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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 80 51 it is the complementary color RGB 73 175 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 80 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 80 51: RGB 187 80 46, RGB 204 98 65, RGB 221 116 84, RGB 238 134 103 and RGB 255 152 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 80 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 80 51: RGB 182 80 51, RGB 165 62 32, RGB 148 44 13, RGB 131 26 0 and RGB 114 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 72 / 29

HEX #B65033

RGB 182 80 51

HSL 13.28, 0.56%, 0.46%

LAB 46.87, 39.48, 36.75

 

Complementary color

CMYK 64 / 14 / 0 / 20

HEX #49AFCC

RGB 73 175 204

HSL 193.28, 0.56%, 0.54%

LAB 66.85, -20.6, -23.48

 

CMYK 0 / 57 / 75 / 27

HEX #BB502E

RGB 187 80 46

HSL 14.47, 0.61%, 0.46%

LAB 47.62, 41.16, 40.48

 

CMYK 0 / 52 / 68 / 20

HEX #CC6241

RGB 204 98 65

HSL 14.24, 0.58%, 0.53%

LAB 53.98, 39.64, 38.14

 

CMYK 0 / 48 / 62 / 13

HEX #DD7454

RGB 221 116 84

HSL 14.01, 0.67%, 0.6%

LAB 60.34, 38.2, 35.99

 

CMYK 0 / 44 / 57 / 7

HEX #EE8667

RGB 238 134 103

HSL 13.78, 0.8%, 0.67%

LAB 66.68, 36.86, 34.05

 

CMYK 0 / 40 / 52 / 0

HEX #FF987A

RGB 255 152 122

HSL 13.53, 1%, 0.74%

LAB 72.97, 35.62, 32.3

 

CMYK 0 / 56 / 72 / 29

HEX #B65033

RGB 182 80 51

HSL 13.28, 0.56%, 0.46%

LAB 46.87, 39.48, 36.75

 

CMYK 0 / 62 / 81 / 35

HEX #A53E20

RGB 165 62 32

HSL 13.53, 0.68%, 0.39%

LAB 40.49, 40.96, 39.27

 

CMYK 0 / 70 / 91 / 42

HEX #942C0D

RGB 148 44 13

HSL 13.78, 0.84%, 0.32%

LAB 34.24, 42.27, 41.46

 

CMYK 0 / 80 / 100 / 49

HEX #831A00

RGB 131 26 0

HSL 11.91, 1%, 0.26%

LAB 28.28, 43.01, 40.74

 

CMYK 0 / 93 / 100 / 55

HEX #720800

RGB 114 8 0

HSL 4.21, 1%, 0.22%

LAB 22.83, 42.47, 34.3

 

CMYK 0 / 56 / 72 / 29

HEX #B65033

RGB 182 80 51

HSL 13.28, 0.56%, 0.46%

LAB 46.87, 39.48, 36.75

 

CMYK 0 / 45 / 72 / 29

HEX #B66533

RGB 182 101 51

HSL 22.9, 0.56%, 0.46%

LAB 51.26, 28.49, 41.58

 

CMYK 0 / 32 / 72 / 29

HEX #B67B33

RGB 182 123 51

HSL 32.98, 0.56%, 0.46%

LAB 56.44, 16.34, 47.09

 

CMYK 0 / 20 / 72 / 29

HEX #B69133

RGB 182 145 51

HSL 43.05, 0.56%, 0.46%

LAB 62.03, 4.16, 52.82

 

CMYK 0 / 8 / 72 / 29

HEX #B6A733

RGB 182 167 51

HSL 53.13, 0.56%, 0.46%

LAB 67.89, -7.67, 58.64

 

CMYK 0 / 56 / 72 / 29

HEX #B65033

RGB 182 80 51

HSL 13.28, 0.56%, 0.46%

LAB 46.87, 39.48, 36.75

 

CMYK 0 / 56 / 72 / 9

HEX #E96641

RGB 233 102 65

HSL 13.21, 0.79%, 0.58%

LAB 59.17, 48.53, 45.2

 

CMYK 0 / 55 / 72 / 89

HEX #1D0D08

RGB 29 13 8

HSL 14.29, 0.57%, 0.07%

LAB 5.12, 6.39, 4.5

 

CMYK 0 / 56 / 73 / 69

HEX #502316

RGB 80 35 22

HSL 13.45, 0.57%, 0.2%

LAB 19.91, 19.94, 18.44

 

CMYK 0 / 56 / 72 / 49

HEX #833A25

RGB 131 58 37

HSL 13.4, 0.56%, 0.33%

LAB 33.95, 29.87, 27.8

 

CMYK 0 / 56 / 72 / 29

HEX #B65033

RGB 182 80 51

HSL 13.28, 0.56%, 0.46%

LAB 46.87, 39.48, 36.75

 

CMYK 30 / 0 / 72 / 29

HEX #80B633

RGB 128 182 51

HSL 84.73, 0.56%, 0.46%

LAB 68.23, -37.54, 57.66

 

CMYK 72 / 59 / 0 / 29

HEX #334BB6

RGB 51 75 182

HSL 229.01, 0.56%, 0.46%

LAB 36.2, 28.07, -59.37

 

CMYK 0 / 56 / 72 / 29

HEX #B65033

RGB 182 80 51

HSL 13.28, 0.56%, 0.46%

LAB 46.87, 39.48, 36.75

 

CMYK 72 / 0 / 56 / 29

HEX #33B650

RGB 51 182 80

HSL 133.28, 0.56%, 0.46%

LAB 65.54, -56.38, 41.45

 

CMYK 56 / 72 / 0 / 29

HEX #5033B6

RGB 80 51 182

HSL 253.28, 0.56%, 0.46%

LAB 32.81, 46.8, -64.83

 

CMYK 0 / 56 / 72 / 29

HEX #B65033

RGB 182 80 51

HSL 13.28, 0.56%, 0.46%

LAB 46.87, 39.48, 36.75

 

CMYK 30 / 0 / 72 / 29

HEX #80B633

RGB 128 182 51

HSL 84.73, 0.56%, 0.46%

LAB 68.23, -37.54, 57.66

 

CMYK 72 / 15 / 0 / 29

HEX #339AB6

RGB 51 154 182

HSL 192.82, 0.56%, 0.46%

LAB 59.15, -19.92, -23.04

 

CMYK 42 / 72 / 0 / 29

HEX #6A33B6

RGB 106 51 182

HSL 265.19, 0.56%, 0.46%

LAB 35.61, 51.11, -60.13

 

CMYK 0 / 56 / 72 / 29

HEX #B65033

RGB 182 80 51

HSL 13.28, 0.56%, 0.46%

LAB 46.87, 39.48, 36.75

 

CMYK 52 / 0 / 72 / 29

HEX #58B633

RGB 88 182 51

HSL 103.05, 0.56%, 0.46%

LAB 66.34, -50.99, 55.14

 

CMYK 72 / 15 / 0 / 29

HEX #339AB6

RGB 51 154 182

HSL 192.82, 0.56%, 0.46%

LAB 59.15, -19.92, -23.04

 

CMYK 20 / 72 / 0 / 29

HEX #9133B6

RGB 145 51 182

HSL 283.05, 0.56%, 0.46%

LAB 40.84, 58.73, -51.42

 

Description

Color code: RGB 182 80 51 | qconv.com Color code: RGB 182 80 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 80 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 80 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 72 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 72% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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