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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 42 120 it is the complementary color RGB 73 213 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 42 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 42 120: RGB 187 42 115, RGB 204 60 134, RGB 221 78 153, RGB 238 96 172 and RGB 255 114 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 42 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 42 120: RGB 182 42 120, RGB 165 24 101, RGB 148 6 82, RGB 131 0 63 and RGB 114 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 34 / 29

HEX #B62A78

RGB 182 42 120

HSL 326.57, 0.63%, 0.44%

LAB 42.7, 60.85, -10.62

 

Complementary color

CMYK 66 / 0 / 37 / 16

HEX #49D587

RGB 73 213 135

HSL 146.57, 0.63%, 0.56%

LAB 76.53, -54.98, 27.84

 

CMYK 0 / 78 / 39 / 27

HEX #BB2A73

RGB 187 42 115

HSL 329.79, 0.63%, 0.45%

LAB 43.45, 61.61, -6.31

 

CMYK 0 / 71 / 34 / 20

HEX #CC3C86

RGB 204 60 134

HSL 329.17, 0.59%, 0.52%

LAB 49.24, 62.3, -8.94

 

CMYK 0 / 65 / 31 / 13

HEX #DD4E99

RGB 221 78 153

HSL 328.53, 0.68%, 0.59%

LAB 55.2, 62.4, -11.02

 

CMYK 0 / 60 / 28 / 7

HEX #EE60AC

RGB 238 96 172

HSL 327.89, 0.81%, 0.65%

LAB 61.24, 62.15, -12.71

 

CMYK 0 / 55 / 25 / 0

HEX #FF72BF

RGB 255 114 191

HSL 327.23, 1%, 0.72%

LAB 67.32, 61.68, -14.12

 

CMYK 0 / 77 / 34 / 29

HEX #B62A78

RGB 182 42 120

HSL 326.57, 0.63%, 0.44%

LAB 42.7, 60.85, -10.62

 

CMYK 0 / 85 / 39 / 35

HEX #A51865

RGB 165 24 101

HSL 327.23, 0.75%, 0.37%

LAB 37.1, 59.27, -7.44

 

CMYK 0 / 96 / 45 / 42

HEX #940652

RGB 148 6 82

HSL 327.89, 0.92%, 0.3%

LAB 31.89, 56.39, -3.29

 

CMYK 0 / 100 / 52 / 49

HEX #83003F

RGB 131 0 63

HSL 331.15, 1%, 0.26%

LAB 27.25, 51.61, 2.19

 

CMYK 0 / 100 / 61 / 55

HEX #72002C

RGB 114 0 44

HSL 336.84, 1%, 0.22%

LAB 22.86, 45.95, 8.54

 

CMYK 0 / 77 / 34 / 29

HEX #B62A78

RGB 182 42 120

HSL 326.57, 0.63%, 0.44%

LAB 42.7, 60.85, -10.62

 

CMYK 0 / 77 / 46 / 29

HEX #B62962

RGB 182 41 98

HSL 335.74, 0.63%, 0.44%

LAB 41.86, 58.92, 1.85

 

CMYK 0 / 77 / 59 / 29

HEX #B6294A

RGB 182 41 74

HSL 345.96, 0.63%, 0.44%

LAB 41.26, 57.01, 16.1

 

CMYK 0 / 77 / 73 / 29

HEX #B62932

RGB 182 41 50

HSL 356.17, 0.63%, 0.44%

LAB 40.83, 55.66, 30.42

 

CMYK 0 / 70 / 77 / 29

HEX #B63729

RGB 182 55 41

HSL 5.96, 0.63%, 0.44%

LAB 42.52, 50.32, 37.51

 

CMYK 0 / 77 / 34 / 29

HEX #B62A78

RGB 182 42 120

HSL 326.57, 0.63%, 0.44%

LAB 42.7, 60.85, -10.62

 

CMYK 0 / 77 / 34 / 9

HEX #E9369A

RGB 233 54 154

HSL 326.48, 0.8%, 0.56%

LAB 54.34, 73.86, -12.7

 

CMYK 0 / 76 / 34 / 89

HEX #1D0713

RGB 29 7 19

HSL 327.27, 0.61%, 0.07%

LAB 4.16, 10.77, -2.39

 

CMYK 0 / 78 / 34 / 69

HEX #501235

RGB 80 18 53

HSL 326.13, 0.63%, 0.19%

LAB 17.44, 32.18, -6.6

 

CMYK 0 / 77 / 34 / 49

HEX #831E56

RGB 131 30 86

HSL 326.73, 0.63%, 0.32%

LAB 30.46, 47.06, -8.41

 

CMYK 0 / 77 / 34 / 29

HEX #B62A78

RGB 182 42 120

HSL 326.57, 0.63%, 0.44%

LAB 42.7, 60.85, -10.62

 

CMYK 0 / 28 / 77 / 29

HEX #B68329

RGB 182 131 41

HSL 38.3, 0.63%, 0.44%

LAB 58.36, 11.43, 53.31

 

CMYK 77 / 2 / 0 / 29

HEX #29B2B6

RGB 41 178 182

HSL 181.7, 0.63%, 0.44%

LAB 66.28, -33.12, -12.24

 

CMYK 0 / 77 / 34 / 29

HEX #B62A78

RGB 182 42 120

HSL 326.57, 0.63%, 0.44%

LAB 42.7, 60.85, -10.62

 

CMYK 34 / 0 / 77 / 29

HEX #79B629

RGB 121 182 41

HSL 85.96, 0.63%, 0.44%

LAB 67.78, -40.73, 60.51

 

CMYK 77 / 34 / 0 / 29

HEX #2979B6

RGB 41 121 182

HSL 205.96, 0.63%, 0.44%

LAB 48.91, -2.6, -39

 

CMYK 0 / 77 / 34 / 29

HEX #B62A78

RGB 182 42 120

HSL 326.57, 0.63%, 0.44%

LAB 42.7, 60.85, -10.62

 

CMYK 0 / 28 / 77 / 29

HEX #B68329

RGB 182 131 41

HSL 38.3, 0.63%, 0.44%

LAB 58.36, 11.43, 53.31

 

CMYK 77 / 0 / 44 / 29

HEX #29B666

RGB 41 182 102

HSL 145.96, 0.63%, 0.44%

LAB 65.66, -54.39, 30.53

 

CMYK 77 / 49 / 0 / 29

HEX #295DB6

RGB 41 93 182

HSL 217.87, 0.63%, 0.44%

LAB 40.7, 15.01, -52.11

 

CMYK 0 / 77 / 34 / 29

HEX #B62A78

RGB 182 42 120

HSL 326.57, 0.63%, 0.44%

LAB 42.7, 60.85, -10.62

 

CMYK 0 / 5 / 77 / 29

HEX #B6AD29

RGB 182 173 41

HSL 56.17, 0.63%, 0.44%

LAB 69.46, -11.25, 63.61

 

CMYK 77 / 0 / 44 / 29

HEX #29B666

RGB 41 182 102

HSL 145.96, 0.63%, 0.44%

LAB 65.66, -54.39, 30.53

 

CMYK 77 / 73 / 0 / 29

HEX #2932B6

RGB 41 50 182

HSL 236.17, 0.63%, 0.44%

LAB 29.74, 42.75, -69.99

 

Description

Color code: RGB 182 42 120 | qconv.com Color code: RGB 182 42 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 42 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 42 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 34 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 34% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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