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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 140 119 it is the complementary color RGB 74 115 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 140 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 140 119: RGB 186 140 114, RGB 203 158 133, RGB 220 176 152, RGB 237 194 171 and RGB 254 212 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 140 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 140 119: RGB 181 140 119, RGB 164 122 100, RGB 147 104 81, RGB 130 86 62 and RGB 113 68 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 34 / 29

HEX #B58C77

RGB 181 140 119

HSL 20.32, 0.3%, 0.59%

LAB 61.58, 12.59, 17.2

 

Complementary color

CMYK 46 / 15 / 0 / 47

HEX #4A7388

RGB 74 115 136

HSL 200.32, 0.3%, 0.41%

LAB 46.3, -8.33, -15.98

 

CMYK 0 / 25 / 39 / 27

HEX #BA8C72

RGB 186 140 114

HSL 21.67, 0.34%, 0.59%

LAB 62.01, 13.99, 20.68

 

CMYK 0 / 22 / 34 / 20

HEX #CB9E85

RGB 203 158 133

HSL 21.43, 0.4%, 0.66%

LAB 68.64, 13.25, 19.47

 

CMYK 0 / 20 / 31 / 14

HEX #DCB098

RGB 220 176 152

HSL 21.18, 0.49%, 0.73%

LAB 75.16, 12.59, 18.36

 

CMYK 0 / 18 / 28 / 7

HEX #EDC2AB

RGB 237 194 171

HSL 20.91, 0.65%, 0.8%

LAB 81.58, 12.01, 17.34

 

CMYK 0 / 17 / 25 / 0

HEX #FED4BE

RGB 254 212 190

HSL 20.63, 0.97%, 0.87%

LAB 87.91, 11.49, 16.37

 

CMYK 0 / 23 / 34 / 29

HEX #B58C77

RGB 181 140 119

HSL 20.32, 0.3%, 0.59%

LAB 61.58, 12.59, 17.2

 

CMYK 0 / 26 / 39 / 36

HEX #A47A64

RGB 164 122 100

HSL 20.63, 0.26%, 0.52%

LAB 54.79, 13.36, 18.42

 

CMYK 0 / 29 / 45 / 42

HEX #936851

RGB 147 104 81

HSL 20.91, 0.29%, 0.45%

LAB 47.88, 14.27, 19.79

 

CMYK 0 / 34 / 52 / 49

HEX #82563E

RGB 130 86 62

HSL 21.18, 0.35%, 0.38%

LAB 40.81, 15.36, 21.35

 

CMYK 0 / 40 / 62 / 56

HEX #71442B

RGB 113 68 43

HSL 21.43, 0.45%, 0.31%

LAB 33.6, 16.7, 23.14

 

CMYK 0 / 23 / 34 / 29

HEX #B58C77

RGB 181 140 119

HSL 20.32, 0.3%, 0.59%

LAB 61.58, 12.59, 17.2

 

CMYK 0 / 17 / 34 / 29

HEX #B59677

RGB 181 150 119

HSL 30, 0.3%, 0.59%

LAB 64.14, 7.05, 20.7

 

CMYK 0 / 12 / 34 / 29

HEX #B5A077

RGB 181 160 119

HSL 39.68, 0.3%, 0.59%

LAB 66.75, 1.57, 24.22

 

CMYK 0 / 6 / 34 / 29

HEX #B5AB77

RGB 181 171 119

HSL 50.32, 0.3%, 0.59%

LAB 69.67, -4.35, 28.11

 

CMYK 0 / 0 / 34 / 29

HEX #B5B577

RGB 181 181 119

HSL 60, 0.3%, 0.59%

LAB 72.36, -9.62, 31.65

 

CMYK 0 / 23 / 34 / 29

HEX #B58C77

RGB 181 140 119

HSL 20.32, 0.3%, 0.59%

LAB 61.58, 12.59, 17.2

 

CMYK 0 / 23 / 34 / 9

HEX #E8B399

RGB 232 179 153

HSL 19.75, 0.63%, 0.75%

LAB 77.1, 15.74, 20.69

 

CMYK 0 / 21 / 36 / 89

HEX #1C1612

RGB 28 22 18

HSL 24, 0.22%, 0.09%

LAB 7.81, 2.17, 3.55

 

CMYK 0 / 23 / 34 / 69

HEX #4F3D34

RGB 79 61 52

HSL 20, 0.21%, 0.26%

LAB 27.43, 6.35, 8.55

 

CMYK 0 / 22 / 35 / 49

HEX #826555

RGB 130 101 85

HSL 21.33, 0.21%, 0.42%

LAB 45.23, 9.23, 13.52

 

CMYK 0 / 23 / 34 / 29

HEX #B58C77

RGB 181 140 119

HSL 20.32, 0.3%, 0.59%

LAB 61.58, 12.59, 17.2

 

CMYK 18 / 0 / 34 / 29

HEX #94B577

RGB 148 181 119

HSL 91.94, 0.3%, 0.59%

LAB 69.95, -22.39, 28.02

 

CMYK 34 / 32 / 0 / 29

HEX #777BB5

RGB 119 123 181

HSL 236.13, 0.3%, 0.59%

LAB 53.41, 12.54, -31.09

 

CMYK 0 / 23 / 34 / 29

HEX #B58C77

RGB 181 140 119

HSL 20.32, 0.3%, 0.59%

LAB 61.58, 12.59, 17.2

 

CMYK 34 / 0 / 23 / 29

HEX #77B58B

RGB 119 181 139

HSL 139.35, 0.3%, 0.59%

LAB 68.63, -28.99, 15.19

 

CMYK 23 / 34 / 0 / 29

HEX #8B77B5

RGB 139 119 181

HSL 259.35, 0.3%, 0.59%

LAB 54.05, 20.91, -29.97

 

CMYK 0 / 23 / 34 / 29

HEX #B58C77

RGB 181 140 119

HSL 20.32, 0.3%, 0.59%

LAB 61.58, 12.59, 17.2

 

CMYK 18 / 0 / 34 / 29

HEX #94B577

RGB 148 181 119

HSL 91.94, 0.3%, 0.59%

LAB 69.95, -22.39, 28.02

 

CMYK 34 / 12 / 0 / 29

HEX #77A0B5

RGB 119 160 181

HSL 200.32, 0.3%, 0.59%

LAB 63.67, -8.68, -15.34

 

CMYK 16 / 34 / 0 / 29

HEX #9877B5

RGB 152 119 181

HSL 271.94, 0.3%, 0.59%

LAB 55.28, 24.99, -27.95

 

CMYK 0 / 23 / 34 / 29

HEX #B58C77

RGB 181 140 119

HSL 20.32, 0.3%, 0.59%

LAB 61.58, 12.59, 17.2

 

CMYK 29 / 0 / 34 / 29

HEX #81B577

RGB 129 181 119

HSL 110.32, 0.3%, 0.59%

LAB 68.79, -29.21, 26.27

 

CMYK 34 / 12 / 0 / 29

HEX #77A0B5

RGB 119 160 181

HSL 200.32, 0.3%, 0.59%

LAB 63.67, -8.68, -15.34

 

CMYK 6 / 34 / 0 / 29

HEX #AB77B5

RGB 171 119 181

HSL 290.32, 0.3%, 0.59%

LAB 57.26, 31.09, -24.74

 

Description

Color code: RGB 181 140 119 | qconv.com Color code: RGB 181 140 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 140 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 140 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 34 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 34% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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