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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C79A8F it is the complementary color #386570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C79A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C79A8F shade: #CC9A8A, #DDAC9D, #EEBEB0, #FFD0C3 and #FFE2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C79A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C79A8F shade: #C79A8F, #B6887C, #A57669, #946456 and #835243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C79A8F shade: #C79A8F and #C78F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C79A8F shade: #C79A8F, #C7A98F, #C7B88F, #C6C78F and #B7C78F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C79A8F shade matches the following richer shades: #C79A8F, #D49281, #E28974, #EF8166 and #FD7959

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C79A8F shade: #C79A8F, #B9A29D, #ABABAA, #9EB3B8 and #90BBC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C79A8F shade: #C78FA3, #C78F94, #C7998F, #C7A88F and #C7B78F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C79A8F shade: #AB6858, #B98174, #C79A8F, #D4B3AB and #E2CCC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C79A8F shade: #C79A8F, #B1C78F and #8F9BC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C79A8F shade: #C79A8F, #8FC799 and #998FC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C79A8F shade: #C79A8F, #B1C78F, #8FBCC7 and #A48FC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C79A8F shade: #C79A8F, #A1C78F, #8FBCC7 and #B58FC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

Complementary color

CMYK 50 / 10 / 0 / 56

HEX #386570

RGB 56 101 112

HSL 191.79, 0.33%, 0.33%

LAB 40.11, -12.21, -11.01

 

CMYK 0 / 25 / 32 / 20

HEX #CC9A8A

RGB 204 154 138

HSL 14.55, 0.39%, 0.67%

LAB 67.86, 16.46, 15.65

 

CMYK 0 / 22 / 29 / 13

HEX #DDAC9D

RGB 221 172 157

HSL 14.06, 0.48%, 0.74%

LAB 74.39, 15.78, 14.59

 

CMYK 0 / 20 / 26 / 7

HEX #EEBEB0

RGB 238 190 176

HSL 13.55, 0.65%, 0.81%

LAB 80.82, 15.18, 13.6

 

CMYK 0 / 18 / 24 / 0

HEX #FFD0C3

RGB 255 208 195

HSL 13, 1%, 0.88%

LAB 87.15, 14.63, 12.68

 

CMYK 0 / 11 / 16 / 0

HEX #FFE2D6

RGB 255 226 214

HSL 17.56, 1%, 0.92%

LAB 91.91, 8.07, 9.5

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 0 / 25 / 32 / 29

HEX #B6887C

RGB 182 136 124

HSL 12.41, 0.28%, 0.6%

LAB 60.79, 15.88, 13.29

 

CMYK 0 / 28 / 36 / 35

HEX #A57669

RGB 165 118 105

HSL 13, 0.25%, 0.53%

LAB 54, 16.67, 14.47

 

CMYK 0 / 32 / 42 / 42

HEX #946456

RGB 148 100 86

HSL 13.55, 0.26%, 0.46%

LAB 47.08, 17.6, 15.8

 

CMYK 0 / 37 / 49 / 49

HEX #835243

RGB 131 82 67

HSL 14.06, 0.32%, 0.39%

LAB 40.02, 18.69, 17.32

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 0 / 28 / 28 / 22

HEX #C78F8F

RGB 199 143 143

HSL 0, 0.33%, 0.67%

LAB 64.78, 21.23, 8.44

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 0 / 15 / 28 / 22

HEX #C7A98F

RGB 199 169 143

HSL 27.86, 0.33%, 0.67%

LAB 71.22, 7.01, 17.48

 

CMYK 0 / 8 / 28 / 22

HEX #C7B88F

RGB 199 184 143

HSL 43.93, 0.33%, 0.67%

LAB 75.08, -1.02, 22.8

 

CMYK 1 / 0 / 28 / 22

HEX #C6C78F

RGB 198 199 143

HSL 61.07, 0.33%, 0.67%

LAB 78.95, -9.24, 28.01

 

CMYK 8 / 0 / 28 / 22

HEX #B7C78F

RGB 183 199 143

HSL 77.14, 0.33%, 0.67%

LAB 77.81, -14.93, 26.29

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 0 / 31 / 39 / 17

HEX #D49281

RGB 212 146 129

HSL 12.29, 0.49%, 0.67%

LAB 66.63, 22.84, 19.08

 

CMYK 0 / 39 / 49 / 11

HEX #E28974

RGB 226 137 116

HSL 11.45, 0.65%, 0.67%

LAB 66, 31.77, 25.73

 

CMYK 0 / 46 / 57 / 6

HEX #EF8166

RGB 239 129 102

HSL 11.82, 0.81%, 0.67%

LAB 65.76, 39.72, 33.45

 

CMYK 0 / 52 / 65 / 1

HEX #FD7959

RGB 253 121 89

HSL 11.71, 0.98%, 0.67%

LAB 65.97, 48.03, 41.17

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 0 / 12 / 15 / 27

HEX #B9A29D

RGB 185 162 157

HSL 10.71, 0.17%, 0.67%

LAB 68.45, 7.57, 5.68

 

CMYK 0 / 0 / 1 / 33

HEX #ABABAA

RGB 171 171 170

HSL 60, 0.01%, 0.67%

LAB 69.96, -0.18, 0.51

 

CMYK 14 / 3 / 0 / 28

HEX #9EB3B8

RGB 158 179 184

HSL 191.54, 0.15%, 0.67%

LAB 71.53, -6.16, -5

 

CMYK 27 / 6 / 0 / 22

HEX #90BBC6

RGB 144 187 198

HSL 192.22, 0.32%, 0.67%

LAB 73.25, -11.69, -10.21

 

CMYK 0 / 28 / 18 / 22

HEX #C78FA3

RGB 199 143 163

HSL 338.57, 0.33%, 0.67%

LAB 65.3, 24.21, -2.09

 

CMYK 0 / 28 / 26 / 22

HEX #C78F94

RGB 199 143 148

HSL 354.64, 0.33%, 0.67%

LAB 64.9, 21.94, 5.79

 

CMYK 0 / 23 / 28 / 22

HEX #C7998F

RGB 199 153 143

HSL 10.71, 0.33%, 0.67%

LAB 67.21, 15.74, 11.88

 

CMYK 0 / 16 / 28 / 22

HEX #C7A88F

RGB 199 168 143

HSL 26.79, 0.33%, 0.67%

LAB 70.96, 7.55, 17.13

 

CMYK 0 / 8 / 28 / 22

HEX #C7B78F

RGB 199 183 143

HSL 42.86, 0.33%, 0.67%

LAB 74.82, -0.49, 22.44

 

CMYK 0 / 39 / 49 / 33

HEX #AB6858

RGB 171 104 88

HSL 11.57, 0.33%, 0.51%

LAB 50.99, 25.08, 20.39

 

CMYK 0 / 30 / 37 / 27

HEX #B98174

RGB 185 129 116

HSL 11.3, 0.33%, 0.59%

LAB 59.23, 19.95, 15.73

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 0 / 16 / 19 / 17

HEX #D4B3AB

RGB 212 179 171

HSL 11.71, 0.32%, 0.75%

LAB 75.56, 10.63, 8.5

 

CMYK 0 / 10 / 12 / 11

HEX #E2CCC6

RGB 226 204 198

HSL 12.86, 0.33%, 0.83%

LAB 83.67, 6.69, 5.77

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 11 / 0 / 28 / 22

HEX #B1C78F

RGB 177 199 143

HSL 83.57, 0.33%, 0.67%

LAB 77.39, -17.17, 25.64

 

CMYK 28 / 22 / 0 / 22

HEX #8F9BC7

RGB 143 155 199

HSL 227.14, 0.33%, 0.67%

LAB 64.49, 5.76, -24.02

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 28 / 0 / 23 / 22

HEX #8FC799

RGB 143 199 153

HSL 130.71, 0.33%, 0.67%

LAB 75.44, -27.43, 17.32

 

CMYK 23 / 28 / 0 / 22

HEX #998FC7

RGB 153 143 199

HSL 250.71, 0.33%, 0.67%

LAB 62.12, 15.66, -27.6

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 11 / 0 / 28 / 22

HEX #B1C78F

RGB 177 199 143

HSL 83.57, 0.33%, 0.67%

LAB 77.39, -17.17, 25.64

 

CMYK 28 / 6 / 0 / 22

HEX #8FBCC7

RGB 143 188 199

HSL 191.79, 0.33%, 0.67%

LAB 73.5, -12.27, -10.39

 

CMYK 18 / 28 / 0 / 22

HEX #A48FC7

RGB 164 143 199

HSL 262.5, 0.33%, 0.67%

LAB 63.06, 19.1, -26.07

 

CMYK 0 / 23 / 28 / 22

HEX #C79A8F

RGB 199 154 143

HSL 11.79, 0.33%, 0.67%

LAB 67.45, 15.19, 12.23

 

CMYK 19 / 0 / 28 / 22

HEX #A1C78F

RGB 161 199 143

HSL 100.71, 0.33%, 0.67%

LAB 76.32, -22.98, 24.01

 

CMYK 28 / 6 / 0 / 22

HEX #8FBCC7

RGB 143 188 199

HSL 191.79, 0.33%, 0.67%

LAB 73.5, -12.27, -10.39

 

CMYK 9 / 28 / 0 / 22

HEX #B58FC7

RGB 181 143 199

HSL 280.71, 0.33%, 0.67%

LAB 64.64, 24.56, -23.52

 

Description

Color code: HEX #C79A8F | qconv.com Color code: HEX #C79A8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 154 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 154 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 28 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 28% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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