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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 69 / 71 / 0 / 29 it is the complementary color CMYK 1 / 0 / 63 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 69 / 71 / 0 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 69 / 71 / 0 / 29: CMYK 65 / 70 / 0 / 31, CMYK 60 / 64 / 0 / 24, CMYK 56 / 58 / 0 / 16, CMYK 52 / 54 / 0 / 9 and CMYK 49 / 50 / 0 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 69 / 71 / 0 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 69 / 71 / 0 / 29: CMYK 69 / 71 / 0 / 29, CMYK 76 / 78 / 0 / 36, CMYK 85 / 88 / 0 / 44, CMYK 96 / 100 / 0 / 51 and CMYK 100 / 100 / 0 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 71 / 0 / 29

HEX #3835B5

RGB 56 53 181

HSL 241.41, 0.55%, 0.46%

LAB 31.17, 42.14, -67.01

 

Complementary color

CMYK 1 / 0 / 63 / 21

HEX #C7CA4A

RGB 199 202 74

HSL 61.41, 0.55%, 0.54%

LAB 78.97, -17.05, 61.26

 

CMYK 65 / 70 / 0 / 31

HEX #3D35B0

RGB 61 53 176

HSL 243.9, 0.54%, 0.45%

LAB 31.05, 41.11, -64.21

 

CMYK 60 / 64 / 0 / 24

HEX #4E47C3

RGB 78 71 195

HSL 243.39, 0.51%, 0.52%

LAB 37.96, 39.08, -64.06

 

CMYK 56 / 58 / 0 / 16

HEX #5F59D6

RGB 95 89 214

HSL 242.88, 0.6%, 0.59%

LAB 44.85, 37.24, -63.78

 

CMYK 52 / 54 / 0 / 9

HEX #706BE9

RGB 112 107 233

HSL 242.38, 0.74%, 0.67%

LAB 51.66, 35.61, -63.45

 

CMYK 49 / 50 / 0 / 1

HEX #817DFC

RGB 129 125 252

HSL 241.89, 0.95%, 0.74%

LAB 58.38, 34.19, -63.13

 

CMYK 69 / 71 / 0 / 29

HEX #3835B5

RGB 56 53 181

HSL 241.41, 0.55%, 0.46%

LAB 31.17, 42.14, -67.01

 

CMYK 76 / 78 / 0 / 36

HEX #2723A2

RGB 39 35 162

HSL 241.89, 0.64%, 0.39%

LAB 24.46, 44.37, -66.7

 

CMYK 85 / 88 / 0 / 44

HEX #16118F

RGB 22 17 143

HSL 242.38, 0.79%, 0.31%

LAB 18.16, 46.01, -65.48

 

CMYK 96 / 100 / 0 / 51

HEX #05007C

RGB 5 0 124

HSL 242.42, 1%, 0.24%

LAB 12.53, 46.5, -62.89

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 69 / 71 / 0 / 29

HEX #3835B5

RGB 56 53 181

HSL 241.41, 0.55%, 0.46%

LAB 31.17, 42.14, -67.01

 

CMYK 58 / 71 / 0 / 29

HEX #4C34B5

RGB 76 52 181

HSL 251.16, 0.55%, 0.46%

LAB 32.54, 45.36, -64.69

 

CMYK 46 / 71 / 0 / 29

HEX #6134B5

RGB 97 52 181

HSL 260.93, 0.55%, 0.46%

LAB 34.67, 48.76, -61.13

 

CMYK 34 / 71 / 0 / 29

HEX #7734B5

RGB 119 52 181

HSL 271.16, 0.55%, 0.46%

LAB 37.32, 52.84, -56.69

 

CMYK 23 / 71 / 0 / 29

HEX #8C34B5

RGB 140 52 181

HSL 280.93, 0.55%, 0.46%

LAB 40.19, 57.07, -51.91

 

CMYK 69 / 71 / 0 / 29

HEX #3835B5

RGB 56 53 181

HSL 241.41, 0.55%, 0.46%

LAB 31.17, 42.14, -67.01

 

CMYK 69 / 71 / 0 / 9

HEX #4844E8

RGB 72 68 232

HSL 241.46, 0.78%, 0.59%

LAB 40.14, 51.91, -81.78

 

CMYK 68 / 71 / 0 / 89

HEX #09081C

RGB 9 8 28

HSL 243, 0.56%, 0.07%

LAB 2.85, 4.47, -11.23

 

CMYK 70 / 71 / 0 / 69

HEX #18174F

RGB 24 23 79

HSL 241.07, 0.55%, 0.2%

LAB 11.77, 20.49, -34.3

 

CMYK 69 / 71 / 0 / 49

HEX #282682

RGB 40 38 130

HSL 241.3, 0.55%, 0.33%

LAB 21.76, 31.77, -51.34

 

CMYK 69 / 71 / 0 / 29

HEX #3835B5

RGB 56 53 181

HSL 241.41, 0.55%, 0.46%

LAB 31.17, 42.14, -67.01

 

CMYK 0 / 71 / 15 / 29

HEX #B53499

RGB 181 52 153

HSL 313.02, 0.55%, 0.46%

LAB 45.05, 61.56, -27.12

 

CMYK 44 / 0 / 71 / 29

HEX #66B534

RGB 102 181 52

HSL 96.74, 0.55%, 0.46%

LAB 66.61, -46.22, 55.22

 

CMYK 69 / 71 / 0 / 29

HEX #3835B5

RGB 56 53 181

HSL 241.41, 0.55%, 0.46%

LAB 31.17, 42.14, -67.01

 

CMYK 0 / 70 / 71 / 29

HEX #B53634

RGB 181 54 52

HSL 0.93, 0.55%, 0.46%

LAB 42.32, 50.86, 30.92

 

CMYK 71 / 0 / 70 / 29

HEX #34B536

RGB 52 181 54

HSL 120.93, 0.55%, 0.46%

LAB 65, -58.81, 52.27

 

CMYK 69 / 71 / 0 / 29

HEX #3835B5

RGB 56 53 181

HSL 241.41, 0.55%, 0.46%

LAB 31.17, 42.14, -67.01

 

CMYK 0 / 71 / 15 / 29

HEX #B53499

RGB 181 52 153

HSL 313.02, 0.55%, 0.46%

LAB 45.05, 61.56, -27.12

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 71 / 0 / 56 / 29

HEX #34B550

RGB 52 181 80

HSL 133.02, 0.55%, 0.46%

LAB 65.24, -55.86, 41.1

 

CMYK 69 / 71 / 0 / 29

HEX #3835B5

RGB 56 53 181

HSL 241.41, 0.55%, 0.46%

LAB 31.17, 42.14, -67.01

 

CMYK 0 / 71 / 36 / 29

HEX #B53473

RGB 181 52 115

HSL 330.7, 0.55%, 0.46%

LAB 43.53, 56.67, -6.3

 

CMYK 1 / 0 / 71 / 29

HEX #B3B534

RGB 179 181 52

HSL 60.93, 0.55%, 0.46%

LAB 71.47, -16.17, 61.67

 

CMYK 71 / 0 / 34 / 29

HEX #34B577

RGB 52 181 119

HSL 151.16, 0.55%, 0.46%

LAB 65.83, -49.17, 21.79

 

Description

Color code: CMYK 69 / 71 / 0 / 29 | qconv.com Color code: CMYK 69 / 71 / 0 / 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 53 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 53 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 71 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 71% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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