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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 163 156 it is the complementary color RGB 73 92 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 163 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 163 156: RGB 187 163 151, RGB 204 181 170, RGB 221 199 189, RGB 238 217 208 and RGB 255 235 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 163 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 163 156: RGB 182 163 156, RGB 165 145 137, RGB 148 127 118, RGB 131 109 99 and RGB 114 91 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 14 / 29

HEX #B6A39C

RGB 182 163 156

HSL 16.15, 0.15%, 0.66%

LAB 68.42, 5.73, 6.15

 

Complementary color

CMYK 26 / 7 / 0 / 61

HEX #495C63

RGB 73 92 99

HSL 196.15, 0.15%, 0.34%

LAB 37.79, -5.43, -6.4

 

CMYK 0 / 13 / 19 / 27

HEX #BBA397

RGB 187 163 151

HSL 20, 0.21%, 0.66%

LAB 68.75, 6.82, 9.45

 

CMYK 0 / 11 / 17 / 20

HEX #CCB5AA

RGB 204 181 170

HSL 19.41, 0.25%, 0.73%

LAB 75.32, 6.43, 8.6

 

CMYK 0 / 10 / 14 / 13

HEX #DDC7BD

RGB 221 199 189

HSL 18.75, 0.32%, 0.8%

LAB 81.78, 6.08, 7.8

 

CMYK 0 / 9 / 13 / 7

HEX #EED9D0

RGB 238 217 208

HSL 18, 0.47%, 0.87%

LAB 88.14, 5.77, 7.04

 

CMYK 0 / 8 / 11 / 0

HEX #FFEBE3

RGB 255 235 227

HSL 17.14, 1%, 0.95%

LAB 94.41, 5.48, 6.31

 

CMYK 0 / 10 / 14 / 29

HEX #B6A39C

RGB 182 163 156

HSL 16.15, 0.15%, 0.66%

LAB 68.42, 5.73, 6.15

 

CMYK 0 / 12 / 17 / 35

HEX #A59189

RGB 165 145 137

HSL 17.14, 0.13%, 0.59%

LAB 61.7, 6.1, 6.97

 

CMYK 0 / 14 / 20 / 42

HEX #947F76

RGB 148 127 118

HSL 18, 0.12%, 0.52%

LAB 54.85, 6.52, 7.86

 

CMYK 0 / 17 / 24 / 49

HEX #836D63

RGB 131 109 99

HSL 18.75, 0.14%, 0.45%

LAB 47.83, 7.02, 8.82

 

CMYK 0 / 20 / 30 / 55

HEX #725B50

RGB 114 91 80

HSL 19.41, 0.18%, 0.38%

LAB 40.64, 7.6, 9.9

 

CMYK 0 / 10 / 14 / 29

HEX #B6A39C

RGB 182 163 156

HSL 16.15, 0.15%, 0.66%

LAB 68.42, 5.73, 6.15

 

CMYK 0 / 8 / 14 / 29

HEX #B5A69B

RGB 181 166 155

HSL 25.38, 0.15%, 0.66%

LAB 69.09, 3.55, 7.65

 

CMYK 0 / 6 / 14 / 29

HEX #B5AA9B

RGB 181 170 155

HSL 34.62, 0.15%, 0.66%

LAB 70.13, 1.38, 9.14

 

CMYK 0 / 3 / 14 / 29

HEX #B5AF9B

RGB 181 175 155

HSL 46.15, 0.15%, 0.66%

LAB 71.45, -1.32, 11.02

 

CMYK 0 / 1 / 14 / 29

HEX #B5B39B

RGB 181 179 155

HSL 55.38, 0.15%, 0.66%

LAB 72.52, -3.46, 12.52

 

CMYK 0 / 10 / 14 / 29

HEX #B6A39C

RGB 182 163 156

HSL 16.15, 0.15%, 0.66%

LAB 68.42, 5.73, 6.15

 

CMYK 0 / 10 / 14 / 9

HEX #E9D1C8

RGB 233 209 200

HSL 16.36, 0.43%, 0.85%

LAB 85.55, 6.89, 7.49

 

CMYK 0 / 10 / 14 / 89

HEX #1D1A19

RGB 29 26 25

HSL 15, 0.07%, 0.11%

LAB 9.56, 1.23, 1.22

 

CMYK 0 / 10 / 14 / 69

HEX #504845

RGB 80 72 69

HSL 16.36, 0.07%, 0.29%

LAB 31.28, 2.76, 3.01

 

CMYK 0 / 11 / 15 / 49

HEX #837570

RGB 131 117 112

HSL 15.79, 0.08%, 0.48%

LAB 50.36, 4.51, 4.72

 

CMYK 0 / 10 / 14 / 29

HEX #B6A39C

RGB 182 163 156

HSL 16.15, 0.15%, 0.66%

LAB 68.42, 5.73, 6.15

 

CMYK 7 / 0 / 14 / 29

HEX #A9B59B

RGB 169 181 155

HSL 87.69, 0.15%, 0.66%

LAB 72.13, -8.94, 11.84

 

CMYK 14 / 13 / 0 / 29

HEX #9B9EB5

RGB 155 158 181

HSL 233.08, 0.15%, 0.66%

LAB 65.56, 3.68, -12.26

 

CMYK 0 / 10 / 14 / 29

HEX #B6A39C

RGB 182 163 156

HSL 16.15, 0.15%, 0.66%

LAB 68.42, 5.73, 6.15

 

CMYK 14 / 0 / 10 / 29

HEX #9BB5A2

RGB 155 181 162

HSL 136.15, 0.15%, 0.66%

LAB 71.3, -12.65, 6.7

 

CMYK 10 / 14 / 0 / 29

HEX #A29BB5

RGB 162 155 181

HSL 256.15, 0.15%, 0.66%

LAB 65.33, 7.71, -12.55

 

CMYK 0 / 10 / 14 / 29

HEX #B6A39C

RGB 182 163 156

HSL 16.15, 0.15%, 0.66%

LAB 68.42, 5.73, 6.15

 

CMYK 7 / 0 / 14 / 29

HEX #A9B59B

RGB 169 181 155

HSL 87.69, 0.15%, 0.66%

LAB 72.13, -8.94, 11.84

 

CMYK 14 / 4 / 0 / 29

HEX #9BAEB5

RGB 155 174 181

HSL 196.15, 0.15%, 0.66%

LAB 69.88, -5.1, -5.82

 

CMYK 8 / 14 / 0 / 29

HEX #A79BB5

RGB 167 155 181

HSL 267.69, 0.15%, 0.66%

LAB 65.74, 9.41, -11.88

 

CMYK 0 / 10 / 14 / 29

HEX #B6A39C

RGB 182 163 156

HSL 16.15, 0.15%, 0.66%

LAB 68.42, 5.73, 6.15

 

CMYK 11 / 0 / 14 / 29

HEX #A1B59B

RGB 161 181 155

HSL 106.15, 0.15%, 0.66%

LAB 71.55, -11.83, 10.94

 

CMYK 14 / 4 / 0 / 29

HEX #9BAEB5

RGB 155 174 181

HSL 196.15, 0.15%, 0.66%

LAB 69.88, -5.1, -5.82

 

CMYK 3 / 14 / 0 / 29

HEX #AF9BB5

RGB 175 155 181

HSL 286.15, 0.15%, 0.66%

LAB 66.44, 12.17, -10.77

 

Description

Color code: RGB 182 163 156 | qconv.com Color code: RGB 182 163 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 163 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 163 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 14 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 14% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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