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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 96 188 it is the complementary color RGB 73 159 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 96 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 96 188: RGB 187 96 183, RGB 204 114 202, RGB 221 132 221, RGB 238 150 240 and RGB 255 168 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 96 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 96 188: RGB 182 96 188, RGB 165 78 169, RGB 148 60 150, RGB 131 42 131 and RGB 114 24 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 49 / 0 / 26

HEX #B660BC

RGB 182 96 188

HSL 296.09, 0.41%, 0.56%

LAB 53.97, 48.25, -33.77

 

Complementary color

CMYK 54 / 0 / 58 / 38

HEX #499F43

RGB 73 159 67

HSL 116.09, 0.41%, 0.44%

LAB 58.62, -44.65, 39.65

 

CMYK 0 / 49 / 2 / 27

HEX #BB60B7

RGB 187 96 183

HSL 302.64, 0.4%, 0.55%

LAB 54.4, 48.78, -30.17

 

CMYK 0 / 44 / 1 / 20

HEX #CC72CA

RGB 204 114 202

HSL 301.33, 0.47%, 0.62%

LAB 60.9, 48.09, -30.75

 

CMYK 0 / 40 / 0 / 13

HEX #DD84DD

RGB 221 132 221

HSL 300, 0.57%, 0.69%

LAB 67.35, 47.36, -31.24

 

CMYK 1 / 38 / 0 / 6

HEX #EE96F0

RGB 238 150 240

HSL 298.67, 0.75%, 0.76%

LAB 73.73, 46.63, -31.67

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 3 / 49 / 0 / 26

HEX #B660BC

RGB 182 96 188

HSL 296.09, 0.41%, 0.56%

LAB 53.97, 48.25, -33.77

 

CMYK 2 / 54 / 0 / 34

HEX #A54EA9

RGB 165 78 169

HSL 297.36, 0.37%, 0.48%

LAB 47.38, 48.87, -33.18

 

CMYK 1 / 60 / 0 / 41

HEX #943C96

RGB 148 60 150

HSL 298.67, 0.43%, 0.41%

LAB 40.78, 49.3, -32.38

 

CMYK 0 / 68 / 0 / 49

HEX #832A83

RGB 131 42 131

HSL 300, 0.51%, 0.34%

LAB 34.23, 49.32, -31.26

 

CMYK 0 / 79 / 2 / 55

HEX #721870

RGB 114 24 112

HSL 301.33, 0.65%, 0.27%

LAB 27.85, 48.54, -29.58

 

CMYK 3 / 49 / 0 / 26

HEX #B660BC

RGB 182 96 188

HSL 296.09, 0.41%, 0.56%

LAB 53.97, 48.25, -33.77

 

CMYK 0 / 49 / 5 / 26

HEX #BC60B3

RGB 188 96 179

HSL 305.87, 0.41%, 0.56%

LAB 54.36, 48.37, -27.9

 

CMYK 0 / 49 / 13 / 26

HEX #BC60A4

RGB 188 96 164

HSL 315.65, 0.41%, 0.56%

LAB 53.75, 45.83, -20.13

 

CMYK 0 / 49 / 21 / 26

HEX #BC6094

RGB 188 96 148

HSL 326.09, 0.41%, 0.56%

LAB 53.16, 43.33, -11.63

 

CMYK 0 / 49 / 29 / 26

HEX #BC6085

RGB 188 96 133

HSL 335.87, 0.41%, 0.56%

LAB 52.68, 41.19, -3.5

 

CMYK 3 / 49 / 0 / 26

HEX #B660BC

RGB 182 96 188

HSL 296.09, 0.41%, 0.56%

LAB 53.97, 48.25, -33.77

 

CMYK 3 / 49 / 0 / 6

HEX #E77AEF

RGB 231 122 239

HSL 295.9, 0.79%, 0.71%

LAB 67.38, 58.5, -41.04

 

CMYK 3 / 49 / 0 / 86

HEX #221223

RGB 34 18 35

HSL 296.47, 0.32%, 0.1%

LAB 8.08, 11.98, -8.48

 

CMYK 3 / 49 / 0 / 66

HEX #532C56

RGB 83 44 86

HSL 295.71, 0.32%, 0.25%

LAB 24.68, 25.37, -17.98

 

CMYK 3 / 49 / 0 / 46

HEX #854689

RGB 133 70 137

HSL 296.42, 0.32%, 0.41%

LAB 39.87, 37.42, -26.08

 

CMYK 3 / 49 / 0 / 26

HEX #B660BC

RGB 182 96 188

HSL 296.09, 0.41%, 0.56%

LAB 53.97, 48.25, -33.77

 

CMYK 0 / 42 / 49 / 26

HEX #BC6D60

RGB 188 109 96

HSL 8.48, 0.41%, 0.56%

LAB 54.53, 29.96, 20.86

 

CMYK 49 / 0 / 23 / 26

HEX #60BC91

RGB 96 188 145

HSL 151.96, 0.41%, 0.56%

LAB 69.82, -37.56, 13.45

 

CMYK 3 / 49 / 0 / 26

HEX #B660BC

RGB 182 96 188

HSL 296.09, 0.41%, 0.56%

LAB 53.97, 48.25, -33.77

 

CMYK 0 / 3 / 49 / 26

HEX #BCB660

RGB 188 182 96

HSL 56.09, 0.41%, 0.56%

LAB 72.89, -9.76, 44.17

 

CMYK 49 / 0 / 3 / 26

HEX #60BCB6

RGB 96 188 182

HSL 176.09, 0.41%, 0.56%

LAB 70.75, -28.84, -5.42

 

CMYK 3 / 49 / 0 / 26

HEX #B660BC

RGB 182 96 188

HSL 296.09, 0.41%, 0.56%

LAB 53.97, 48.25, -33.77

 

CMYK 0 / 42 / 49 / 26

HEX #BC6D60

RGB 188 109 96

HSL 8.48, 0.41%, 0.56%

LAB 54.53, 29.96, 20.86

 

CMYK 46 / 0 / 49 / 26

HEX #66BC60

RGB 102 188 96

HSL 116.09, 0.41%, 0.56%

LAB 69.21, -44.49, 38.44

 

CMYK 49 / 6 / 0 / 26

HEX #60B0BC

RGB 96 176 188

HSL 187.83, 0.41%, 0.56%

LAB 67.4, -21.25, -13.73

 

CMYK 3 / 49 / 0 / 26

HEX #B660BC

RGB 182 96 188

HSL 296.09, 0.41%, 0.56%

LAB 53.97, 48.25, -33.77

 

CMYK 0 / 28 / 49 / 26

HEX #BC8860

RGB 188 136 96

HSL 26.09, 0.41%, 0.56%

LAB 60.91, 15.08, 29.25

 

CMYK 46 / 0 / 49 / 26

HEX #66BC60

RGB 102 188 96

HSL 116.09, 0.41%, 0.56%

LAB 69.21, -44.49, 38.44

 

CMYK 49 / 21 / 0 / 26

HEX #6094BC

RGB 96 148 188

HSL 206.09, 0.41%, 0.56%

LAB 59.25, -6.18, -26.14

 

Description

Color code: RGB 182 96 188 | qconv.com Color code: RGB 182 96 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 96 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 96 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 49 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 49% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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