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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 142 198 it is the complementary color RGB 73 113 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 142 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 142 198 shade: RGB 187 142 193, RGB 204 160 212, RGB 221 178 231, RGB 238 196 250 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 142 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 142 198 shade: RGB 182 142 198, RGB 165 124 179, RGB 148 106 160, RGB 131 88 141 and RGB 114 70 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 142 198 shade: RGB 183 143 199, RGB 198 143 199, RGB 199 143 185, RGB 199 143 170 and RGB 199 143 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 142 198 shade: RGB 183 143 199, RGB 168 143 199, RGB 153 143 199 and RGB 143 143 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 142 198 shade matches the following richer shades: RGB 183 143 199, RGB 189 129 212, RGB 194 116 226, RGB 200 102 239 and RGB 206 89 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 142 198 shade: RGB 183 143 199, RGB 177 157 185, RGB 171 170 171, RGB 165 184 158 and RGB 159 198 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 142 198 shade: RGB 152 143 199, RGB 167 143 199, RGB 182 143 199, RGB 197 143 199 and RGB 199 143 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 142 198 shade: RGB 147 88 171, RGB 165 116 185, RGB 183 143 199, RGB 200 171 212 and RGB 218 198 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 142 198 shade: RGB 182 142 198, RGB 199 143 149 and RGB 143 199 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 142 198 shade: RGB 182 142 198, RGB 199 182 143 and RGB 143 199 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 142 198 shade: RGB 182 142 198, RGB 199 143 149, RGB 160 199 143 and RGB 143 199 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 142 198 shade: RGB 182 142 198, RGB 199 154 143, RGB 160 199 143 and RGB 143 188 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 28 / 0 / 22

HEX #B68EC6

RGB 182 142 198

HSL 282.86, 0.33%, 0.67%

LAB 64.46, 25.24, -23.22

 

Complementary color

CMYK 35 / 0 / 50 / 56

HEX #497139

RGB 73 113 57

HSL 102.86, 0.33%, 0.33%

LAB 43.54, -25.48, 26.61

 

CMYK 3 / 26 / 0 / 24

HEX #BB8EC1

RGB 187 142 193

HSL 292.94, 0.29%, 0.66%

LAB 64.77, 25.89, -19.89

 

CMYK 4 / 25 / 0 / 17

HEX #CCA0D4

RGB 204 160 212

HSL 290.77, 0.38%, 0.73%

LAB 71.37, 25.28, -20.26

 

CMYK 4 / 23 / 0 / 9

HEX #DDB2E7

RGB 221 178 231

HSL 288.68, 0.52%, 0.8%

LAB 77.86, 24.72, -20.61

 

CMYK 5 / 22 / 0 / 2

HEX #EEC4FA

RGB 238 196 250

HSL 286.67, 0.84%, 0.87%

LAB 84.26, 24.19, -20.96

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 8 / 28 / 0 / 22

HEX #B68EC6

RGB 182 142 198

HSL 282.86, 0.33%, 0.67%

LAB 64.46, 25.24, -23.22

 

CMYK 8 / 31 / 0 / 30

HEX #A57CB3

RGB 165 124 179

HSL 284.73, 0.27%, 0.59%

LAB 57.72, 25.89, -22.94

 

CMYK 7 / 34 / 0 / 37

HEX #946AA0

RGB 148 106 160

HSL 286.67, 0.22%, 0.52%

LAB 50.85, 26.6, -22.65

 

CMYK 7 / 38 / 0 / 45

HEX #83588D

RGB 131 88 141

HSL 288.68, 0.23%, 0.45%

LAB 43.84, 27.37, -22.35

 

CMYK 7 / 43 / 0 / 52

HEX #72467A

RGB 114 70 122

HSL 290.77, 0.27%, 0.38%

LAB 36.67, 28.19, -22.02

 

CMYK 8 / 28 / 0 / 22

HEX #B78FC7

RGB 183 143 199

HSL 282.86, 0.33%, 0.67%

LAB 64.83, 25.22, -23.2

 

CMYK 1 / 28 / 0 / 22

HEX #C68FC7

RGB 198 143 199

HSL 298.93, 0.33%, 0.67%

LAB 66.35, 30.14, -20.75

 

CMYK 0 / 28 / 7 / 22

HEX #C78FB9

RGB 199 143 185

HSL 315, 0.33%, 0.67%

LAB 65.97, 27.9, -13.47

 

CMYK 0 / 28 / 15 / 22

HEX #C78FAA

RGB 199 143 170

HSL 331.07, 0.33%, 0.67%

LAB 65.51, 25.34, -5.73

 

CMYK 0 / 28 / 22 / 22

HEX #C78F9B

RGB 199 143 155

HSL 347.14, 0.33%, 0.67%

LAB 65.08, 22.97, 2.11

 

CMYK 8 / 28 / 0 / 22

HEX #B78FC7

RGB 183 143 199

HSL 282.86, 0.33%, 0.67%

LAB 64.83, 25.22, -23.2

 

CMYK 16 / 28 / 0 / 22

HEX #A88FC7

RGB 168 143 199

HSL 266.79, 0.33%, 0.67%

LAB 63.42, 20.37, -25.49

 

CMYK 23 / 28 / 0 / 22

HEX #998FC7

RGB 153 143 199

HSL 250.71, 0.33%, 0.67%

LAB 62.12, 15.66, -27.6

 

CMYK 28 / 28 / 0 / 22

HEX #8F8FC7

RGB 143 143 199

HSL 240, 0.33%, 0.67%

LAB 61.31, 12.61, -28.91

 

CMYK 8 / 28 / 0 / 22

HEX #B78FC7

RGB 183 143 199

HSL 282.86, 0.33%, 0.67%

LAB 64.83, 25.22, -23.2

 

CMYK 11 / 39 / 0 / 17

HEX #BD81D4

RGB 189 129 212

HSL 283.37, 0.49%, 0.67%

LAB 62.74, 37.55, -33.66

 

CMYK 14 / 49 / 0 / 11

HEX #C274E2

RGB 194 116 226

HSL 282.55, 0.65%, 0.67%

LAB 61.18, 48.84, -43.89

 

CMYK 16 / 57 / 0 / 6

HEX #C866EF

RGB 200 102 239

HSL 282.92, 0.81%, 0.67%

LAB 59.9, 60.07, -53.1

 

CMYK 19 / 65 / 0 / 1

HEX #CE59FD

RGB 206 89 253

HSL 282.8, 0.98%, 0.67%

LAB 59.3, 70.11, -61.77

 

CMYK 8 / 28 / 0 / 22

HEX #B78FC7

RGB 183 143 199

HSL 282.86, 0.33%, 0.67%

LAB 64.83, 25.22, -23.2

 

CMYK 4 / 15 / 0 / 27

HEX #B19DB9

RGB 177 157 185

HSL 282.86, 0.17%, 0.67%

LAB 67.25, 12.54, -11.77

 

CMYK 0 / 1 / 0 / 33

HEX #ABAAAB

RGB 171 170 171

HSL 300, 0.01%, 0.67%

LAB 69.72, 0.55, -0.4

 

CMYK 10 / 0 / 14 / 28

HEX #A5B89E

RGB 165 184 158

HSL 103.85, 0.15%, 0.67%

LAB 72.73, -11.44, 11.01

 

CMYK 20 / 0 / 27 / 22

HEX #9FC690

RGB 159 198 144

HSL 103.33, 0.32%, 0.67%

LAB 75.93, -23.04, 22.93

 

CMYK 24 / 28 / 0 / 22

HEX #988FC7

RGB 152 143 199

HSL 249.64, 0.33%, 0.67%

LAB 62.04, 15.35, -27.74

 

CMYK 16 / 28 / 0 / 22

HEX #A78FC7

RGB 167 143 199

HSL 265.71, 0.33%, 0.67%

LAB 63.33, 20.05, -25.63

 

CMYK 9 / 28 / 0 / 22

HEX #B68FC7

RGB 182 143 199

HSL 281.79, 0.33%, 0.67%

LAB 64.73, 24.89, -23.36

 

CMYK 1 / 28 / 0 / 22

HEX #C58FC7

RGB 197 143 199

HSL 297.86, 0.33%, 0.67%

LAB 66.24, 29.81, -20.92

 

CMYK 0 / 28 / 7 / 22

HEX #C78FBA

RGB 199 143 186

HSL 313.93, 0.33%, 0.67%

LAB 66.01, 28.08, -13.98

 

CMYK 14 / 49 / 0 / 33

HEX #9358AB

RGB 147 88 171

HSL 282.65, 0.33%, 0.51%

LAB 47.14, 38.87, -34.9

 

CMYK 11 / 37 / 0 / 27

HEX #A574B9

RGB 165 116 185

HSL 282.61, 0.33%, 0.59%

LAB 56.08, 31.69, -28.91

 

CMYK 8 / 28 / 0 / 22

HEX #B78FC7

RGB 183 143 199

HSL 282.86, 0.33%, 0.67%

LAB 64.83, 25.22, -23.2

 

CMYK 6 / 19 / 0 / 17

HEX #C8ABD4

RGB 200 171 212

HSL 282.44, 0.32%, 0.75%

LAB 73.65, 17.93, -16.85

 

CMYK 4 / 12 / 0 / 11

HEX #DAC6E2

RGB 218 198 226

HSL 282.86, 0.33%, 0.83%

LAB 82.26, 12.02, -11.33

 

CMYK 8 / 28 / 0 / 22

HEX #B68EC6

RGB 182 142 198

HSL 282.86, 0.33%, 0.67%

LAB 64.46, 25.24, -23.22

 

CMYK 0 / 28 / 25 / 22

HEX #C78F95

RGB 199 143 149

HSL 353.57, 0.33%, 0.67%

LAB 64.93, 22.08, 5.27

 

CMYK 28 / 0 / 20 / 22

HEX #8FC7A0

RGB 143 199 160

HSL 138.21, 0.33%, 0.67%

LAB 75.59, -26.13, 13.78

 

CMYK 8 / 28 / 0 / 22

HEX #B68EC6

RGB 182 142 198

HSL 282.86, 0.33%, 0.67%

LAB 64.46, 25.24, -23.22

 

CMYK 0 / 9 / 28 / 22

HEX #C7B68F

RGB 199 182 143

HSL 41.79, 0.33%, 0.67%

LAB 74.56, 0.04, 22.09

 

CMYK 28 / 0 / 9 / 22

HEX #8FC7B6

RGB 143 199 182

HSL 161.79, 0.33%, 0.67%

LAB 76.11, -21.72, 2.68

 

CMYK 8 / 28 / 0 / 22

HEX #B68EC6

RGB 182 142 198

HSL 282.86, 0.33%, 0.67%

LAB 64.46, 25.24, -23.22

 

CMYK 0 / 28 / 25 / 22

HEX #C78F95

RGB 199 143 149

HSL 353.57, 0.33%, 0.67%

LAB 64.93, 22.08, 5.27

 

CMYK 20 / 0 / 28 / 22

HEX #A0C78F

RGB 160 199 143

HSL 101.79, 0.33%, 0.67%

LAB 76.26, -23.34, 23.92

 

CMYK 28 / 0 / 3 / 22

HEX #8FC7C1

RGB 143 199 193

HSL 173.57, 0.33%, 0.67%

LAB 76.4, -19.32, -2.84

 

CMYK 8 / 28 / 0 / 22

HEX #B68EC6

RGB 182 142 198

HSL 282.86, 0.33%, 0.67%

LAB 64.46, 25.24, -23.22

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 20 / 0 / 28 / 22

HEX #A0C78F

RGB 160 199 143

HSL 101.79, 0.33%, 0.67%

LAB 76.26, -23.34, 23.92

 

CMYK 28 / 6 / 0 / 22

HEX #8FBCC7

RGB 143 188 199

HSL 191.79, 0.33%, 0.67%

LAB 73.5, -12.27, -10.39

 

Description

Color code: RGB 182 142 198 | qconv.com Color code: RGB 182 142 198 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 142 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 142 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 28 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 28% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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