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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 154 81 it is the complementary color RGB 74 101 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 154 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 154 81: RGB 186 154 76, RGB 203 172 95, RGB 220 190 114, RGB 237 208 133 and RGB 254 226 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 154 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 154 81: RGB 181 154 81, RGB 164 136 62, RGB 147 118 43, RGB 130 100 24 and RGB 113 82 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 55 / 29

HEX #B59A51

RGB 181 154 81

HSL 43.8, 0.4%, 0.51%

LAB 64.59, 0.83, 41.57

 

Complementary color

CMYK 57 / 42 / 0 / 32

HEX #4A65AE

RGB 74 101 174

HSL 223.8, 0.4%, 0.49%

LAB 43.97, 12.4, -42.09

 

CMYK 0 / 17 / 59 / 27

HEX #BA9A4C

RGB 186 154 76

HSL 42.55, 0.44%, 0.51%

LAB 65.02, 2.59, 44.69

 

CMYK 0 / 15 / 53 / 20

HEX #CBAC5F

RGB 203 172 95

HSL 42.78, 0.51%, 0.58%

LAB 71.57, 1.68, 43.41

 

CMYK 0 / 14 / 48 / 14

HEX #DCBE72

RGB 220 190 114

HSL 43.02, 0.6%, 0.65%

LAB 78.03, 0.92, 42.12

 

CMYK 0 / 12 / 44 / 7

HEX #EDD085

RGB 237 208 133

HSL 43.27, 0.74%, 0.73%

LAB 84.39, 0.27, 40.88

 

CMYK 0 / 11 / 40 / 0

HEX #FEE298

RGB 254 226 152

HSL 43.53, 0.98%, 0.8%

LAB 90.66, -0.3, 39.68

 

CMYK 0 / 15 / 55 / 29

HEX #B59A51

RGB 181 154 81

HSL 43.8, 0.4%, 0.51%

LAB 64.59, 0.83, 41.57

 

CMYK 0 / 17 / 62 / 36

HEX #A4883E

RGB 164 136 62

HSL 43.53, 0.45%, 0.44%

LAB 57.89, 1.78, 42.84

 

CMYK 0 / 20 / 71 / 42

HEX #93762B

RGB 147 118 43

HSL 43.27, 0.55%, 0.37%

LAB 51.08, 2.96, 43.94

 

CMYK 0 / 23 / 82 / 49

HEX #826418

RGB 130 100 24

HSL 43.02, 0.69%, 0.3%

LAB 44.13, 4.44, 44.51

 

CMYK 0 / 27 / 96 / 56

HEX #715205

RGB 113 82 5

HSL 42.78, 0.92%, 0.23%

LAB 37.03, 6.3, 43.83

 

CMYK 0 / 15 / 55 / 29

HEX #B59A51

RGB 181 154 81

HSL 43.8, 0.4%, 0.51%

LAB 64.59, 0.83, 41.57

 

CMYK 0 / 7 / 56 / 29

HEX #B4A850

RGB 180 168 80

HSL 52.8, 0.4%, 0.51%

LAB 68.23, -7.19, 46.31

 

CMYK 3 / 0 / 56 / 29

HEX #AFB450

RGB 175 180 80

HSL 63, 0.4%, 0.51%

LAB 71.1, -15.53, 49.49

 

CMYK 12 / 0 / 56 / 29

HEX #9EB450

RGB 158 180 80

HSL 73.2, 0.4%, 0.51%

LAB 69.82, -22.54, 47.68

 

CMYK 22 / 0 / 56 / 29

HEX #8DB450

RGB 141 180 80

HSL 83.4, 0.4%, 0.51%

LAB 68.67, -29.29, 46.05

 

CMYK 0 / 15 / 55 / 29

HEX #B59A51

RGB 181 154 81

HSL 43.8, 0.4%, 0.51%

LAB 64.59, 0.83, 41.57

 

CMYK 0 / 15 / 55 / 9

HEX #E8C568

RGB 232 197 104

HSL 43.59, 0.74%, 0.66%

LAB 80.79, 1.34, 50.65

 

CMYK 0 / 14 / 54 / 89

HEX #1C180D

RGB 28 24 13

HSL 44, 0.37%, 0.08%

LAB 8.39, -0.2, 7.11

 

CMYK 0 / 15 / 56 / 69

HEX #4F4323

RGB 79 67 35

HSL 43.64, 0.39%, 0.22%

LAB 28.9, 0.28, 21.2

 

CMYK 0 / 15 / 55 / 49

HEX #826F3A

RGB 130 111 58

HSL 44.17, 0.38%, 0.37%

LAB 47.52, 0.28, 31.97

 

CMYK 0 / 15 / 55 / 29

HEX #B59A51

RGB 181 154 81

HSL 43.8, 0.4%, 0.51%

LAB 64.59, 0.83, 41.57

 

CMYK 51 / 0 / 56 / 29

HEX #58B450

RGB 88 180 80

HSL 115.2, 0.4%, 0.51%

LAB 65.98, -47.32, 42.22

 

CMYK 38 / 56 / 0 / 29

HEX #6F50B4

RGB 111 80 180

HSL 258.6, 0.4%, 0.51%

LAB 41.86, 35.91, -48.82

 

CMYK 0 / 15 / 55 / 29

HEX #B59A51

RGB 181 154 81

HSL 43.8, 0.4%, 0.51%

LAB 64.59, 0.83, 41.57

 

CMYK 56 / 0 / 16 / 29

HEX #50B497

RGB 80 180 151

HSL 162.6, 0.4%, 0.51%

LAB 66.96, -36.32, 6.02

 

CMYK 16 / 56 / 0 / 29

HEX #9750B4

RGB 151 80 180

HSL 282.6, 0.4%, 0.51%

LAB 46.46, 46.23, -41.21

 

CMYK 0 / 15 / 55 / 29

HEX #B59A51

RGB 181 154 81

HSL 43.8, 0.4%, 0.51%

LAB 64.59, 0.83, 41.57

 

CMYK 51 / 0 / 56 / 29

HEX #58B450

RGB 88 180 80

HSL 115.2, 0.4%, 0.51%

LAB 65.98, -47.32, 42.22

 

CMYK 56 / 40 / 0 / 29

HEX #506CB4

RGB 80 108 180

HSL 223.2, 0.4%, 0.51%

LAB 46.61, 11.33, -41.38

 

CMYK 5 / 56 / 0 / 29

HEX #AB50B4

RGB 171 80 180

HSL 294.6, 0.4%, 0.51%

LAB 49.12, 51.62, -36.84

 

CMYK 0 / 15 / 55 / 29

HEX #B59A51

RGB 181 154 81

HSL 43.8, 0.4%, 0.51%

LAB 64.59, 0.83, 41.57

 

CMYK 56 / 0 / 44 / 29

HEX #50B465

RGB 80 180 101

HSL 132.6, 0.4%, 0.51%

LAB 65.97, -46.43, 31.64

 

CMYK 56 / 40 / 0 / 29

HEX #506CB4

RGB 80 108 180

HSL 223.2, 0.4%, 0.51%

LAB 46.61, 11.33, -41.38

 

CMYK 0 / 56 / 12 / 29

HEX #B4509E

RGB 180 80 158

HSL 313.2, 0.4%, 0.51%

LAB 49.39, 50.31, -23.4

 

Description

Color code: RGB 181 154 81 | qconv.com Color code: RGB 181 154 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 154 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 154 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 55 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 55% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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