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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 54 115 it is the complementary color RGB 73 201 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 54 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 54 115: RGB 187 54 110, RGB 204 72 129, RGB 221 90 148, RGB 238 108 167 and RGB 255 126 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 54 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 54 115: RGB 182 54 115, RGB 165 36 96, RGB 148 18 77, RGB 131 0 58 and RGB 114 0 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 37 / 29

HEX #B63673

RGB 182 54 115

HSL 331.41, 0.54%, 0.46%

LAB 43.98, 56.21, -5.62

 

Complementary color

CMYK 64 / 0 / 30 / 21

HEX #49C98C

RGB 73 201 140

HSL 151.41, 0.54%, 0.54%

LAB 72.95, -49.25, 20.36

 

CMYK 0 / 71 / 41 / 27

HEX #BB366E

RGB 187 54 110

HSL 334.74, 0.55%, 0.47%

LAB 44.7, 57.12, -1.36

 

CMYK 0 / 65 / 37 / 20

HEX #CC4881

RGB 204 72 129

HSL 334.09, 0.56%, 0.54%

LAB 50.75, 57.11, -3.68

 

CMYK 0 / 59 / 33 / 13

HEX #DD5A94

RGB 221 90 148

HSL 333.44, 0.66%, 0.61%

LAB 56.9, 56.74, -5.54

 

CMYK 0 / 55 / 30 / 7

HEX #EE6CA7

RGB 238 108 167

HSL 332.77, 0.79%, 0.68%

LAB 63.09, 56.16, -7.08

 

CMYK 0 / 51 / 27 / 0

HEX #FF7EBA

RGB 255 126 186

HSL 332.09, 1%, 0.75%

LAB 69.27, 55.47, -8.39

 

CMYK 0 / 70 / 37 / 29

HEX #B63673

RGB 182 54 115

HSL 331.41, 0.54%, 0.46%

LAB 43.98, 56.21, -5.62

 

CMYK 0 / 78 / 42 / 35

HEX #A52460

RGB 165 36 96

HSL 332.09, 0.64%, 0.39%

LAB 38.03, 55.61, -2.88

 

CMYK 0 / 88 / 48 / 42

HEX #94124D

RGB 148 18 77

HSL 332.77, 0.78%, 0.33%

LAB 32.4, 53.97, 0.75

 

CMYK 0 / 100 / 56 / 49

HEX #83003A

RGB 131 0 58

HSL 333.44, 1%, 0.26%

LAB 27.1, 51.22, 5.38

 

CMYK 0 / 100 / 66 / 55

HEX #720027

RGB 114 0 39

HSL 339.47, 1%, 0.22%

LAB 22.74, 45.62, 11.88

 

CMYK 0 / 70 / 37 / 29

HEX #B63673

RGB 182 54 115

HSL 331.41, 0.54%, 0.46%

LAB 43.98, 56.21, -5.62

 

CMYK 0 / 71 / 48 / 29

HEX #B4355E

RGB 180 53 94

HSL 340.63, 0.55%, 0.46%

LAB 42.85, 53.87, 5.72

 

CMYK 0 / 71 / 60 / 29

HEX #B43548

RGB 180 53 72

HSL 351.02, 0.55%, 0.46%

LAB 42.33, 52.1, 18.72

 

CMYK 0 / 69 / 71 / 29

HEX #B43835

RGB 180 56 53

HSL 1.42, 0.55%, 0.46%

LAB 42.44, 49.78, 30.43

 

CMYK 0 / 57 / 71 / 29

HEX #B44D35

RGB 180 77 53

HSL 11.34, 0.55%, 0.46%

LAB 46, 40.31, 34.57

 

CMYK 0 / 70 / 37 / 29

HEX #B63673

RGB 182 54 115

HSL 331.41, 0.54%, 0.46%

LAB 43.98, 56.21, -5.62

 

CMYK 0 / 70 / 37 / 9

HEX #E94593

RGB 233 69 147

HSL 331.46, 0.79%, 0.59%

LAB 55.77, 68.42, -6.42

 

CMYK 0 / 69 / 38 / 89

HEX #1D0912

RGB 29 9 18

HSL 333, 0.53%, 0.07%

LAB 4.52, 9.75, -1.24

 

CMYK 0 / 70 / 36 / 69

HEX #501833

RGB 80 24 51

HSL 331.07, 0.54%, 0.2%

LAB 18.36, 29.14, -3.81

 

CMYK 0 / 70 / 37 / 49

HEX #832753

RGB 131 39 83

HSL 331.3, 0.54%, 0.33%

LAB 31.58, 43.26, -4.77

 

CMYK 0 / 70 / 37 / 29

HEX #B63673

RGB 182 54 115

HSL 331.41, 0.54%, 0.46%

LAB 43.98, 56.21, -5.62

 

CMYK 0 / 20 / 71 / 29

HEX #B49035

RGB 180 144 53

HSL 42.99, 0.55%, 0.46%

LAB 61.57, 3.92, 51.44

 

CMYK 71 / 8 / 0 / 29

HEX #35A5B4

RGB 53 165 180

HSL 187.09, 0.55%, 0.46%

LAB 62.48, -25.95, -16.84

 

CMYK 0 / 70 / 37 / 29

HEX #B63673

RGB 182 54 115

HSL 331.41, 0.54%, 0.46%

LAB 43.98, 56.21, -5.62

 

CMYK 36 / 0 / 71 / 29

HEX #73B435

RGB 115 180 53

HSL 90.71, 0.55%, 0.46%

LAB 66.93, -41.29, 55.37

 

CMYK 71 / 36 / 0 / 29

HEX #3573B4

RGB 53 115 180

HSL 210.71, 0.55%, 0.46%

LAB 47.38, 1.93, -40.24

 

CMYK 0 / 70 / 37 / 29

HEX #B63673

RGB 182 54 115

HSL 331.41, 0.54%, 0.46%

LAB 43.98, 56.21, -5.62

 

CMYK 0 / 20 / 71 / 29

HEX #B49035

RGB 180 144 53

HSL 42.99, 0.55%, 0.46%

LAB 61.57, 3.92, 51.44

 

CMYK 71 / 0 / 34 / 29

HEX #35B477

RGB 53 180 119

HSL 151.18, 0.55%, 0.46%

LAB 65.54, -48.62, 21.4

 

CMYK 71 / 51 / 0 / 29

HEX #3559B4

RGB 53 89 180

HSL 222.99, 0.55%, 0.46%

LAB 39.91, 18.45, -52.18

 

CMYK 0 / 70 / 37 / 29

HEX #B63673

RGB 182 54 115

HSL 331.41, 0.54%, 0.46%

LAB 43.98, 56.21, -5.62

 

CMYK 1 / 0 / 71 / 29

HEX #B2B435

RGB 178 180 53

HSL 60.94, 0.55%, 0.46%

LAB 71.12, -16.04, 60.94

 

CMYK 71 / 0 / 34 / 29

HEX #35B477

RGB 53 180 119

HSL 151.18, 0.55%, 0.46%

LAB 65.54, -48.62, 21.4

 

CMYK 69 / 71 / 0 / 29

HEX #3835B4

RGB 56 53 180

HSL 241.42, 0.55%, 0.46%

LAB 31.07, 41.81, -66.57

 

Description

Color code: RGB 182 54 115 | qconv.com Color code: RGB 182 54 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 54 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 54 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 37 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 37% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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