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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 89 151 it is the complementary color RGB 74 166 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 89 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 89 151: RGB 186 89 146, RGB 203 107 165, RGB 220 125 184, RGB 237 143 203 and RGB 254 161 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 89 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 89 151: RGB 181 89 151, RGB 164 71 132, RGB 147 53 113, RGB 130 35 94 and RGB 113 17 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 17 / 29

HEX #B55997

RGB 181 89 151

HSL 319.57, 0.38%, 0.53%

LAB 50.92, 45.08, -16.89

 

Complementary color

CMYK 55 / 0 / 37 / 35

HEX #4AA668

RGB 74 166 104

HSL 139.57, 0.38%, 0.47%

LAB 61.42, -41.56, 24.05

 

CMYK 0 / 52 / 22 / 27

HEX #BA5992

RGB 186 89 146

HSL 324.74, 0.41%, 0.54%

LAB 51.45, 45.92, -13.06

 

CMYK 0 / 47 / 19 / 20

HEX #CB6BA5

RGB 203 107 165

HSL 323.75, 0.48%, 0.61%

LAB 57.97, 45.19, -14.1

 

CMYK 0 / 43 / 16 / 14

HEX #DC7DB8

RGB 220 125 184

HSL 322.74, 0.58%, 0.68%

LAB 64.44, 44.42, -14.98

 

CMYK 0 / 40 / 14 / 7

HEX #ED8FCB

RGB 237 143 203

HSL 321.7, 0.72%, 0.75%

LAB 70.84, 43.65, -15.75

 

CMYK 0 / 37 / 13 / 0

HEX #FEA1DE

RGB 254 161 222

HSL 320.65, 0.98%, 0.81%

LAB 77.18, 42.91, -16.43

 

CMYK 0 / 51 / 17 / 29

HEX #B55997

RGB 181 89 151

HSL 319.57, 0.38%, 0.53%

LAB 50.92, 45.08, -16.89

 

CMYK 0 / 57 / 20 / 36

HEX #A44784

RGB 164 71 132

HSL 320.65, 0.4%, 0.46%

LAB 44.33, 45.7, -15.79

 

CMYK 0 / 64 / 23 / 42

HEX #933571

RGB 147 53 113

HSL 321.7, 0.47%, 0.39%

LAB 37.74, 46.09, -14.37

 

CMYK 0 / 73 / 28 / 49

HEX #82235E

RGB 130 35 94

HSL 322.74, 0.58%, 0.32%

LAB 31.24, 45.98, -12.45

 

CMYK 0 / 85 / 34 / 56

HEX #71114B

RGB 113 17 75

HSL 323.75, 0.74%, 0.25%

LAB 25.01, 44.88, -9.69

 

CMYK 0 / 51 / 17 / 29

HEX #B55997

RGB 181 89 151

HSL 319.57, 0.38%, 0.53%

LAB 50.92, 45.08, -16.89

 

CMYK 0 / 51 / 24 / 29

HEX #B45988

RGB 180 89 136

HSL 329.01, 0.38%, 0.53%

LAB 50.25, 42.48, -9.02

 

CMYK 0 / 51 / 33 / 29

HEX #B45979

RGB 180 89 121

HSL 338.9, 0.38%, 0.53%

LAB 49.77, 40.43, -0.75

 

CMYK 0 / 51 / 41 / 29

HEX #B4596A

RGB 180 89 106

HSL 348.79, 0.38%, 0.53%

LAB 49.36, 38.62, 7.66

 

CMYK 0 / 51 / 49 / 29

HEX #B4595B

RGB 180 89 91

HSL 358.68, 0.38%, 0.53%

LAB 49.01, 37.05, 16.16

 

CMYK 0 / 51 / 17 / 29

HEX #B55997

RGB 181 89 151

HSL 319.57, 0.38%, 0.53%

LAB 50.92, 45.08, -16.89

 

CMYK 0 / 51 / 16 / 9

HEX #E872C2

RGB 232 114 194

HSL 319.32, 0.72%, 0.68%

LAB 64.23, 55.19, -20.8

 

CMYK 0 / 50 / 18 / 89

HEX #1C0E17

RGB 28 14 23

HSL 321.43, 0.33%, 0.08%

LAB 5.63, 8.14, -3.02

 

CMYK 0 / 51 / 16 / 69

HEX #4F2742

RGB 79 39 66

HSL 319.5, 0.34%, 0.23%

LAB 21.97, 22.85, -8.79

 

CMYK 0 / 51 / 17 / 49

HEX #82406C

RGB 130 64 108

HSL 320, 0.34%, 0.38%

LAB 36.92, 34.34, -12.72

 

CMYK 0 / 51 / 17 / 29

HEX #B55997

RGB 181 89 151

HSL 319.57, 0.38%, 0.53%

LAB 50.92, 45.08, -16.89

 

CMYK 0 / 24 / 51 / 29

HEX #B48859

RGB 180 136 89

HSL 30.99, 0.38%, 0.53%

LAB 59.92, 11.03, 31.63

 

CMYK 51 / 0 / 4 / 29

HEX #59B4AD

RGB 89 180 173

HSL 175.38, 0.38%, 0.53%

LAB 67.86, -28.84, -4.78

 

CMYK 0 / 51 / 17 / 29

HEX #B55997

RGB 181 89 151

HSL 319.57, 0.38%, 0.53%

LAB 50.92, 45.08, -16.89

 

CMYK 16 / 0 / 51 / 29

HEX #97B459

RGB 151 180 89

HSL 79.12, 0.38%, 0.53%

LAB 69.43, -24.47, 42.79

 

CMYK 51 / 16 / 0 / 29

HEX #5997B4

RGB 89 151 180

HSL 199.12, 0.38%, 0.53%

LAB 59.48, -11.87, -21.29

 

CMYK 0 / 51 / 17 / 29

HEX #B55997

RGB 181 89 151

HSL 319.57, 0.38%, 0.53%

LAB 50.92, 45.08, -16.89

 

CMYK 0 / 24 / 51 / 29

HEX #B48859

RGB 180 136 89

HSL 30.99, 0.38%, 0.53%

LAB 59.92, 11.03, 31.63

 

CMYK 51 / 0 / 34 / 29

HEX #59B476

RGB 89 180 118

HSL 139.12, 0.38%, 0.53%

LAB 66.58, -41.18, 23.52

 

CMYK 51 / 26 / 0 / 29

HEX #5985B4

RGB 89 133 180

HSL 210.99, 0.38%, 0.53%

LAB 54.23, -1.68, -29.38

 

CMYK 0 / 51 / 17 / 29

HEX #B55997

RGB 181 89 151

HSL 319.57, 0.38%, 0.53%

LAB 50.92, 45.08, -16.89

 

CMYK 0 / 9 / 51 / 29

HEX #B4A359

RGB 180 163 89

HSL 48.79, 0.38%, 0.53%

LAB 66.99, -3.75, 40.39

 

CMYK 51 / 0 / 34 / 29

HEX #59B476

RGB 89 180 118

HSL 139.12, 0.38%, 0.53%

LAB 66.58, -41.18, 23.52

 

CMYK 51 / 41 / 0 / 29

HEX #596AB4

RGB 89 106 180

HSL 228.79, 0.38%, 0.53%

LAB 46.61, 14.62, -41.34

 

Description

Color code: RGB 181 89 151 | qconv.com Color code: RGB 181 89 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 89 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 89 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 17 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 17% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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