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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 89 133 it is the complementary color RGB 75 166 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 89 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 89 133: RGB 185 89 128, RGB 202 107 147, RGB 219 125 166, RGB 236 143 185 and RGB 253 161 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 89 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 89 133: RGB 180 89 133, RGB 163 71 114, RGB 146 53 95, RGB 129 35 76 and RGB 112 17 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

Complementary color

CMYK 55 / 0 / 27 / 35

HEX #4BA67A

RGB 75 166 122

HSL 150.99, 0.38%, 0.47%

LAB 61.8, -37.71, 14.72

 

CMYK 0 / 52 / 31 / 27

HEX #B95980

RGB 185 89 128

HSL 335.63, 0.41%, 0.54%

LAB 50.71, 43.07, -3.48

 

CMYK 0 / 47 / 27 / 21

HEX #CA6B93

RGB 202 107 147

HSL 334.74, 0.47%, 0.61%

LAB 57.25, 42.25, -4.75

 

CMYK 0 / 43 / 24 / 14

HEX #DB7DA6

RGB 219 125 166

HSL 333.83, 0.57%, 0.67%

LAB 63.74, 41.41, -5.83

 

CMYK 0 / 39 / 22 / 7

HEX #EC8FB9

RGB 236 143 185

HSL 332.9, 0.71%, 0.74%

LAB 70.16, 40.6, -6.77

 

CMYK 0 / 36 / 19 / 1

HEX #FDA1CC

RGB 253 161 204

HSL 331.96, 0.96%, 0.81%

LAB 76.52, 39.81, -7.62

 

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

CMYK 0 / 56 / 30 / 36

HEX #A34772

RGB 163 71 114

HSL 331.96, 0.39%, 0.46%

LAB 43.52, 42.79, -6.02

 

CMYK 0 / 64 / 35 / 43

HEX #92355F

RGB 146 53 95

HSL 332.9, 0.47%, 0.39%

LAB 36.9, 43.34, -4.3

 

CMYK 0 / 73 / 41 / 49

HEX #81234C

RGB 129 35 76

HSL 333.83, 0.57%, 0.32%

LAB 30.38, 43.45, -2

 

CMYK 0 / 85 / 49 / 56

HEX #701139

RGB 112 17 57

HSL 334.74, 0.74%, 0.25%

LAB 24.13, 42.62, 1.25

 

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

CMYK 0 / 51 / 34 / 29

HEX #B45977

RGB 180 89 119

HSL 340.22, 0.38%, 0.53%

LAB 49.71, 40.18, 0.36

 

CMYK 0 / 51 / 42 / 29

HEX #B45968

RGB 180 89 104

HSL 350.11, 0.38%, 0.53%

LAB 49.31, 38.39, 8.79

 

CMYK 0 / 51 / 51 / 29

HEX #B45959

RGB 180 89 89

HSL 0, 0.38%, 0.53%

LAB 48.97, 36.85, 17.29

 

CMYK 0 / 42 / 51 / 29

HEX #B46859

RGB 180 104 89

HSL 9.89, 0.38%, 0.53%

LAB 52.2, 28.82, 21.63

 

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

CMYK 0 / 51 / 26 / 9

HEX #E772AB

RGB 231 114 171

HSL 330.77, 0.71%, 0.68%

LAB 63.31, 51.61, -9.14

 

CMYK 0 / 52 / 26 / 89

HEX #1B0D14

RGB 27 13 20

HSL 330, 0.35%, 0.08%

LAB 5.16, 7.34, -1.6

 

CMYK 0 / 50 / 26 / 69

HEX #4E273A

RGB 78 39 58

HSL 330.77, 0.33%, 0.23%

LAB 21.49, 21.02, -4.05

 

CMYK 0 / 50 / 26 / 49

HEX #81405F

RGB 129 64 95

HSL 331.38, 0.34%, 0.38%

LAB 36.29, 31.91, -5.5

 

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 51 / 5 / 0 / 29

HEX #59ABB4

RGB 89 171 180

HSL 185.93, 0.38%, 0.53%

LAB 65.39, -22.47, -12.33

 

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

CMYK 25 / 0 / 51 / 29

HEX #87B459

RGB 135 180 89

HSL 89.67, 0.38%, 0.53%

LAB 68.4, -30.63, 41.3

 

CMYK 51 / 25 / 0 / 29

HEX #5987B4

RGB 89 135 180

HSL 209.67, 0.38%, 0.53%

LAB 54.81, -2.84, -28.48

 

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

CMYK 0 / 15 / 51 / 29

HEX #B49959

RGB 180 153 89

HSL 42.2, 0.38%, 0.53%

LAB 64.33, 1.65, 37.14

 

CMYK 51 / 0 / 25 / 29

HEX #59B487

RGB 89 180 135

HSL 150.33, 0.38%, 0.53%

LAB 66.91, -37.82, 14.77

 

CMYK 51 / 36 / 0 / 29

HEX #5974B4

RGB 89 116 180

HSL 222.2, 0.38%, 0.53%

LAB 49.39, 8.47, -36.96

 

CMYK 0 / 51 / 26 / 29

HEX #B45985

RGB 180 89 133

HSL 330.99, 0.38%, 0.53%

LAB 50.15, 42.06, -7.38

 

CMYK 0 / 0 / 51 / 29

HEX #B4B459

RGB 180 180 89

HSL 60, 0.38%, 0.53%

LAB 71.6, -12.68, 45.9

 

CMYK 51 / 0 / 25 / 29

HEX #59B487

RGB 89 180 135

HSL 150.33, 0.38%, 0.53%

LAB 66.91, -37.82, 14.77

 

CMYK 51 / 51 / 0 / 29

HEX #5959B4

RGB 89 89 180

HSL 240, 0.38%, 0.53%

LAB 42.1, 25.25, -48.55

 

Description

Color code: RGB 180 89 133 | qconv.com Color code: RGB 180 89 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 89 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 89 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 26 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 26% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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