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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 203 228 it is the complementary color RGB 72 52 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 203 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 183 203 228: RGB 188 203 223, RGB 205 221 242, RGB 222 239 255, RGB 239 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 203 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 183 203 228: RGB 183 203 228, RGB 166 185 209, RGB 149 167 190, RGB 132 149 171 and RGB 115 131 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 11 / 0 / 11

HEX #B7CBE4

RGB 183 203 228

HSL 213.33, 0.45%, 0.81%

LAB 80.95, -1.51, -14.64

 

Complementary color

CMYK 0 / 28 / 63 / 72

HEX #48341B

RGB 72 52 27

HSL 33.33, 0.45%, 0.19%

LAB 23.38, 5.58, 19.16

 

CMYK 16 / 9 / 0 / 13

HEX #BCCBDF

RGB 188 203 223

HSL 214.29, 0.35%, 0.81%

LAB 81.14, -1.02, -11.64

 

CMYK 15 / 9 / 0 / 5

HEX #CDDDF2

RGB 205 221 242

HSL 214.05, 0.59%, 0.88%

LAB 87.53, -1.15, -12.06

 

CMYK 13 / 6 / 0 / 0

HEX #DEEFFF

RGB 222 239 255

HSL 209.09, 1%, 0.94%

LAB 93.66, -2.48, -9.62

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 20 / 11 / 0 / 11

HEX #B7CBE4

RGB 183 203 228

HSL 213.33, 0.45%, 0.81%

LAB 80.95, -1.51, -14.64

 

CMYK 21 / 11 / 0 / 18

HEX #A6B9D1

RGB 166 185 209

HSL 213.49, 0.32%, 0.74%

LAB 74.45, -1.38, -14.27

 

CMYK 22 / 12 / 0 / 25

HEX #95A7BE

RGB 149 167 190

HSL 213.66, 0.24%, 0.66%

LAB 67.83, -1.24, -13.9

 

CMYK 23 / 13 / 0 / 33

HEX #8495AB

RGB 132 149 171

HSL 213.85, 0.19%, 0.59%

LAB 61.08, -1.09, -13.54

 

CMYK 24 / 14 / 0 / 40

HEX #738398

RGB 115 131 152

HSL 214.05, 0.15%, 0.52%

LAB 54.18, -0.93, -13.18

 

CMYK 20 / 11 / 0 / 11

HEX #B7CBE4

RGB 183 203 228

HSL 213.33, 0.45%, 0.81%

LAB 80.95, -1.51, -14.64

 

CMYK 19 / 14 / 0 / 11

HEX #B8C5E4

RGB 184 197 228

HSL 222.27, 0.45%, 0.81%

LAB 79.46, 1.99, -16.88

 

CMYK 19 / 17 / 0 / 11

HEX #B8BDE4

RGB 184 189 228

HSL 233.18, 0.45%, 0.81%

LAB 77.39, 6.3, -20

 

CMYK 18 / 19 / 0 / 11

HEX #BAB8E4

RGB 186 184 228

HSL 242.73, 0.45%, 0.81%

LAB 76.27, 9.64, -21.69

 

CMYK 15 / 19 / 0 / 11

HEX #C2B8E4

RGB 194 184 228

HSL 253.64, 0.45%, 0.81%

LAB 76.89, 12.16, -20.69

 

CMYK 20 / 11 / 0 / 11

HEX #B7CBE4

RGB 183 203 228

HSL 213.33, 0.45%, 0.81%

LAB 80.95, -1.51, -14.64

 

CMYK 21 / 13 / 0 / 91

HEX #131518

RGB 19 21 24

HSL 216, 0.12%, 0.08%

LAB 6.69, -0.1, -2.34

 

CMYK 20 / 11 / 0 / 71

HEX #3C434B

RGB 60 67 75

HSL 212, 0.11%, 0.26%

LAB 28.07, -0.86, -5.8

 

CMYK 20 / 11 / 0 / 51

HEX #65707E

RGB 101 112 126

HSL 213.6, 0.11%, 0.45%

LAB 46.79, -0.89, -9.12

 

CMYK 20 / 11 / 0 / 31

HEX #8E9EB1

RGB 142 158 177

HSL 212.57, 0.18%, 0.63%

LAB 64.47, -1.49, -11.76

 

CMYK 20 / 11 / 0 / 11

HEX #B7CBE4

RGB 183 203 228

HSL 213.33, 0.45%, 0.81%

LAB 80.95, -1.51, -14.64

 

CMYK 5 / 19 / 0 / 11

HEX #D9B8E4

RGB 217 184 228

HSL 285, 0.45%, 0.81%

LAB 78.83, 19.59, -17.57

 

CMYK 3 / 0 / 19 / 11

HEX #DDE4B8

RGB 221 228 184

HSL 69.55, 0.45%, 0.81%

LAB 89.07, -9.66, 20.73

 

CMYK 20 / 11 / 0 / 11

HEX #B7CBE4

RGB 183 203 228

HSL 213.33, 0.45%, 0.81%

LAB 80.95, -1.51, -14.64

 

CMYK 0 / 19 / 11 / 11

HEX #E4B8CC

RGB 228 184 204

HSL 332.73, 0.45%, 0.81%

LAB 79.12, 19.01, -4.06

 

CMYK 11 / 0 / 19 / 11

HEX #CCE4B8

RGB 204 228 184

HSL 92.73, 0.45%, 0.81%

LAB 87.86, -15.71, 18.86

 

CMYK 20 / 11 / 0 / 11

HEX #B7CBE4

RGB 183 203 228

HSL 213.33, 0.45%, 0.81%

LAB 80.95, -1.51, -14.64

 

CMYK 5 / 19 / 0 / 11

HEX #D9B8E4

RGB 217 184 228

HSL 285, 0.45%, 0.81%

LAB 78.83, 19.59, -17.57

 

CMYK 0 / 9 / 19 / 11

HEX #E4D0B8

RGB 228 208 184

HSL 32.73, 0.45%, 0.81%

LAB 84.52, 3.15, 14.44

 

CMYK 14 / 0 / 19 / 11

HEX #C3E4B8

RGB 195 228 184

HSL 105, 0.45%, 0.81%

LAB 87.27, -18.83, 17.94

 

CMYK 20 / 11 / 0 / 11

HEX #B7CBE4

RGB 183 203 228

HSL 213.33, 0.45%, 0.81%

LAB 80.95, -1.51, -14.64

 

CMYK 0 / 19 / 1 / 11

HEX #E4B8E2

RGB 228 184 226

HSL 302.73, 0.45%, 0.81%

LAB 79.76, 22.85, -14.98

 

CMYK 0 / 9 / 19 / 11

HEX #E4D0B8

RGB 228 208 184

HSL 32.73, 0.45%, 0.81%

LAB 84.52, 3.15, 14.44

 

CMYK 19 / 0 / 18 / 11

HEX #B8E4BA

RGB 184 228 186

HSL 122.73, 0.45%, 0.81%

LAB 86.61, -22.21, 15.88

 

Description

Color code: RGB 183 203 228 | qconv.com Color code: RGB 183 203 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 203 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 203 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 11 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 11% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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