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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 85 50 it is the complementary color RGB 74 170 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 85 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 85 50: RGB 186 85 45, RGB 203 103 64, RGB 220 121 83, RGB 237 139 102 and RGB 254 157 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 85 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 85 50: RGB 181 85 50, RGB 164 67 31, RGB 147 49 12, RGB 130 31 0 and RGB 113 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 72 / 29

HEX #B55532

RGB 181 85 50

HSL 16.03, 0.57%, 0.45%

LAB 47.69, 36.51, 38.16

 

Complementary color

CMYK 64 / 17 / 0 / 20

HEX #4AAACD

RGB 74 170 205

HSL 196.03, 0.57%, 0.55%

LAB 65.45, -17.51, -26.19

 

CMYK 0 / 54 / 76 / 27

HEX #BA552D

RGB 186 85 45

HSL 17.02, 0.61%, 0.45%

LAB 48.42, 38.24, 41.79

 

CMYK 0 / 49 / 68 / 20

HEX #CB6740

RGB 203 103 64

HSL 16.83, 0.57%, 0.52%

LAB 54.83, 36.65, 39.62

 

CMYK 0 / 45 / 62 / 14

HEX #DC7953

RGB 220 121 83

HSL 16.64, 0.66%, 0.59%

LAB 61.23, 35.16, 37.59

 

CMYK 0 / 41 / 57 / 7

HEX #ED8B66

RGB 237 139 102

HSL 16.44, 0.79%, 0.66%

LAB 67.6, 33.8, 35.72

 

CMYK 0 / 38 / 52 / 0

HEX #FE9D79

RGB 254 157 121

HSL 16.24, 0.99%, 0.74%

LAB 73.91, 32.57, 34.03

 

CMYK 0 / 53 / 72 / 29

HEX #B55532

RGB 181 85 50

HSL 16.03, 0.57%, 0.45%

LAB 47.69, 36.51, 38.16

 

CMYK 0 / 59 / 81 / 36

HEX #A4431F

RGB 164 67 31

HSL 16.24, 0.68%, 0.38%

LAB 41.23, 38.14, 40.43

 

CMYK 0 / 67 / 92 / 42

HEX #93310C

RGB 147 49 12

HSL 16.44, 0.85%, 0.31%

LAB 34.86, 39.71, 42.22

 

CMYK 0 / 76 / 100 / 49

HEX #821F00

RGB 130 31 0

HSL 14.31, 1%, 0.25%

LAB 28.71, 40.91, 41

 

CMYK 0 / 88 / 100 / 56

HEX #710D00

RGB 113 13 0

HSL 6.9, 1%, 0.22%

LAB 22.99, 41.05, 34.4

 

CMYK 0 / 53 / 72 / 29

HEX #B55532

RGB 181 85 50

HSL 16.03, 0.57%, 0.45%

LAB 47.69, 36.51, 38.16

 

CMYK 0 / 41 / 73 / 29

HEX #B46A31

RGB 180 106 49

HSL 26.11, 0.57%, 0.45%

LAB 52.1, 24.81, 43.4

 

CMYK 0 / 29 / 73 / 29

HEX #B47F31

RGB 180 127 49

HSL 35.73, 0.57%, 0.45%

LAB 57.18, 13.13, 48.69

 

CMYK 0 / 17 / 73 / 29

HEX #B49531

RGB 180 149 49

HSL 45.8, 0.57%, 0.45%

LAB 62.86, 0.99, 54.41

 

CMYK 0 / 5 / 73 / 29

HEX #B4AB31

RGB 180 171 49

HSL 55.88, 0.57%, 0.45%

LAB 68.79, -10.74, 60.19

 

CMYK 0 / 53 / 72 / 29

HEX #B55532

RGB 181 85 50

HSL 16.03, 0.57%, 0.45%

LAB 47.69, 36.51, 38.16

 

CMYK 0 / 53 / 72 / 9

HEX #E86D40

RGB 232 109 64

HSL 16.07, 0.79%, 0.58%

LAB 60.3, 44.77, 46.92

 

CMYK 0 / 54 / 71 / 89

HEX #1C0D08

RGB 28 13 8

HSL 15, 0.56%, 0.07%

LAB 4.99, 5.81, 4.29

 

CMYK 0 / 53 / 72 / 69

HEX #4F2516

RGB 79 37 22

HSL 15.79, 0.56%, 0.2%

LAB 20.22, 18.26, 18.77

 

CMYK 0 / 53 / 72 / 49

HEX #823D24

RGB 130 61 36

HSL 15.96, 0.57%, 0.33%

LAB 34.42, 27.76, 28.87

 

CMYK 0 / 53 / 72 / 29

HEX #B55532

RGB 181 85 50

HSL 16.03, 0.57%, 0.45%

LAB 47.69, 36.51, 38.16

 

CMYK 34 / 0 / 73 / 29

HEX #77B431

RGB 119 180 49

HSL 87.94, 0.57%, 0.45%

LAB 67.12, -40.12, 57.11

 

CMYK 73 / 63 / 0 / 29

HEX #3142B4

RGB 49 66 180

HSL 232.21, 0.57%, 0.45%

LAB 33.66, 32.92, -62.35

 

CMYK 0 / 53 / 72 / 29

HEX #B55532

RGB 181 85 50

HSL 16.03, 0.57%, 0.45%

LAB 47.69, 36.51, 38.16

 

CMYK 73 / 0 / 53 / 29

HEX #31B454

RGB 49 180 84

HSL 136.03, 0.57%, 0.45%

LAB 64.91, -55.44, 38.73

 

CMYK 53 / 73 / 0 / 29

HEX #5431B4

RGB 84 49 180

HSL 256.03, 0.57%, 0.45%

LAB 32.65, 47.87, -63.89

 

CMYK 0 / 53 / 72 / 29

HEX #B55532

RGB 181 85 50

HSL 16.03, 0.57%, 0.45%

LAB 47.69, 36.51, 38.16

 

CMYK 34 / 0 / 73 / 29

HEX #77B431

RGB 119 180 49

HSL 87.94, 0.57%, 0.45%

LAB 67.12, -40.12, 57.11

 

CMYK 73 / 19 / 0 / 29

HEX #3191B4

RGB 49 145 180

HSL 196.03, 0.57%, 0.45%

LAB 56.29, -16.03, -26.32

 

CMYK 39 / 73 / 0 / 29

HEX #6E31B4

RGB 110 49 180

HSL 267.94, 0.57%, 0.45%

LAB 35.61, 52.27, -58.94

 

CMYK 0 / 53 / 72 / 29

HEX #B55532

RGB 181 85 50

HSL 16.03, 0.57%, 0.45%

LAB 47.69, 36.51, 38.16

 

CMYK 56 / 0 / 73 / 29

HEX #4FB431

RGB 79 180 49

HSL 106.26, 0.57%, 0.45%

LAB 65.38, -52.88, 54.79

 

CMYK 73 / 19 / 0 / 29

HEX #3191B4

RGB 49 145 180

HSL 196.03, 0.57%, 0.45%

LAB 56.29, -16.03, -26.32

 

CMYK 17 / 73 / 0 / 29

HEX #9531B4

RGB 149 49 180

HSL 285.8, 0.57%, 0.45%

LAB 41.03, 59.93, -49.91

 

Description

Color code: RGB 181 85 50 | qconv.com Color code: RGB 181 85 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 85 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 85 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 72 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 72% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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