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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 200 4 it is the complementary color RGB 74 55 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 200 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 200 4: RGB 186 200 0, RGB 203 218 18, RGB 220 236 37, RGB 237 254 56 and RGB 254 255 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 200 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 200 4: RGB 181 200 4, RGB 164 182 0, RGB 147 164 0, RGB 130 146 0 and RGB 113 128 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 98 / 22

HEX #B5C804

RGB 181 200 4

HSL 65.82, 0.96%, 0.4%

LAB 76.76, -25.99, 76.55

 

Complementary color

CMYK 71 / 78 / 0 / 2

HEX #4A37FB

RGB 74 55 251

HSL 245.82, 0.96%, 0.6%

LAB 39.84, 64.46, -93

 

CMYK 7 / 0 / 100 / 22

HEX #BAC800

RGB 186 200 0

HSL 64.2, 1%, 0.39%

LAB 77.13, -23.93, 77.39

NCS® S1075-G60Y

CMYK 7 / 0 / 92 / 15

HEX #CBDA12

RGB 203 218 18

HSL 64.5, 0.85%, 0.46%

LAB 83.38, -25.25, 80.86

 

CMYK 7 / 0 / 84 / 7

HEX #DCEC25

RGB 220 236 37

HSL 64.82, 0.84%, 0.54%

LAB 89.55, -26.42, 83.16

 

CMYK 7 / 0 / 78 / 0

HEX #EDFE38

RGB 237 254 56

HSL 65.15, 0.99%, 0.61%

LAB 95.65, -27.42, 84.37

 

CMYK 0 / 0 / 71 / 0

HEX #FEFF4B

RGB 254 255 75

HSL 60.33, 1%, 0.65%

LAB 97.27, -20.3, 80.62

 

CMYK 10 / 0 / 98 / 22

HEX #B5C804

RGB 181 200 4

HSL 65.82, 0.96%, 0.4%

LAB 76.76, -25.99, 76.55

 

CMYK 10 / 0 / 100 / 29

HEX #A4B600

RGB 164 182 0

HSL 65.93, 1%, 0.36%

LAB 70.42, -24.52, 71.67

 

CMYK 10 / 0 / 100 / 36

HEX #93A400

RGB 147 164 0

HSL 66.22, 1%, 0.32%

LAB 63.96, -22.99, 66.3

 

CMYK 11 / 0 / 100 / 43

HEX #829200

RGB 130 146 0

HSL 66.58, 1%, 0.29%

LAB 57.37, -21.43, 60.82

 

CMYK 12 / 0 / 100 / 50

HEX #718000

RGB 113 128 0

HSL 67.03, 1%, 0.25%

LAB 50.63, -19.84, 55.2

 

CMYK 10 / 0 / 98 / 22

HEX #B5C804

RGB 181 200 4

HSL 65.82, 0.96%, 0.4%

LAB 76.76, -25.99, 76.55

 

CMYK 25 / 0 / 98 / 22

HEX #96C704

RGB 150 199 4

HSL 75.08, 0.96%, 0.4%

LAB 74.41, -38.18, 73.85

 

CMYK 41 / 0 / 98 / 22

HEX #76C704

RGB 118 199 4

HSL 84.92, 0.96%, 0.4%

LAB 72.7, -49.96, 71.78

 

CMYK 57 / 0 / 98 / 22

HEX #55C704

RGB 85 199 4

HSL 95.08, 0.96%, 0.4%

LAB 71.41, -59.9, 70.21

 

CMYK 73 / 0 / 98 / 22

HEX #35C704

RGB 53 199 4

HSL 104.92, 0.96%, 0.4%

LAB 70.6, -66.7, 69.23

 

CMYK 10 / 0 / 98 / 22

HEX #B5C804

RGB 181 200 4

HSL 65.82, 0.96%, 0.4%

LAB 76.76, -25.99, 76.55

 

CMYK 10 / 0 / 98 / 2

HEX #E3FB05

RGB 227 251 5

HSL 65.85, 0.97%, 0.5%

LAB 94.03, -31.04, 90.9

 

CMYK 9 / 0 / 98 / 82

HEX #2B2F01

RGB 43 47 1

HSL 65.22, 0.96%, 0.09%

LAB 18.14, -8.69, 25.35

 

CMYK 9 / 0 / 98 / 62

HEX #596202

RGB 89 98 2

HSL 65.63, 0.96%, 0.2%

LAB 39.35, -14.99, 45.38

 

CMYK 9 / 0 / 98 / 42

HEX #879503

RGB 135 149 3

HSL 65.75, 0.96%, 0.3%

LAB 58.65, -20.68, 61.47

 

CMYK 10 / 0 / 98 / 22

HEX #B5C804

RGB 181 200 4

HSL 65.82, 0.96%, 0.4%

LAB 76.76, -25.99, 76.55

 

CMYK 98 / 0 / 70 / 22

HEX #04C73B

RGB 4 199 59

HSL 136.92, 0.96%, 0.4%

LAB 70.31, -68.49, 55.75

 

CMYK 31 / 98 / 0 / 22

HEX #8904C7

RGB 137 4 199

HSL 280.92, 0.96%, 0.4%

LAB 36.98, 72.3, -67.72

 

CMYK 10 / 0 / 98 / 22

HEX #B5C804

RGB 181 200 4

HSL 65.82, 0.96%, 0.4%

LAB 76.76, -25.99, 76.55

 

CMYK 98 / 8 / 0 / 22

HEX #04B7C7

RGB 4 183 199

HSL 184.92, 0.96%, 0.4%

LAB 68.03, -32.34, -19.02

 

CMYK 0 / 98 / 8 / 22

HEX #C704B7

RGB 199 4 183

HSL 304.92, 0.96%, 0.4%

LAB 46.51, 78.92, -42.43

 

CMYK 10 / 0 / 98 / 22

HEX #B5C804

RGB 181 200 4

HSL 65.82, 0.96%, 0.4%

LAB 76.76, -25.99, 76.55

 

CMYK 98 / 0 / 70 / 22

HEX #04C73B

RGB 4 199 59

HSL 136.92, 0.96%, 0.4%

LAB 70.31, -68.49, 55.75

 

CMYK 90 / 98 / 0 / 22

HEX #1404C7

RGB 20 4 199

HSL 244.92, 0.96%, 0.4%

LAB 24.82, 65.01, -88.23

 

CMYK 0 / 98 / 28 / 22

HEX #C70490

RGB 199 4 144

HSL 316.92, 0.96%, 0.4%

LAB 44.58, 74.06, -22.17

 

CMYK 10 / 0 / 98 / 22

HEX #B5C804

RGB 181 200 4

HSL 65.82, 0.96%, 0.4%

LAB 76.76, -25.99, 76.55

 

CMYK 98 / 0 / 41 / 22

HEX #04C776

RGB 4 199 118

HSL 155.08, 0.96%, 0.4%

LAB 71, -60.08, 29.13

 

CMYK 90 / 98 / 0 / 22

HEX #1404C7

RGB 20 4 199

HSL 244.92, 0.96%, 0.4%

LAB 24.82, 65.01, -88.23

 

CMYK 0 / 98 / 57 / 22

HEX #C70455

RGB 199 4 85

HSL 335.08, 0.96%, 0.4%

LAB 42.59, 68.83, 11.54

 

Description

Color code: RGB 181 200 4 | qconv.com Color code: RGB 181 200 4 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 200 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 200 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 98 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 98% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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