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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 221 99 it is the complementary color RGB 74 34 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 221 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 221 99: RGB 186 221 94, RGB 203 239 113, RGB 220 255 132, RGB 237 255 151 and RGB 254 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 221 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 221 99: RGB 181 221 99, RGB 164 203 80, RGB 147 185 61, RGB 130 167 42 and RGB 113 149 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 55 / 13

HEX #B5DD63

RGB 181 221 99

HSL 79.67, 0.64%, 0.63%

LAB 83.15, -31.5, 54.71

 

Complementary color

CMYK 53 / 78 / 0 / 39

HEX #4A229C

RGB 74 34 156

HSL 259.67, 0.64%, 0.37%

LAB 26.74, 46.99, -59.18

 

CMYK 16 / 0 / 57 / 13

HEX #BADD5E

RGB 186 221 94

HSL 76.54, 0.65%, 0.62%

LAB 83.42, -30.02, 57.34

 

CMYK 15 / 0 / 53 / 6

HEX #CBEF71

RGB 203 239 113

HSL 77.14, 0.8%, 0.69%

LAB 89.68, -30.28, 56.35

 

CMYK 14 / 0 / 48 / 0

HEX #DCFF84

RGB 220 255 132

HSL 77.07, 1%, 0.76%

LAB 95.33, -29.54, 54.64

 

CMYK 7 / 0 / 41 / 0

HEX #EDFF97

RGB 237 255 151

HSL 70.38, 1%, 0.8%

LAB 96.72, -21.24, 47.65

 

CMYK 0 / 0 / 33 / 0

HEX #FEFFAA

RGB 254 255 170

HSL 60.71, 1%, 0.83%

LAB 98.23, -12.76, 40.58

 

CMYK 18 / 0 / 55 / 13

HEX #B5DD63

RGB 181 221 99

HSL 79.67, 0.64%, 0.63%

LAB 83.15, -31.5, 54.71

 

CMYK 19 / 0 / 61 / 20

HEX #A4CB50

RGB 164 203 80

HSL 79.02, 0.54%, 0.55%

LAB 76.79, -31.25, 55.64

 

CMYK 21 / 0 / 67 / 27

HEX #93B93D

RGB 147 185 61

HSL 78.39, 0.5%, 0.48%

LAB 70.34, -30.89, 56.34

 

CMYK 22 / 0 / 75 / 35

HEX #82A72A

RGB 130 167 42

HSL 77.76, 0.6%, 0.41%

LAB 63.8, -30.38, 56.56

 

CMYK 24 / 0 / 85 / 42

HEX #719517

RGB 113 149 23

HSL 77.14, 0.73%, 0.34%

LAB 57.14, -29.67, 55.87

 

CMYK 18 / 0 / 55 / 13

HEX #B5DD63

RGB 181 221 99

HSL 79.67, 0.64%, 0.63%

LAB 83.15, -31.5, 54.71

 

CMYK 27 / 0 / 55 / 13

HEX #A2DD64

RGB 162 221 100

HSL 89.26, 0.64%, 0.63%

LAB 82.01, -38.45, 52.65

 

CMYK 36 / 0 / 55 / 13

HEX #8EDD64

RGB 142 221 100

HSL 99.17, 0.64%, 0.63%

LAB 80.95, -45.36, 51.14

 

CMYK 45 / 0 / 55 / 13

HEX #7ADD64

RGB 122 221 100

HSL 109.09, 0.64%, 0.63%

LAB 80.05, -51.64, 49.85

 

CMYK 54 / 0 / 55 / 13

HEX #66DD64

RGB 102 221 100

HSL 119.01, 0.64%, 0.63%

LAB 79.3, -57.13, 48.79

 

CMYK 18 / 0 / 55 / 13

HEX #B5DD63

RGB 181 221 99

HSL 79.67, 0.64%, 0.63%

LAB 83.15, -31.5, 54.71

 

CMYK 18 / 0 / 53 / 93

HEX #0E1108

RGB 14 17 8

HSL 80, 0.36%, 0.05%

LAB 4.62, -2.5, 3.59

 

CMYK 18 / 0 / 56 / 73

HEX #38441E

RGB 56 68 30

HSL 78.95, 0.39%, 0.19%

LAB 26.93, -12.11, 21.25

 

CMYK 18 / 0 / 55 / 53

HEX #617735

RGB 97 119 53

HSL 80, 0.38%, 0.34%

LAB 46.96, -19.39, 33.25

 

CMYK 18 / 0 / 55 / 33

HEX #8BAA4C

RGB 139 170 76

HSL 79.79, 0.38%, 0.48%

LAB 65.56, -25.63, 44.31

 

CMYK 18 / 0 / 55 / 13

HEX #B5DD63

RGB 181 221 99

HSL 79.67, 0.64%, 0.63%

LAB 83.15, -31.5, 54.71

 

CMYK 55 / 0 / 27 / 13

HEX #64DDA2

RGB 100 221 162

HSL 150.74, 0.64%, 0.63%

LAB 80.2, -47.49, 18.89

 

CMYK 5 / 55 / 0 / 13

HEX #D264DD

RGB 210 100 221

HSL 294.55, 0.64%, 0.63%

LAB 59.92, 60.09, -42.93

 

CMYK 18 / 0 / 55 / 13

HEX #B5DD63

RGB 181 221 99

HSL 79.67, 0.64%, 0.63%

LAB 83.15, -31.5, 54.71

 

CMYK 55 / 18 / 0 / 13

HEX #64B6DD

RGB 100 182 221

HSL 199.34, 0.64%, 0.63%

LAB 70.45, -14.11, -27.23

 

CMYK 0 / 55 / 18 / 13

HEX #DD64B6

RGB 221 100 182

HSL 319.34, 0.64%, 0.63%

LAB 59.77, 56.72, -20.92

 

CMYK 18 / 0 / 55 / 13

HEX #B5DD63

RGB 181 221 99

HSL 79.67, 0.64%, 0.63%

LAB 83.15, -31.5, 54.71

 

CMYK 55 / 0 / 27 / 13

HEX #64DDA2

RGB 100 221 162

HSL 150.74, 0.64%, 0.63%

LAB 80.2, -47.49, 18.89

 

CMYK 38 / 55 / 0 / 13

HEX #8A64DD

RGB 138 100 221

HSL 258.84, 0.64%, 0.63%

LAB 51.54, 41.93, -56.77

 

CMYK 0 / 55 / 29 / 13

HEX #DD649E

RGB 221 100 158

HSL 331.24, 0.64%, 0.63%

LAB 58.93, 53.41, -8.35

 

CMYK 18 / 0 / 55 / 13

HEX #B5DD63

RGB 181 221 99

HSL 79.67, 0.64%, 0.63%

LAB 83.15, -31.5, 54.71

 

CMYK 55 / 0 / 10 / 13

HEX #64DDC6

RGB 100 221 198

HSL 168.6, 0.64%, 0.63%

LAB 81.02, -39.45, 1.02

 

CMYK 38 / 55 / 0 / 13

HEX #8A64DD

RGB 138 100 221

HSL 258.84, 0.64%, 0.63%

LAB 51.54, 41.93, -56.77

 

CMYK 0 / 55 / 45 / 13

HEX #DD647A

RGB 221 100 122

HSL 349.09, 0.64%, 0.63%

LAB 57.93, 49.3, 11.17

 

Description

Color code: RGB 181 221 99 | qconv.com Color code: RGB 181 221 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 221 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 221 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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