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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 175 168 it is the complementary color RGB 73 80 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 175 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 175 168: RGB 187 175 163, RGB 204 193 182, RGB 221 211 201, RGB 238 229 220 and RGB 255 247 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 175 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 175 168: RGB 182 175 168, RGB 165 157 149, RGB 148 139 130, RGB 131 121 111 and RGB 114 103 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 8 / 29

HEX #B6AFA8

RGB 182 175 168

HSL 30, 0.09%, 0.69%

LAB 71.85, 1.24, 4.46

 

Complementary color

CMYK 16 / 8 / 0 / 66

HEX #495057

RGB 73 80 87

HSL 210, 0.09%, 0.31%

LAB 33.65, -1.12, -5.06

 

CMYK 0 / 6 / 13 / 27

HEX #BBAFA3

RGB 187 175 163

HSL 30, 0.15%, 0.69%

LAB 72.14, 2.23, 7.68

 

CMYK 0 / 5 / 11 / 20

HEX #CCC1B6

RGB 204 193 182

HSL 30, 0.18%, 0.76%

LAB 78.67, 1.97, 6.91

 

CMYK 0 / 5 / 9 / 13

HEX #DDD3C9

RGB 221 211 201

HSL 30, 0.23%, 0.83%

LAB 85.09, 1.74, 6.17

 

CMYK 0 / 4 / 8 / 7

HEX #EEE5DC

RGB 238 229 220

HSL 30, 0.35%, 0.9%

LAB 91.41, 1.52, 5.46

 

CMYK 0 / 3 / 6 / 0

HEX #FFF7EF

RGB 255 247 239

HSL 30, 1%, 0.97%

LAB 97.64, 1.32, 4.78

 

CMYK 0 / 4 / 8 / 29

HEX #B6AFA8

RGB 182 175 168

HSL 30, 0.09%, 0.69%

LAB 71.85, 1.24, 4.46

 

CMYK 0 / 5 / 10 / 35

HEX #A59D95

RGB 165 157 149

HSL 30, 0.08%, 0.62%

LAB 65.19, 1.47, 5.21

 

CMYK 0 / 6 / 12 / 42

HEX #948B82

RGB 148 139 130

HSL 30, 0.08%, 0.55%

LAB 58.39, 1.73, 6.01

 

CMYK 0 / 8 / 15 / 49

HEX #83796F

RGB 131 121 111

HSL 30, 0.08%, 0.47%

LAB 51.44, 2.02, 6.86

 

CMYK 0 / 10 / 19 / 55

HEX #72675C

RGB 114 103 92

HSL 30, 0.11%, 0.4%

LAB 44.31, 2.36, 7.78

 

CMYK 0 / 4 / 8 / 29

HEX #B6AFA8

RGB 182 175 168

HSL 30, 0.09%, 0.69%

LAB 71.85, 1.24, 4.46

 

CMYK 0 / 3 / 8 / 28

HEX #B7B2A8

RGB 183 178 168

HSL 40, 0.09%, 0.69%

LAB 72.72, -0.01, 5.73

 

CMYK 0 / 2 / 8 / 28

HEX #B7B4A8

RGB 183 180 168

HSL 48, 0.09%, 0.69%

LAB 73.24, -1.08, 6.49

 

CMYK 0 / 0 / 8 / 28

HEX #B7B7A8

RGB 183 183 168

HSL 60, 0.09%, 0.69%

LAB 74.04, -2.68, 7.62

 

CMYK 2 / 0 / 8 / 28

HEX #B4B7A8

RGB 180 183 168

HSL 72, 0.09%, 0.69%

LAB 73.8, -3.77, 7.26

 

CMYK 0 / 4 / 8 / 29

HEX #B6AFA8

RGB 182 175 168

HSL 30, 0.09%, 0.69%

LAB 71.85, 1.24, 4.46

 

CMYK 0 / 4 / 8 / 9

HEX #E9E0D7

RGB 233 224 215

HSL 30, 0.29%, 0.88%

LAB 89.65, 1.53, 5.48

 

CMYK 0 / 3 / 7 / 89

HEX #1D1C1B

RGB 29 28 27

HSL 30, 0.04%, 0.11%

LAB 10.34, 0.23, 0.86

 

CMYK 0 / 4 / 7 / 69

HEX #504D4A

RGB 80 77 74

HSL 30, 0.04%, 0.3%

LAB 32.94, 0.61, 2.21

 

CMYK 0 / 4 / 8 / 49

HEX #837E79

RGB 131 126 121

HSL 30, 0.04%, 0.49%

LAB 53.09, 0.94, 3.38

 

CMYK 0 / 4 / 8 / 29

HEX #B6AFA8

RGB 182 175 168

HSL 30, 0.09%, 0.69%

LAB 71.85, 1.24, 4.46

 

CMYK 5 / 0 / 8 / 28

HEX #ADB7A8

RGB 173 183 168

HSL 100, 0.09%, 0.69%

LAB 73.27, -6.28, 6.42

 

CMYK 7 / 8 / 0 / 28

HEX #AAA8B7

RGB 170 168 183

HSL 248, 0.09%, 0.69%

LAB 69.45, 3.64, -7.44

 

CMYK 0 / 4 / 8 / 29

HEX #B6AFA8

RGB 182 175 168

HSL 30, 0.09%, 0.69%

LAB 71.85, 1.24, 4.46

 

CMYK 8 / 0 / 4 / 28

HEX #A8B7AF

RGB 168 183 175

HSL 148, 0.09%, 0.69%

LAB 73.08, -6.73, 2.28

 

CMYK 4 / 8 / 0 / 28

HEX #AFA8B7

RGB 175 168 183

HSL 268, 0.09%, 0.69%

LAB 69.85, 5.36, -6.8

 

CMYK 0 / 4 / 8 / 29

HEX #B6AFA8

RGB 182 175 168

HSL 30, 0.09%, 0.69%

LAB 71.85, 1.24, 4.46

 

CMYK 5 / 0 / 8 / 28

HEX #ADB7A8

RGB 173 183 168

HSL 100, 0.09%, 0.69%

LAB 73.27, -6.28, 6.42

 

CMYK 8 / 4 / 0 / 28

HEX #A8AFB7

RGB 168 175 183

HSL 212, 0.09%, 0.69%

LAB 71.15, -0.86, -4.94

 

CMYK 3 / 8 / 0 / 28

HEX #B2A8B7

RGB 178 168 183

HSL 280, 0.09%, 0.69%

LAB 70.1, 6.4, -6.4

 

CMYK 0 / 4 / 8 / 29

HEX #B6AFA8

RGB 182 175 168

HSL 30, 0.09%, 0.69%

LAB 71.85, 1.24, 4.46

 

CMYK 8 / 0 / 8 / 28

HEX #A8B7A8

RGB 168 183 168

HSL 120, 0.09%, 0.69%

LAB 72.9, -8.05, 5.85

 

CMYK 8 / 4 / 0 / 28

HEX #A8AFB7

RGB 168 175 183

HSL 212, 0.09%, 0.69%

LAB 71.15, -0.86, -4.94

 

CMYK 0 / 8 / 0 / 28

HEX #B7A8B7

RGB 183 168 183

HSL 300, 0.09%, 0.69%

LAB 70.52, 8.15, -5.73

 

Description

Color code: RGB 182 175 168 | qconv.com Color code: RGB 182 175 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 175 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 175 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 8 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 8% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - Thirteen Stripes Web...
Link: http://www.13swe.com

30% - #### Official Websit...
Link: http://alainroca.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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