0.54%

LAB 72.62, -54.8, 52.62

 

CMYK 63 / 22 / 0 / 21

HEX #4A9CC9

RGB 74 156 201

HSL 201.26, 0.54%, 0.54%

LAB 61.18, -11.21, -30.55

 

Description

Color code: RGB 183 73 200 | qconv.com Color code: RGB 183 73 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 73 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 73 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 64 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 64% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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