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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 133 184 it is the complementary color RGB 74 122 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 133 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 133 184: RGB 186 133 179, RGB 203 151 198, RGB 220 169 217, RGB 237 187 236 and RGB 254 205 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 133 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 133 184: RGB 181 133 184, RGB 164 115 165, RGB 147 97 146, RGB 130 79 127 and RGB 113 61 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 28 / 0 / 28

HEX #B585B8

RGB 181 133 184

HSL 296.47, 0.26%, 0.62%

LAB 61.71, 27.14, -19.55

 

Complementary color

CMYK 39 / 0 / 42 / 52

HEX #4A7A47

RGB 74 122 71

HSL 116.47, 0.26%, 0.38%

LAB 46.75, -27.4, 22.91

 

CMYK 0 / 28 / 4 / 27

HEX #BA85B3

RGB 186 133 179

HSL 307.92, 0.28%, 0.63%

LAB 62.06, 27.89, -16.13

 

CMYK 0 / 26 / 2 / 20

HEX #CB97C6

RGB 203 151 198

HSL 305.77, 0.33%, 0.69%

LAB 68.68, 27.23, -16.6

 

CMYK 0 / 23 / 1 / 14

HEX #DCA9D9

RGB 220 169 217

HSL 303.53, 0.42%, 0.76%

LAB 75.2, 26.62, -17.05

 

CMYK 0 / 21 / 0 / 7

HEX #EDBBEC

RGB 237 187 236

HSL 301.2, 0.58%, 0.83%

LAB 81.62, 26.05, -17.48

 

CMYK 0 / 20 / 0 / 0

HEX #FECDFF

RGB 254 205 255

HSL 298.8, 1%, 0.9%

LAB 87.95, 25.52, -17.9

 

CMYK 2 / 28 / 0 / 28

HEX #B585B8

RGB 181 133 184

HSL 296.47, 0.26%, 0.62%

LAB 61.71, 27.14, -19.55

 

CMYK 1 / 30 / 0 / 35

HEX #A473A5

RGB 164 115 165

HSL 298.8, 0.22%, 0.55%

LAB 54.94, 27.84, -19.15

 

CMYK 0 / 34 / 1 / 42

HEX #936192

RGB 147 97 146

HSL 301.2, 0.2%, 0.48%

LAB 48.04, 28.59, -18.72

 

CMYK 0 / 39 / 2 / 49

HEX #824F7F

RGB 130 79 127

HSL 303.53, 0.24%, 0.41%

LAB 41.01, 29.38, -18.24

 

CMYK 0 / 46 / 4 / 56

HEX #713D6C

RGB 113 61 108

HSL 305.77, 0.3%, 0.34%

LAB 33.84, 30.2, -17.66

 

CMYK 2 / 28 / 0 / 28

HEX #B585B8

RGB 181 133 184

HSL 296.47, 0.26%, 0.62%

LAB 61.71, 27.14, -19.55

 

CMYK 0 / 28 / 3 / 28

HEX #B784B2

RGB 183 132 178

HSL 305.88, 0.26%, 0.62%

LAB 61.47, 27.23, -16.48

 

CMYK 0 / 28 / 8 / 28

HEX #B784A9

RGB 183 132 169

HSL 316.47, 0.26%, 0.62%

LAB 61.16, 25.58, -11.82

 

CMYK 0 / 28 / 12 / 28

HEX #B784A1

RGB 183 132 161

HSL 325.88, 0.26%, 0.62%

LAB 60.91, 24.18, -7.64

 

CMYK 0 / 28 / 16 / 28

HEX #B78499

RGB 183 132 153

HSL 335.29, 0.26%, 0.62%

LAB 60.67, 22.83, -3.43

 

CMYK 2 / 28 / 0 / 28

HEX #B585B8

RGB 181 133 184

HSL 296.47, 0.26%, 0.62%

LAB 61.71, 27.14, -19.55

 

CMYK 2 / 28 / 0 / 8

HEX #E7AAEB

RGB 231 170 235

HSL 296.31, 0.62%, 0.79%

LAB 77.12, 33, -23.81

 

CMYK 3 / 29 / 0 / 88

HEX #1E161F

RGB 30 22 31

HSL 293.33, 0.17%, 0.1%

LAB 8.56, 6.2, -4.77

 

CMYK 1 / 28 / 0 / 68

HEX #513B52

RGB 81 59 82

HSL 297.39, 0.16%, 0.28%

LAB 28.08, 14.27, -10.15

 

CMYK 2 / 28 / 0 / 48

HEX #836085

RGB 131 96 133

HSL 296.76, 0.16%, 0.45%

LAB 45.48, 20.96, -15.03

 

CMYK 2 / 28 / 0 / 28

HEX #B585B8

RGB 181 133 184

HSL 296.47, 0.26%, 0.62%

LAB 61.71, 27.14, -19.55

 

CMYK 0 / 24 / 28 / 28

HEX #B78B84

RGB 183 139 132

HSL 8.24, 0.26%, 0.62%

LAB 61.83, 15.71, 10.22

 

CMYK 28 / 0 / 13 / 28

HEX #84B79F

RGB 132 183 159

HSL 151.76, 0.26%, 0.62%

LAB 70.37, -21.9, 6.82

 

CMYK 2 / 28 / 0 / 28

HEX #B585B8

RGB 181 133 184

HSL 296.47, 0.26%, 0.62%

LAB 61.71, 27.14, -19.55

 

CMYK 0 / 2 / 28 / 28

HEX #B7B384

RGB 183 179 132

HSL 55.29, 0.26%, 0.62%

LAB 72.21, -6.11, 24.57

 

CMYK 28 / 0 / 2 / 28

HEX #84B7B3

RGB 132 183 179

HSL 175.29, 0.26%, 0.62%

LAB 70.89, -17.56, -3.39

 

CMYK 2 / 28 / 0 / 28

HEX #B585B8

RGB 181 133 184

HSL 296.47, 0.26%, 0.62%

LAB 61.71, 27.14, -19.55

 

CMYK 0 / 24 / 28 / 28

HEX #B78B84

RGB 183 139 132

HSL 8.24, 0.26%, 0.62%

LAB 61.83, 15.71, 10.22

 

CMYK 26 / 0 / 28 / 28

HEX #88B784

RGB 136 183 132

HSL 115.29, 0.26%, 0.62%

LAB 70.01, -25.64, 21.04

 

CMYK 28 / 4 / 0 / 28

HEX #84B0B7

RGB 132 176 183

HSL 188.24, 0.26%, 0.62%

LAB 69.02, -12.98, -8.36

 

CMYK 2 / 28 / 0 / 28

HEX #B585B8

RGB 181 133 184

HSL 296.47, 0.26%, 0.62%

LAB 61.71, 27.14, -19.55

 

CMYK 0 / 16 / 28 / 28

HEX #B79A84

RGB 183 154 132

HSL 25.88, 0.26%, 0.62%

LAB 65.63, 7.39, 15.56

 

CMYK 26 / 0 / 28 / 28

HEX #88B784

RGB 136 183 132

HSL 115.29, 0.26%, 0.62%

LAB 70.01, -25.64, 21.04

 

CMYK 28 / 12 / 0 / 28

HEX #84A1B7

RGB 132 161 183

HSL 205.88, 0.26%, 0.62%

LAB 64.81, -4.88, -14.66

 

Description

Color code: RGB 181 133 184 | qconv.com Color code: RGB 181 133 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 133 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 133 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 28 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 28% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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