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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 46 219 it is the complementary color RGB 74 209 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 46 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 46 219: RGB 186 46 214, RGB 203 64 233, RGB 220 82 252, RGB 237 100 255 and RGB 254 118 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 46 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 46 219: RGB 181 46 219, RGB 164 28 200, RGB 147 10 181, RGB 130 0 162 and RGB 113 0 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 79 / 0 / 14

HEX #B52EDB

RGB 181 46 219

HSL 286.82, 0.71%, 0.52%

LAB 48.12, 74.38, -60.85

 

Complementary color

CMYK 65 / 0 / 83 / 18

HEX #4AD124

RGB 74 209 36

HSL 106.82, 0.71%, 0.48%

LAB 74.31, -64.92, 67.28

 

CMYK 13 / 79 / 0 / 16

HEX #BA2ED6

RGB 186 46 214

HSL 290, 0.67%, 0.51%

LAB 48.57, 74.39, -57.24

 

CMYK 13 / 73 / 0 / 9

HEX #CB40E9

RGB 203 64 233

HSL 289.35, 0.79%, 0.58%

LAB 54.29, 75.35, -58.69

 

CMYK 13 / 67 / 0 / 1

HEX #DC52FC

RGB 220 82 252

HSL 288.71, 0.97%, 0.65%

LAB 60.14, 75.72, -59.78

 

CMYK 7 / 61 / 0 / 0

HEX #ED64FF

RGB 237 100 255

HSL 293.03, 1%, 0.7%

LAB 65.23, 72.82, -53.18

 

CMYK 0 / 54 / 0 / 0

HEX #FE76FF

RGB 254 118 255

HSL 299.56, 1%, 0.73%

LAB 70.35, 69.23, -44.96

 

CMYK 17 / 79 / 0 / 14

HEX #B52EDB

RGB 181 46 219

HSL 286.82, 0.71%, 0.52%

LAB 48.12, 74.38, -60.85

 

CMYK 18 / 86 / 0 / 22

HEX #A41CC8

RGB 164 28 200

HSL 287.44, 0.75%, 0.45%

LAB 42.6, 72.61, -58.97

 

CMYK 19 / 94 / 0 / 29

HEX #930AB5

RGB 147 10 181

HSL 288.07, 0.9%, 0.37%

LAB 37.4, 69.58, -56.37

 

CMYK 20 / 100 / 0 / 36

HEX #8200A2

RGB 130 0 162

HSL 288.15, 1%, 0.32%

LAB 32.6, 65.02, -52.91

 

CMYK 21 / 100 / 0 / 44

HEX #71008F

RGB 113 0 143

HSL 287.41, 1%, 0.28%

LAB 28.1, 59.13, -48.72

 

CMYK 17 / 79 / 0 / 14

HEX #B52EDB

RGB 181 46 219

HSL 286.82, 0.71%, 0.52%

LAB 48.12, 74.38, -60.85

 

CMYK 5 / 79 / 0 / 14

HEX #CF2DDB

RGB 207 45 219

HSL 295.86, 0.71%, 0.52%

LAB 52.13, 79.34, -54.2

 

CMYK 0 / 79 / 8 / 14

HEX #DB2DCA

RGB 219 45 202

HSL 305.86, 0.71%, 0.52%

LAB 53.17, 79.07, -42.7

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAD

RGB 219 45 173

HSL 315.86, 0.71%, 0.52%

LAB 51.79, 75.18, -28.02

 

CMYK 0 / 79 / 34 / 14

HEX #DB2D90

RGB 219 45 144

HSL 325.86, 0.71%, 0.52%

LAB 50.63, 71.82, -12.59

 

CMYK 17 / 79 / 0 / 14

HEX #B52EDB

RGB 181 46 219

HSL 286.82, 0.71%, 0.52%

LAB 48.12, 74.38, -60.85

 

CMYK 20 / 80 / 0 / 94

HEX #0C030F

RGB 12 3 15

HSL 285, 0.67%, 0.04%

LAB 1.61, 4.16, -3.98

 

CMYK 17 / 79 / 0 / 74

HEX #370E42

RGB 55 14 66

HSL 287.31, 0.65%, 0.16%

LAB 12.73, 29.01, -23.51

 

CMYK 17 / 79 / 0 / 54

HEX #611975

RGB 97 25 117

HSL 286.96, 0.65%, 0.28%

LAB 25.32, 45.37, -36.98

 

CMYK 17 / 79 / 0 / 34

HEX #8B23A8

RGB 139 35 168

HSL 286.92, 0.66%, 0.4%

LAB 36.96, 60.51, -49.39

 

CMYK 17 / 79 / 0 / 14

HEX #B52EDB

RGB 181 46 219

HSL 286.82, 0.71%, 0.52%

LAB 48.12, 74.38, -60.85

 

CMYK 0 / 79 / 77 / 14

HEX #DB2D33

RGB 219 45 51

HSL 357.93, 0.71%, 0.52%

LAB 48.48, 65.31, 40.39

 

CMYK 79 / 0 / 50 / 14

HEX #2DDB6D

RGB 45 219 109

HSL 142.07, 0.71%, 0.52%

LAB 77.47, -65.63, 42

 

CMYK 17 / 79 / 0 / 14

HEX #B52EDB

RGB 181 46 219

HSL 286.82, 0.71%, 0.52%

LAB 48.12, 74.38, -60.85

 

CMYK 0 / 19 / 79 / 14

HEX #DBB22D

RGB 219 178 45

HSL 45.86, 0.71%, 0.52%

LAB 74.25, 2.45, 67.94

 

CMYK 79 / 0 / 19 / 14

HEX #2DDBB2

RGB 45 219 178

HSL 165.86, 0.71%, 0.52%

LAB 78.71, -51.76, 8.17

 

CMYK 17 / 79 / 0 / 14

HEX #B52EDB

RGB 181 46 219

HSL 286.82, 0.71%, 0.52%

LAB 48.12, 74.38, -60.85

 

CMYK 0 / 79 / 77 / 14

HEX #DB2D33

RGB 219 45 51

HSL 357.93, 0.71%, 0.52%

LAB 48.48, 65.31, 40.39

 

CMYK 61 / 0 / 79 / 14

HEX #56DB2D

RGB 86 219 45

HSL 105.86, 0.71%, 0.52%

LAB 77.78, -65.13, 68.2

 

CMYK 79 / 0 / 3 / 14

HEX #2DDBD5

RGB 45 219 213

HSL 177.93, 0.71%, 0.52%

LAB 79.63, -42.48, -9.16

 

CMYK 17 / 79 / 0 / 14

HEX #B52EDB

RGB 181 46 219

HSL 286.82, 0.71%, 0.52%

LAB 48.12, 74.38, -60.85

 

CMYK 0 / 58 / 79 / 14

HEX #DB5C2D

RGB 219 92 45

HSL 16.21, 0.71%, 0.52%

LAB 54.97, 47.32, 50.1

 

CMYK 61 / 0 / 79 / 14

HEX #56DB2D

RGB 86 219 45

HSL 105.86, 0.71%, 0.52%

LAB 77.78, -65.13, 68.2

 

CMYK 79 / 21 / 0 / 14

HEX #2DADDB

RGB 45 173 219

HSL 195.86, 0.71%, 0.52%

LAB 66.18, -18.35, -32.84

 

Description

Color code: RGB 181 46 219 | qconv.com Color code: RGB 181 46 219 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 46 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 46 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 79 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 79% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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