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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B676C5 it is the complementary color #49893A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B676C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B676C5 shade: #BB76C0, #CC88D3, #DD9AE6, #EEACF9 and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B676C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B676C5 shade: #B676C5, #A564B2, #94529F, #83408C and #722E79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B676C5 shade: #B776C6, #C676BF, #C676AA, #C67695 and #C6767F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B676C5 shade: #B776C6, #A176C6, #8C76C6 and #7676C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B676C5 shade matches the following richer shades: #B776C6, #C067D6, #CA57E5 and #D447F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B676C5 shade: #B776C6, #AD86B6, #A396A6, #9AA597 and #90B587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B676C5 shade: #8C76C6, #A176C6, #B676C6, #C676C1 and #C676AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B676C5 shade: #9345A5, #A759BA, #B776C6, #C693D2 and #D6B1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B676C5 shade: #B676C5, #C67676 and #76C696

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B676C5 shade: #B676C5, #C6B676 and #76C6B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B676C5 shade: #B676C5, #C67676, #86C676 and #76C6C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B676C5 shade: #B676C5, #C68E76, #86C676 and #76AEC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

Complementary color

CMYK 47 / 0 / 58 / 46

HEX #49893A

RGB 73 137 58

HSL 108.61, 0.41%, 0.38%

LAB 51.4, -36.53, 35.58

 

CMYK 3 / 39 / 0 / 25

HEX #BB76C0

RGB 187 118 192

HSL 295.95, 0.37%, 0.61%

LAB 59.28, 38.92, -27.76

 

CMYK 3 / 36 / 0 / 17

HEX #CC88D3

RGB 204 136 211

HSL 294.4, 0.46%, 0.68%

LAB 65.86, 38.17, -28.13

 

CMYK 4 / 33 / 0 / 10

HEX #DD9AE6

RGB 221 154 230

HSL 292.89, 0.6%, 0.75%

LAB 72.36, 37.45, -28.47

 

CMYK 4 / 31 / 0 / 2

HEX #EEACF9

RGB 238 172 249

HSL 291.43, 0.87%, 0.83%

LAB 78.76, 36.77, -28.8

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 7 / 44 / 0 / 30

HEX #A564B2

RGB 165 100 178

HSL 290, 0.34%, 0.55%

LAB 52.21, 39.14, -30.89

 

CMYK 7 / 48 / 0 / 38

HEX #94529F

RGB 148 82 159

HSL 291.43, 0.32%, 0.47%

LAB 45.41, 39.92, -30.52

 

CMYK 6 / 54 / 0 / 45

HEX #83408C

RGB 131 64 140

HSL 292.89, 0.37%, 0.4%

LAB 38.53, 40.63, -30.03

 

CMYK 6 / 62 / 0 / 53

HEX #722E79

RGB 114 46 121

HSL 294.4, 0.45%, 0.33%

LAB 31.61, 41.15, -29.34

 

CMYK 8 / 40 / 0 / 22

HEX #B776C6

RGB 183 118 198

HSL 288.75, 0.41%, 0.62%

LAB 59.07, 38.86, -31.52

 

CMYK 0 / 40 / 4 / 22

HEX #C676BF

RGB 198 118 191

HSL 305.25, 0.41%, 0.62%

LAB 60.54, 42.19, -25.14

 

CMYK 0 / 40 / 14 / 22

HEX #C676AA

RGB 198 118 170

HSL 321, 0.41%, 0.62%

LAB 59.77, 38.58, -14.33

 

CMYK 0 / 40 / 25 / 22

HEX #C67695

RGB 198 118 149

HSL 336.75, 0.41%, 0.62%

LAB 59.1, 35.34, -3.24

 

CMYK 0 / 40 / 36 / 22

HEX #C6767F

RGB 198 118 127

HSL 353.25, 0.41%, 0.62%

LAB 58.5, 32.39, 8.62

 

CMYK 8 / 40 / 0 / 22

HEX #B776C6

RGB 183 118 198

HSL 288.75, 0.41%, 0.62%

LAB 59.07, 38.86, -31.52

 

CMYK 19 / 40 / 0 / 22

HEX #A176C6

RGB 161 118 198

HSL 272.25, 0.41%, 0.62%

LAB 56.69, 32.2, -35.4

 

CMYK 29 / 40 / 0 / 22

HEX #8C76C6

RGB 140 118 198

HSL 256.5, 0.41%, 0.62%

LAB 54.67, 26.04, -38.72

 

CMYK 40 / 40 / 0 / 22

HEX #7676C6

RGB 118 118 198

HSL 240, 0.41%, 0.62%

LAB 52.82, 20, -41.75

 

CMYK 8 / 40 / 0 / 22

HEX #B776C6

RGB 183 118 198

HSL 288.75, 0.41%, 0.62%

LAB 59.07, 38.86, -31.52

 

CMYK 10 / 52 / 0 / 16

HEX #C067D6

RGB 192 103 214

HSL 288.11, 0.58%, 0.62%

LAB 57.81, 52.53, -42.47

 

CMYK 12 / 62 / 0 / 10

HEX #CA57E5

RGB 202 87 229

HSL 288.59, 0.73%, 0.62%

LAB 57.1, 65.45, -51.95

 

CMYK 13 / 71 / 0 / 4

HEX #D447F5

RGB 212 71 245

HSL 288.62, 0.9%, 0.62%

LAB 57.17, 76.86, -60.71

 

CMYK 8 / 40 / 0 / 22

HEX #B776C6

RGB 183 118 198

HSL 288.75, 0.41%, 0.62%

LAB 59.07, 38.86, -31.52

 

CMYK 5 / 26 / 0 / 29

HEX #AD86B6

RGB 173 134 182

HSL 288.75, 0.25%, 0.62%

LAB 61.06, 23.5, -19.48

 

CMYK 2 / 10 / 0 / 35

HEX #A396A6

RGB 163 150 166

HSL 288.75, 0.08%, 0.62%

LAB 63.63, 7.8, -6.64

 

CMYK 7 / 0 / 8 / 35

HEX #9AA597

RGB 154 165 151

HSL 107.14, 0.07%, 0.62%

LAB 66.53, -6.58, 5.92

 

CMYK 20 / 0 / 25 / 29

HEX #90B587

RGB 144 181 135

HSL 108.26, 0.24%, 0.62%

LAB 69.98, -21.35, 19.46

 

CMYK 29 / 40 / 0 / 22

HEX #8C76C6

RGB 140 118 198

HSL 256.5, 0.41%, 0.62%

LAB 54.67, 26.04, -38.72

 

CMYK 19 / 40 / 0 / 22

HEX #A176C6

RGB 161 118 198

HSL 272.25, 0.41%, 0.62%

LAB 56.69, 32.2, -35.4

 

CMYK 8 / 40 / 0 / 22

HEX #B676C6

RGB 182 118 198

HSL 288, 0.41%, 0.62%

LAB 58.96, 38.56, -31.71

 

CMYK 0 / 40 / 3 / 22

HEX #C676C1

RGB 198 118 193

HSL 303.75, 0.41%, 0.62%

LAB 60.62, 42.55, -26.15

 

CMYK 0 / 40 / 14 / 22

HEX #C676AB

RGB 198 118 171

HSL 320.25, 0.41%, 0.62%

LAB 59.8, 38.74, -14.85

 

CMYK 11 / 58 / 0 / 35

HEX #9345A5

RGB 147 69 165

HSL 288.75, 0.41%, 0.46%

LAB 43.03, 47.62, -37.84

 

CMYK 10 / 52 / 0 / 27

HEX #A759BA

RGB 167 89 186

HSL 288.25, 0.41%, 0.54%

LAB 50.58, 47.19, -38.07

 

CMYK 8 / 40 / 0 / 22

HEX #B776C6

RGB 183 118 198

HSL 288.75, 0.41%, 0.62%

LAB 59.07, 38.86, -31.52

 

CMYK 6 / 30 / 0 / 18

HEX #C693D2

RGB 198 147 210

HSL 288.57, 0.41%, 0.7%

LAB 67.67, 30.07, -24.85

 

CMYK 4 / 20 / 0 / 13

HEX #D6B1DE

RGB 214 177 222

HSL 289.33, 0.41%, 0.78%

LAB 76.69, 21.24, -17.58

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 0 / 40 / 40 / 22

HEX #C67676

RGB 198 118 118

HSL 0, 0.41%, 0.62%

LAB 58.29, 31.32, 13.52

 

CMYK 40 / 0 / 24 / 22

HEX #76C696

RGB 118 198 150

HSL 144, 0.41%, 0.62%

LAB 73.83, -35.18, 16.5

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 0 / 8 / 40 / 22

HEX #C6B676

RGB 198 182 118

HSL 48, 0.41%, 0.62%

LAB 74.04, -3.42, 34.62

 

CMYK 40 / 0 / 8 / 22

HEX #76C6B6

RGB 118 198 182

HSL 168, 0.41%, 0.62%

LAB 74.58, -28.32, 0.3

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 0 / 40 / 40 / 22

HEX #C67676

RGB 198 118 118

HSL 0, 0.41%, 0.62%

LAB 58.29, 31.32, 13.52

 

CMYK 32 / 0 / 40 / 22

HEX #86C676

RGB 134 198 118

HSL 108, 0.41%, 0.62%

LAB 74.04, -35.63, 33.74

 

CMYK 40 / 0 / 0 / 22

HEX #76C6C6

RGB 118 198 198

HSL 180, 0.41%, 0.62%

LAB 75.02, -24.46, -7.72

 

CMYK 8 / 40 / 0 / 23

HEX #B676C5

RGB 182 118 197

HSL 288.61, 0.41%, 0.62%

LAB 58.91, 38.35, -31.21

 

CMYK 0 / 28 / 40 / 22

HEX #C68E76

RGB 198 142 118

HSL 18, 0.41%, 0.62%

LAB 63.88, 18.21, 21.21

 

CMYK 32 / 0 / 40 / 22

HEX #86C676

RGB 134 198 118

HSL 108, 0.41%, 0.62%

LAB 74.04, -35.63, 33.74

 

CMYK 40 / 12 / 0 / 22

HEX #76AEC6

RGB 118 174 198

HSL 198, 0.41%, 0.62%

LAB 68.17, -12.08, -18

 

Description

Color code: HEX #B676C5 | qconv.com Color code: HEX #B676C5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 118 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 118 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 40 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 40% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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