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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 41 168 it is the complementary color RGB 73 214 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 41 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 41 168 shade: RGB 187 41 163, RGB 204 59 182, RGB 221 77 201, RGB 238 95 220 and RGB 255 113 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 41 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 41 168 shade: RGB 182 41 168, RGB 165 23 149, RGB 148 5 130, RGB 131 0 111 and RGB 114 0 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 41 168 shade: RGB 182 41 168, RGB 182 41 130, RGB 182 41 92, RGB 182 41 54 and RGB 182 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 41 168 shade: RGB 182 41 168, RGB 158 41 182, RGB 120 41 182, RGB 82 41 182 and RGB 44 41 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 41 168 shade matches the following richer shades: RGB 182 41 168, RGB 201 23 183 and RGB 219 5 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 41 168 shade: RGB 182 41 168, RGB 164 59 154, RGB 146 77 139, RGB 128 95 125 and RGB 110 114 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 41 168 shade: RGB 119 41 182, RGB 156 41 182, RGB 182 41 171, RGB 182 41 133 and RGB 182 41 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 41 168 shade: RGB 115 26 106, RGB 149 33 137, RGB 182 41 168, RGB 209 55 194 and RGB 217 89 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 41 168 shade: RGB 182 41 168, RGB 182 81 41 and RGB 41 182 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 41 168 shade: RGB 182 41 168, RGB 171 182 41 and RGB 41 171 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 41 168 shade: RGB 182 41 168, RGB 182 81 41, RGB 41 182 53 and RGB 41 142 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 41 168 shade: RGB 182 41 168, RGB 182 123 41, RGB 41 182 53 and RGB 41 100 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

Complementary color

CMYK 66 / 0 / 59 / 16

HEX #49D657

RGB 73 214 87

HSL 125.96, 0.63%, 0.56%

LAB 76.19, -62.65, 50.83

 

CMYK 0 / 78 / 13 / 27

HEX #BB29A3

RGB 187 41 163

HSL 309.86, 0.64%, 0.45%

LAB 45.35, 67.84, -32.56

 

CMYK 0 / 71 / 11 / 20

HEX #CC3BB6

RGB 204 59 182

HSL 309.1, 0.59%, 0.52%

LAB 51.09, 68.91, -34.57

 

CMYK 0 / 65 / 9 / 13

HEX #DD4DC9

RGB 221 77 201

HSL 308.33, 0.68%, 0.58%

LAB 56.97, 69.34, -36.12

 

CMYK 0 / 60 / 8 / 7

HEX #EE5FDC

RGB 238 95 220

HSL 307.55, 0.81%, 0.65%

LAB 62.95, 69.34, -37.34

 

CMYK 0 / 56 / 6 / 0

HEX #FF71EF

RGB 255 113 239

HSL 306.76, 1%, 0.72%

LAB 68.97, 69.07, -38.33

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 0 / 86 / 10 / 35

HEX #A51795

RGB 165 23 149

HSL 306.76, 0.76%, 0.37%

LAB 39.21, 65.48, -34.07

 

CMYK 0 / 97 / 12 / 42

HEX #940582

RGB 148 5 130

HSL 307.55, 0.93%, 0.3%

LAB 34.02, 62.18, -30.78

 

CMYK 0 / 100 / 15 / 49

HEX #83006F

RGB 131 0 111

HSL 309.16, 1%, 0.26%

LAB 29.34, 56.97, -26.36

 

CMYK 0 / 100 / 19 / 55

HEX #72005C

RGB 114 0 92

HSL 311.58, 1%, 0.22%

LAB 24.8, 50.96, -21.37

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 0 / 77 / 29 / 29

HEX #B62982

RGB 182 41 130

HSL 322.13, 0.63%, 0.44%

LAB 42.98, 62.31, -16.35

 

CMYK 0 / 77 / 49 / 29

HEX #B6295C

RGB 182 41 92

HSL 338.3, 0.63%, 0.44%

LAB 41.69, 58.39, 5.38

 

CMYK 0 / 77 / 70 / 29

HEX #B62936

RGB 182 41 54

HSL 354.47, 0.63%, 0.44%

LAB 40.89, 55.84, 28.06

 

CMYK 0 / 77 / 77 / 29

HEX #B62929

RGB 182 41 41

HSL 0, 0.63%, 0.44%

LAB 40.72, 55.29, 35.6

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 13 / 77 / 0 / 29

HEX #9E29B6

RGB 158 41 182

HSL 289.79, 0.63%, 0.44%

LAB 41.58, 64.89, -50.12

 

CMYK 34 / 77 / 0 / 29

HEX #7829B6

RGB 120 41 182

HSL 273.62, 0.63%, 0.44%

LAB 35.9, 57.91, -59.59

 

CMYK 55 / 77 / 0 / 29

HEX #5229B6

RGB 82 41 182

HSL 257.45, 0.63%, 0.44%

LAB 31.25, 52.07, -67.39

 

CMYK 76 / 77 / 0 / 29

HEX #2C29B6

RGB 44 41 182

HSL 241.28, 0.63%, 0.44%

LAB 28.11, 48.05, -72.67

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 0 / 89 / 9 / 21

HEX #C917B7

RGB 201 23 183

HSL 306.07, 0.79%, 0.44%

LAB 47.56, 77.25, -40.75

 

CMYK 0 / 98 / 10 / 14

HEX #DB05C5

RGB 219 5 197

HSL 306.17, 0.96%, 0.44%

LAB 50.92, 84.19, -43.37

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 0 / 64 / 6 / 36

HEX #A43B9A

RGB 164 59 154

HSL 305.71, 0.47%, 0.44%

LAB 43.29, 54.68, -30.68

 

CMYK 0 / 47 / 5 / 43

HEX #924D8B

RGB 146 77 139

HSL 306.09, 0.31%, 0.44%

LAB 43.19, 38.1, -22

 

CMYK 0 / 26 / 2 / 50

HEX #805F7D

RGB 128 95 125

HSL 305.45, 0.15%, 0.44%

LAB 44.6, 18.84, -11.58

 

CMYK 4 / 0 / 4 / 55

HEX #6E726E

RGB 110 114 110

HSL 120, 0.02%, 0.44%

LAB 47.59, -2.34, 1.68

 

CMYK 35 / 77 / 0 / 29

HEX #7729B6

RGB 119 41 182

HSL 273.19, 0.63%, 0.44%

LAB 35.76, 57.74, -59.82

 

CMYK 14 / 77 / 0 / 29

HEX #9C29B6

RGB 156 41 182

HSL 288.94, 0.63%, 0.44%

LAB 41.27, 64.5, -50.65

 

CMYK 0 / 77 / 6 / 29

HEX #B629AB

RGB 182 41 171

HSL 304.68, 0.63%, 0.44%

LAB 44.9, 67.93, -38.09

 

CMYK 0 / 77 / 27 / 29

HEX #B62985

RGB 182 41 133

HSL 320.85, 0.63%, 0.44%

LAB 43.1, 62.68, -18.01

 

CMYK 0 / 77 / 48 / 29

HEX #B6295F

RGB 182 41 95

HSL 337.02, 0.63%, 0.44%

LAB 41.78, 58.65, 3.61

 

CMYK 0 / 77 / 8 / 55

HEX #731A6A

RGB 115 26 106

HSL 306.07, 0.63%, 0.28%

LAB 27.91, 47.1, -25.6

 

CMYK 0 / 78 / 8 / 42

HEX #952189

RGB 149 33 137

HSL 306.21, 0.64%, 0.36%

LAB 36.52, 57.8, -31.15

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 0 / 74 / 7 / 18

HEX #D137C2

RGB 209 55 194

HSL 305.84, 0.63%, 0.52%

LAB 52.04, 73.1, -39.97

 

CMYK 0 / 59 / 6 / 15

HEX #D959CC

RGB 217 89 204

HSL 306.09, 0.63%, 0.6%

LAB 58.28, 63.93, -35.83

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 0 / 55 / 77 / 29

HEX #B65129

RGB 182 81 41

HSL 17.02, 0.63%, 0.44%

LAB 46.96, 38.53, 42.12

 

CMYK 77 / 0 / 24 / 29

HEX #29B68A

RGB 41 182 138

HSL 161.28, 0.63%, 0.44%

LAB 66.34, -46.84, 12.14

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 6 / 0 / 77 / 29

HEX #ABB629

RGB 171 182 41

HSL 64.68, 0.63%, 0.44%

LAB 71.06, -20.59, 64.73

 

CMYK 77 / 6 / 0 / 29

HEX #29ABB6

RGB 41 171 182

HSL 184.68, 0.63%, 0.44%

LAB 64.14, -29.75, -15.47

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 0 / 55 / 77 / 29

HEX #B65129

RGB 182 81 41

HSL 17.02, 0.63%, 0.44%

LAB 46.96, 38.53, 42.12

 

CMYK 77 / 0 / 71 / 29

HEX #29B635

RGB 41 182 53

HSL 125.11, 0.63%, 0.44%

LAB 65.11, -60.97, 52.71

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 0 / 32 / 77 / 29

HEX #B67B29

RGB 182 123 41

HSL 34.89, 0.63%, 0.44%

LAB 56.36, 15.88, 51.4

 

CMYK 77 / 0 / 71 / 29

HEX #29B635

RGB 41 182 53

HSL 125.11, 0.63%, 0.44%

LAB 65.11, -60.97, 52.71

 

CMYK 77 / 45 / 0 / 29

HEX #2964B6

RGB 41 100 182

HSL 214.89, 0.63%, 0.44%

LAB 42.71, 10.47, -48.88

 

Description

Color code: RGB 182 41 168 | qconv.com Color code: RGB 182 41 168 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 41 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 41 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 8 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 8% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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