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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 240 113 it is the complementary color RGB 72 15 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 240 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 183 240 113: RGB 188 240 108, RGB 205 255 127, RGB 222 255 146, RGB 239 255 165 and RGB 255 255 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 240 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 183 240 113: RGB 183 240 113, RGB 166 222 94, RGB 149 204 75, RGB 132 186 56 and RGB 115 168 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 53 / 6

HEX #B7F071

RGB 183 240 113

HSL 86.93, 0.81%, 0.69%

LAB 88.72, -38.13, 54.91

 

Complementary color

CMYK 49 / 89 / 0 / 44

HEX #480F8E

RGB 72 15 142

HSL 266.93, 0.81%, 0.31%

LAB 22.56, 50.39, -57.43

 

CMYK 22 / 0 / 55 / 6

HEX #BCF06C

RGB 188 240 108

HSL 83.64, 0.81%, 0.68%

LAB 88.97, -36.79, 57.52

 

CMYK 20 / 0 / 50 / 0

HEX #CDFF7F

RGB 205 255 127

HSL 83.44, 1%, 0.75%

LAB 94.33, -35.55, 55.51

 

CMYK 13 / 0 / 43 / 0

HEX #DEFF92

RGB 222 255 146

HSL 78.17, 1%, 0.79%

LAB 95.63, -27.35, 48.46

 

CMYK 6 / 0 / 35 / 0

HEX #EFFFA5

RGB 239 255 165

HSL 70.67, 1%, 0.82%

LAB 97.06, -18.91, 41.3

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 24 / 0 / 53 / 6

HEX #B7F071

RGB 183 240 113

HSL 86.93, 0.81%, 0.69%

LAB 88.72, -38.13, 54.91

 

CMYK 25 / 0 / 58 / 13

HEX #A6DE5E

RGB 166 222 94

HSL 86.25, 0.66%, 0.62%

LAB 82.46, -38.01, 55.92

 

CMYK 27 / 0 / 63 / 20

HEX #95CC4B

RGB 149 204 75

HSL 85.58, 0.56%, 0.55%

LAB 76.12, -37.81, 56.78

 

CMYK 29 / 0 / 70 / 27

HEX #84BA38

RGB 132 186 56

HSL 84.92, 0.54%, 0.47%

LAB 69.69, -37.5, 57.33

 

CMYK 32 / 0 / 78 / 34

HEX #73A825

RGB 115 168 37

HSL 84.27, 0.64%, 0.4%

LAB 63.16, -37.01, 57.31

 

CMYK 24 / 0 / 53 / 6

HEX #B7F071

RGB 183 240 113

HSL 86.93, 0.81%, 0.69%

LAB 88.72, -38.13, 54.91

 

CMYK 32 / 0 / 54 / 6

HEX #A3EF6F

RGB 163 239 111

HSL 95.63, 0.8%, 0.69%

LAB 87.32, -44.88, 53.9

 

CMYK 41 / 0 / 54 / 6

HEX #8DEF6F

RGB 141 239 111

HSL 105.94, 0.8%, 0.69%

LAB 86.28, -51.96, 52.4

 

CMYK 50 / 0 / 54 / 6

HEX #78EF6F

RGB 120 239 111

HSL 115.78, 0.8%, 0.69%

LAB 85.44, -57.98, 51.2

 

CMYK 54 / 0 / 48 / 6

HEX #6FEF7C

RGB 111 239 124

HSL 126.09, 0.8%, 0.69%

LAB 85.29, -58.6, 44.85

 

CMYK 24 / 0 / 53 / 6

HEX #B7F071

RGB 183 240 113

HSL 86.93, 0.81%, 0.69%

LAB 88.72, -38.13, 54.91

 

CMYK 25 / 0 / 53 / 86

HEX #1B2411

RGB 27 36 17

HSL 88.42, 0.36%, 0.1%

LAB 12.83, -8.36, 11.19

 

CMYK 24 / 0 / 53 / 66

HEX #425729

RGB 66 87 41

HSL 87.39, 0.36%, 0.25%

LAB 34.26, -16.95, 24

 

CMYK 24 / 0 / 53 / 46

HEX #698A41

RGB 105 138 65

HSL 87.12, 0.36%, 0.4%

LAB 53.56, -24.51, 35.04

 

CMYK 24 / 0 / 53 / 26

HEX #90BD59

RGB 144 189 89

HSL 87, 0.43%, 0.55%

LAB 71.59, -31.5, 45.25

 

CMYK 24 / 0 / 53 / 6

HEX #B7F071

RGB 183 240 113

HSL 86.93, 0.81%, 0.69%

LAB 88.72, -38.13, 54.91

 

CMYK 54 / 0 / 19 / 6

HEX #6FEFC1

RGB 111 239 193

HSL 158.44, 0.8%, 0.69%

LAB 86.49, -46.23, 11.57

 

CMYK 0 / 54 / 2 / 6

HEX #EF6FEB

RGB 239 111 235

HSL 301.88, 0.8%, 0.69%

LAB 66.3, 65.1, -40.45

 

CMYK 24 / 0 / 53 / 6

HEX #B7F071

RGB 183 240 113

HSL 86.93, 0.81%, 0.69%

LAB 88.72, -38.13, 54.91

 

CMYK 54 / 23 / 0 / 6

HEX #6FB8EF

RGB 111 184 239

HSL 205.78, 0.8%, 0.69%

LAB 72.16, -7.57, -34.35

 

CMYK 0 / 54 / 23 / 6

HEX #EF6FB8

RGB 239 111 184

HSL 325.78, 0.8%, 0.69%

LAB 64.31, 57.3, -14.93

 

CMYK 24 / 0 / 53 / 6

HEX #B7F071

RGB 183 240 113

HSL 86.93, 0.81%, 0.69%

LAB 88.72, -38.13, 54.91

 

CMYK 54 / 0 / 19 / 6

HEX #6FEFC1

RGB 111 239 193

HSL 158.44, 0.8%, 0.69%

LAB 86.49, -46.23, 11.57

 

CMYK 30 / 54 / 0 / 6

HEX #A76FEF

RGB 167 111 239

HSL 266.25, 0.8%, 0.69%

LAB 57.86, 47.37, -56.58

 

CMYK 0 / 54 / 34 / 6

HEX #EF6F9E

RGB 239 111 158

HSL 337.97, 0.8%, 0.69%

LAB 63.5, 53.99, -1.31

 

CMYK 24 / 0 / 53 / 6

HEX #B7F071

RGB 183 240 113

HSL 86.93, 0.81%, 0.69%

LAB 88.72, -38.13, 54.91

 

CMYK 54 / 0 / 3 / 6

HEX #6FEFE7

RGB 111 239 231

HSL 176.25, 0.8%, 0.69%

LAB 87.43, -37.27, -6.94

 

CMYK 30 / 54 / 0 / 6

HEX #A76FEF

RGB 167 111 239

HSL 266.25, 0.8%, 0.69%

LAB 57.86, 47.37, -56.58

 

CMYK 0 / 54 / 50 / 6

HEX #EF6F78

RGB 239 111 120

HSL 355.78, 0.8%, 0.69%

LAB 62.57, 50.08, 19.16

 

Description

Color code: RGB 183 240 113 | qconv.com Color code: RGB 183 240 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 240 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 240 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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