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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 112 134 it is the complementary color RGB 74 143 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 112 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 181 112 134: RGB 186 112 129, RGB 203 130 148, RGB 220 148 167, RGB 237 166 186 and RGB 254 184 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 112 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 181 112 134: RGB 181 112 134, RGB 164 94 115, RGB 147 76 96, RGB 130 58 77 and RGB 113 40 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 26 / 29

HEX #B57086

RGB 181 112 134

HSL 340.87, 0.32%, 0.57%

LAB 55.21, 30.26, -0.48

 

Complementary color

CMYK 48 / 0 / 15 / 44

HEX #4A8F79

RGB 74 143 121

HSL 160.87, 0.32%, 0.43%

LAB 54.53, -27.39, 5

 

CMYK 0 / 40 / 31 / 27

HEX #BA7081

RGB 186 112 129

HSL 346.22, 0.35%, 0.58%

LAB 55.7, 31.41, 3.23

 

CMYK 0 / 36 / 27 / 20

HEX #CB8294

RGB 203 130 148

HSL 345.21, 0.41%, 0.65%

LAB 62.34, 30.54, 2.15

 

CMYK 0 / 33 / 24 / 14

HEX #DC94A7

RGB 220 148 167

HSL 344.17, 0.51%, 0.72%

LAB 68.89, 29.73, 1.18

 

CMYK 0 / 30 / 22 / 7

HEX #EDA6BA

RGB 237 166 186

HSL 343.1, 0.66%, 0.79%

LAB 75.34, 28.98, 0.3

 

CMYK 0 / 28 / 19 / 0

HEX #FEB8CD

RGB 254 184 205

HSL 342, 0.97%, 0.86%

LAB 81.71, 28.29, -0.5

 

CMYK 0 / 38 / 26 / 29

HEX #B57086

RGB 181 112 134

HSL 340.87, 0.32%, 0.57%

LAB 55.21, 30.26, -0.48

 

CMYK 0 / 43 / 30 / 36

HEX #A45E73

RGB 164 94 115

HSL 342, 0.28%, 0.51%

LAB 48.43, 31.16, 0.62

 

CMYK 0 / 48 / 35 / 42

HEX #934C60

RGB 147 76 96

HSL 343.1, 0.32%, 0.44%

LAB 41.56, 32.11, 1.92

 

CMYK 0 / 55 / 41 / 49

HEX #823A4D

RGB 130 58 77

HSL 344.17, 0.38%, 0.37%

LAB 34.62, 33.07, 3.54

 

CMYK 0 / 65 / 49 / 56

HEX #71283A

RGB 113 40 58

HSL 345.21, 0.48%, 0.3%

LAB 27.67, 33.91, 5.66

 

CMYK 0 / 38 / 26 / 29

HEX #B57086

RGB 181 112 134

HSL 340.87, 0.32%, 0.57%

LAB 55.21, 30.26, -0.48

 

CMYK 0 / 39 / 33 / 29

HEX #B46E79

RGB 180 110 121

HSL 350.57, 0.32%, 0.57%

LAB 54.28, 29.18, 5.77

 

CMYK 0 / 39 / 39 / 29

HEX #B46E6E

RGB 180 110 110

HSL 0, 0.32%, 0.57%

LAB 54.01, 27.79, 11.84

 

CMYK 0 / 33 / 39 / 29

HEX #B4796E

RGB 180 121 110

HSL 9.43, 0.32%, 0.57%

LAB 56.59, 21.68, 15.43

 

CMYK 0 / 26 / 39 / 29

HEX #B4856E

RGB 180 133 110

HSL 19.71, 0.32%, 0.57%

LAB 59.53, 14.97, 19.46

 

CMYK 0 / 38 / 26 / 29

HEX #B57086

RGB 181 112 134

HSL 340.87, 0.32%, 0.57%

LAB 55.21, 30.26, -0.48

 

CMYK 0 / 38 / 26 / 9

HEX #E890AC

RGB 232 144 172

HSL 340.91, 0.66%, 0.74%

LAB 69.53, 36.85, -0.51

 

CMYK 0 / 39 / 25 / 89

HEX #1C1115

RGB 28 17 21

HSL 338.18, 0.24%, 0.09%

LAB 6.34, 6.04, -0.54

 

CMYK 0 / 38 / 27 / 69

HEX #4F313A

RGB 79 49 58

HSL 342, 0.23%, 0.25%

LAB 24.21, 15.11, -0.02

 

CMYK 0 / 38 / 26 / 49

HEX #825060

RGB 130 80 96

HSL 340.8, 0.24%, 0.41%

LAB 40.13, 23.3, -0.45

 

CMYK 0 / 38 / 26 / 29

HEX #B57086

RGB 181 112 134

HSL 340.87, 0.32%, 0.57%

LAB 55.21, 30.26, -0.48

 

CMYK 0 / 5 / 39 / 29

HEX #B4AB6E

RGB 180 171 110

HSL 52.29, 0.32%, 0.57%

LAB 69.44, -5.83, 32.57

 

CMYK 39 / 11 / 0 / 29

HEX #6EA1B4

RGB 110 161 180

HSL 196.29, 0.32%, 0.57%

LAB 63.43, -12, -15.2

 

CMYK 0 / 38 / 26 / 29

HEX #B57086

RGB 181 112 134

HSL 340.87, 0.32%, 0.57%

LAB 55.21, 30.26, -0.48

 

CMYK 26 / 0 / 39 / 29

HEX #85B46E

RGB 133 180 110

HSL 100.29, 0.32%, 0.57%

LAB 68.57, -28.68, 30.79

 

CMYK 39 / 26 / 0 / 29

HEX #6E85B4

RGB 110 133 180

HSL 220.29, 0.32%, 0.57%

LAB 55.47, 3.78, -27.37

 

CMYK 0 / 38 / 26 / 29

HEX #B57086

RGB 181 112 134

HSL 340.87, 0.32%, 0.57%

LAB 55.21, 30.26, -0.48

 

CMYK 0 / 5 / 39 / 29

HEX #B4AB6E

RGB 180 171 110

HSL 52.29, 0.32%, 0.57%

LAB 69.44, -5.83, 32.57

 

CMYK 39 / 0 / 13 / 29

HEX #6EB49D

RGB 110 180 157

HSL 160.29, 0.32%, 0.57%

LAB 68.31, -27.42, 4.81

 

CMYK 39 / 34 / 0 / 29

HEX #6E77B4

RGB 110 119 180

HSL 232.29, 0.32%, 0.57%

LAB 51.61, 12.1, -33.36

 

CMYK 0 / 38 / 26 / 29

HEX #B57086

RGB 181 112 134

HSL 340.87, 0.32%, 0.57%

LAB 55.21, 30.26, -0.48

 

CMYK 7 / 0 / 39 / 29

HEX #A8B46E

RGB 168 180 110

HSL 70.29, 0.32%, 0.57%

LAB 70.94, -15.37, 34.3

 

CMYK 39 / 0 / 13 / 29

HEX #6EB49D

RGB 110 180 157

HSL 160.29, 0.32%, 0.57%

LAB 68.31, -27.42, 4.81

 

CMYK 33 / 39 / 0 / 29

HEX #796EB4

RGB 121 110 180

HSL 249.43, 0.32%, 0.57%

LAB 50.11, 20.63, -35.66

 

Description

Color code: RGB 181 112 134 | qconv.com Color code: RGB 181 112 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 112 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 112 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 26 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 26% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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