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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 118 197 it is the complementary color RGB 73 137 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 118 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 182 118 197: RGB 187 118 192, RGB 204 136 211, RGB 221 154 230, RGB 238 172 249 and RGB 255 190 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 118 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 182 118 197: RGB 182 118 197, RGB 165 100 178, RGB 148 82 159, RGB 131 64 140 and RGB 114 46 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

Complementary color

CMYK 47 / 0 / 58 / 46

HEX #49893A

RGB 73 137 58

HSL 108.61, 0.41%, 0.38%

LAB 51.4, -36.53, 35.58

 

CMYK 3 / 39 / 0 / 25

HEX #BB76C0

RGB 187 118 192

HSL 295.95, 0.37%, 0.61%

LAB 59.28, 38.92, -27.76

 

CMYK 3 / 36 / 0 / 17

HEX #CC88D3

RGB 204 136 211

HSL 294.4, 0.46%, 0.68%

LAB 65.86, 38.17, -28.13

 

CMYK 4 / 33 / 0 / 10

HEX #DD9AE6

RGB 221 154 230

HSL 292.89, 0.6%, 0.75%

LAB 72.36, 37.45, -28.47

 

CMYK 4 / 31 / 0 / 2

HEX #EEACF9

RGB 238 172 249

HSL 291.43, 0.87%, 0.83%

LAB 78.76, 36.77, -28.8

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 7 / 44 / 0 / 30

HEX #A564B2

RGB 165 100 178

HSL 290, 0.34%, 0.55%

LAB 52.21, 39.14, -30.89

 

CMYK 7 / 48 / 0 / 38

HEX #94529F

RGB 148 82 159

HSL 291.43, 0.32%, 0.47%

LAB 45.41, 39.92, -30.52

 

CMYK 6 / 54 / 0 / 45

HEX #83408C

RGB 131 64 140

HSL 292.89, 0.37%, 0.4%

LAB 38.53, 40.63, -30.03

 

CMYK 6 / 62 / 0 / 53

HEX #722E79

RGB 114 46 121

HSL 294.4, 0.45%, 0.33%

LAB 31.61, 41.15, -29.34

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 1 / 40 / 0 / 23

HEX #C376C5

RGB 195 118 197

HSL 298.48, 0.41%, 0.62%

LAB 60.42, 42.35, -28.75

 

CMYK 0 / 40 / 5 / 23

HEX #C576BB

RGB 197 118 187

HSL 307.59, 0.41%, 0.62%

LAB 60.26, 41.15, -23.3

 

CMYK 0 / 40 / 12 / 23

HEX #C576AD

RGB 197 118 173

HSL 318.23, 0.41%, 0.62%

LAB 59.75, 38.74, -16.09

 

CMYK 0 / 40 / 19 / 23

HEX #C576A0

RGB 197 118 160

HSL 328.1, 0.41%, 0.62%

LAB 59.31, 36.64, -9.28

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 8 / 40 / 0 / 3

HEX #E595F8

RGB 229 149 248

HSL 288.48, 0.88%, 0.78%

LAB 72.85, 45.97, -37.47

 

CMYK 7 / 41 / 0 / 83

HEX #291A2C

RGB 41 26 44

HSL 290, 0.26%, 0.14%

LAB 11.9, 11.46, -9.18

 

CMYK 7 / 40 / 0 / 63

HEX #58395F

RGB 88 57 95

HSL 288.95, 0.25%, 0.3%

LAB 28.97, 21.12, -17.15

 

CMYK 8 / 40 / 0 / 43

HEX #875792

RGB 135 87 146

HSL 288.81, 0.25%, 0.46%

LAB 44.29, 30.34, -24.61

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 40 / 0 / 24 / 23

HEX #76C596

RGB 118 197 150

HSL 144.3, 0.41%, 0.62%

LAB 73.54, -34.72, 16.08

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 0 / 8 / 40 / 23

HEX #C5B576

RGB 197 181 118

HSL 47.85, 0.41%, 0.62%

LAB 73.69, -3.3, 34.16

 

CMYK 40 / 0 / 8 / 23

HEX #76C5B5

RGB 118 197 181

HSL 167.85, 0.41%, 0.62%

LAB 74.27, -28.06, 0.39

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 0 / 40 / 40 / 23

HEX #C57676

RGB 197 118 118

HSL 0, 0.41%, 0.62%

LAB 58.17, 30.94, 13.32

 

CMYK 32 / 0 / 40 / 23

HEX #86C576

RGB 134 197 118

HSL 107.85, 0.41%, 0.62%

LAB 73.75, -35.17, 33.36

 

CMYK 40 / 0 / 0 / 23

HEX #76C5C5

RGB 118 197 197

HSL 180, 0.41%, 0.62%

LAB 74.71, -24.21, -7.64

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 0 / 28 / 40 / 23

HEX #C58E76

RGB 197 142 118

HSL 18.23, 0.41%, 0.62%

LAB 63.77, 17.81, 21.04

 

CMYK 32 / 0 / 40 / 23

HEX #86C576

RGB 134 197 118

HSL 107.85, 0.41%, 0.62%

LAB 73.75, -35.17, 33.36

 

CMYK 40 / 12 / 0 / 23

HEX #76ADC5

RGB 118 173 197

HSL 198.23, 0.41%, 0.62%

LAB 67.85, -11.81, -17.93

 

Description

Color code: RGB 182 118 197 | qconv.com Color code: RGB 182 118 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 118 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 118 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 40 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 40% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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