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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #298EB6 it is the complementary color #D67149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #298EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #298EB6 shade: #2E8EB1, #3FA0C4, #50B2D7, #61C4EA and #72D6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #298EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #298EB6 shade: #298EB6, #187CA3, #076A90, #00587D and #00466A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #298EB6 shade: #298EB6, #2968B6, #2942B6, #3629B6 and #5C29B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #298EB6 shade: #298EB6, #2968B6, #2942B6 and #2929B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #298EB6 shade matches the following richer shades: #298EB6, #1796C9 and #059EDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #298EB6 shade: #298EB6, #3B86A4, #4D7F92, #5F7780 and #726F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #298EB6 shade: #29B693, #29B4B6, #298EB6, #2969B6 and #2943B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #298EB6 shade: #1A5A73, #217495, #298EB6, #37A6D1 and #59B5D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #298EB6 shade: #298EB6, #6D29B6 and #B6A629

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #298EB6 shade: #298EB6, #B6298E and #8EB629

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #298EB6 shade: #298EB6, #6D29B6, #B65129 and #72B629

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #298EB6 shade: #298EB6, #9829B6, #B65129 and #48B629

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

Complementary color

CMYK 0 / 47 / 66 / 16

HEX #D67149

RGB 214 113 73

HSL 17.02, 0.63%, 0.56%

LAB 58.59, 36.32, 39.59

 

CMYK 74 / 20 / 0 / 31

HEX #2E8EB1

RGB 46 142 177

HSL 196.03, 0.59%, 0.44%

LAB 55.18, -15.8, -26.33

 

CMYK 68 / 18 / 0 / 23

HEX #3FA0C4

RGB 63 160 196

HSL 196.24, 0.53%, 0.51%

LAB 61.81, -16.82, -26.8

 

CMYK 63 / 17 / 0 / 16

HEX #50B2D7

RGB 80 178 215

HSL 196.44, 0.63%, 0.58%

LAB 68.35, -17.6, -27.22

 

CMYK 59 / 16 / 0 / 8

HEX #61C4EA

RGB 97 196 234

HSL 196.64, 0.77%, 0.65%

LAB 74.8, -18.19, -27.61

 

CMYK 55 / 15 / 0 / 1

HEX #72D6FD

RGB 114 214 253

HSL 196.83, 0.97%, 0.72%

LAB 81.16, -18.66, -27.98

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 85 / 24 / 0 / 36

HEX #187CA3

RGB 24 124 163

HSL 196.83, 0.74%, 0.37%

LAB 48.58, -13.07, -28.52

 

CMYK 95 / 26 / 0 / 44

HEX #076A90

RGB 7 106 144

HSL 196.64, 0.91%, 0.3%

LAB 41.79, -10.92, -27.89

 

CMYK 100 / 30 / 0 / 51

HEX #00587D

RGB 0 88 125

HSL 197.76, 1%, 0.25%

LAB 34.92, -8.02, -27.12

 

CMYK 100 / 34 / 0 / 58

HEX #00466A

RGB 0 70 106

HSL 200.38, 1%, 0.21%

LAB 27.9, -4.52, -26.27

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 77 / 43 / 0 / 29

HEX #2968B6

RGB 41 104 182

HSL 213.19, 0.63%, 0.44%

LAB 43.87, 7.92, -47.01

 

CMYK 77 / 64 / 0 / 29

HEX #2942B6

RGB 41 66 182

HSL 229.36, 0.63%, 0.44%

LAB 33.45, 32.77, -63.89

 

CMYK 70 / 77 / 0 / 29

HEX #3629B6

RGB 54 41 182

HSL 245.53, 0.63%, 0.44%

LAB 28.77, 48.9, -71.57

 

CMYK 49 / 77 / 0 / 29

HEX #5C29B6

RGB 92 41 182

HSL 261.7, 0.63%, 0.44%

LAB 32.34, 53.46, -65.55

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 77 / 43 / 0 / 29

HEX #2968B6

RGB 41 104 182

HSL 213.19, 0.63%, 0.44%

LAB 43.87, 7.92, -47.01

 

CMYK 77 / 64 / 0 / 29

HEX #2942B6

RGB 41 66 182

HSL 229.36, 0.63%, 0.44%

LAB 33.45, 32.77, -63.89

 

CMYK 77 / 77 / 0 / 29

HEX #2929B6

RGB 41 41 182

HSL 240, 0.63%, 0.44%

LAB 27.94, 47.83, -72.96

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 89 / 25 / 0 / 21

HEX #1796C9

RGB 23 150 201

HSL 197.19, 0.79%, 0.44%

LAB 58.24, -13.92, -35.21

 

CMYK 98 / 28 / 0 / 14

HEX #059EDB

RGB 5 158 219

HSL 197.1, 0.96%, 0.44%

LAB 61.31, -12.54, -40.48

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 64 / 18 / 0 / 36

HEX #3B86A4

RGB 59 134 164

HSL 197.14, 0.47%, 0.44%

LAB 52.58, -13.71, -22.84

 

CMYK 47 / 13 / 0 / 43

HEX #4D7F92

RGB 77 127 146

HSL 196.52, 0.31%, 0.44%

LAB 50.49, -11.45, -15.5

 

CMYK 26 / 7 / 0 / 50

HEX #5F7780

RGB 95 119 128

HSL 196.36, 0.15%, 0.44%

LAB 48.49, -6.51, -7.81

 

CMYK 0 / 3 / 4 / 55

HEX #726F6E

RGB 114 111 110

HSL 15, 0.02%, 0.44%

LAB 47.07, 0.96, 0.96

 

CMYK 77 / 0 / 19 / 29

HEX #29B693

RGB 41 182 147

HSL 165.11, 0.63%, 0.44%

LAB 66.55, -44.64, 7.5

 

CMYK 77 / 1 / 0 / 29

HEX #29B4B6

RGB 41 180 182

HSL 180.85, 0.63%, 0.44%

LAB 66.89, -34.07, -11.32

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 77 / 42 / 0 / 29

HEX #2969B6

RGB 41 105 182

HSL 212.77, 0.63%, 0.44%

LAB 44.16, 7.28, -46.55

 

CMYK 77 / 63 / 0 / 29

HEX #2943B6

RGB 41 67 182

HSL 228.94, 0.63%, 0.44%

LAB 33.7, 32.12, -63.48

 

CMYK 77 / 22 / 0 / 55

HEX #1A5A73

RGB 26 90 115

HSL 196.85, 0.63%, 0.28%

LAB 35.54, -10.81, -19.95

 

CMYK 78 / 22 / 0 / 42

HEX #217495

RGB 33 116 149

HSL 197.07, 0.64%, 0.36%

LAB 45.61, -12.68, -24.89

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 74 / 21 / 0 / 18

HEX #37A6D1

RGB 55 166 209

HSL 196.75, 0.63%, 0.52%

LAB 63.91, -16.88, -30.82

 

CMYK 59 / 17 / 0 / 15

HEX #59B5D9

RGB 89 181 217

HSL 196.88, 0.63%, 0.6%

LAB 69.6, -16.94, -26.38

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 40 / 77 / 0 / 29

HEX #6D29B6

RGB 109 41 182

HSL 268.94, 0.63%, 0.44%

LAB 34.43, 56.07, -62.06

 

CMYK 0 / 9 / 77 / 29

HEX #B6A629

RGB 182 166 41

HSL 53.19, 0.63%, 0.44%

LAB 67.56, -7.59, 61.88

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 0 / 77 / 22 / 29

HEX #B6298E

RGB 182 41 142

HSL 317.02, 0.63%, 0.44%

LAB 43.48, 63.82, -22.9

 

CMYK 22 / 0 / 77 / 29

HEX #8EB629

RGB 142 182 41

HSL 77.02, 0.63%, 0.44%

LAB 69.02, -32.64, 62.1

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 40 / 77 / 0 / 29

HEX #6D29B6

RGB 109 41 182

HSL 268.94, 0.63%, 0.44%

LAB 34.43, 56.07, -62.06

 

CMYK 0 / 55 / 77 / 29

HEX #B65129

RGB 182 81 41

HSL 17.02, 0.63%, 0.44%

LAB 46.96, 38.53, 42.12

 

CMYK 37 / 0 / 77 / 29

HEX #72B629

RGB 114 182 41

HSL 88.94, 0.63%, 0.44%

LAB 67.42, -43.25, 60.03

 

CMYK 77 / 22 / 0 / 29

HEX #298EB6

RGB 41 142 182

HSL 197.02, 0.63%, 0.44%

LAB 55.27, -14.7, -29.05

 

CMYK 16 / 77 / 0 / 29

HEX #9829B6

RGB 152 41 182

HSL 287.23, 0.63%, 0.44%

LAB 40.64, 63.73, -51.69

 

CMYK 0 / 55 / 77 / 29

HEX #B65129

RGB 182 81 41

HSL 17.02, 0.63%, 0.44%

LAB 46.96, 38.53, 42.12

 

CMYK 60 / 0 / 77 / 29

HEX #48B629

RGB 72 182 41

HSL 106.81, 0.63%, 0.44%

LAB 65.74, -55.94, 57.84

 

Description

Color code: HEX #298EB6 | qconv.com Color code: HEX #298EB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 142 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 142 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 22 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 22% 0% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Дипломы, аттестаты, ...
Link: http://diplom24.biz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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