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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 79 123 it is the complementary color RGB 75 176 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 79 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 79 123: RGB 185 79 118, RGB 202 97 137, RGB 219 115 156, RGB 236 133 175 and RGB 253 151 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 79 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 79 123: RGB 180 79 123, RGB 163 61 104, RGB 146 43 85, RGB 129 25 66 and RGB 112 7 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 32 / 29

HEX #B44F7B

RGB 180 79 123

HSL 333.86, 0.4%, 0.51%

LAB 47.91, 45.7, -4.69

 

Complementary color

CMYK 57 / 0 / 25 / 31

HEX #4BB084

RGB 75 176 132

HSL 153.86, 0.4%, 0.49%

LAB 65.13, -39.98, 13.85

 

CMYK 0 / 57 / 36 / 27

HEX #B94F76

RGB 185 79 118

HSL 337.92, 0.43%, 0.52%

LAB 48.53, 46.74, -0.68

 

CMYK 0 / 52 / 32 / 21

HEX #CA6189

RGB 202 97 137

HSL 337.14, 0.5%, 0.59%

LAB 54.98, 45.99, -2.24

 

CMYK 0 / 47 / 29 / 14

HEX #DB739C

RGB 219 115 156

HSL 336.35, 0.59%, 0.65%

LAB 61.41, 45.17, -3.55

 

CMYK 0 / 44 / 26 / 7

HEX #EC85AF

RGB 236 133 175

HSL 335.53, 0.73%, 0.72%

LAB 67.8, 44.34, -4.67

 

CMYK 0 / 40 / 23 / 1

HEX #FD97C2

RGB 253 151 194

HSL 334.71, 0.96%, 0.79%

LAB 74.13, 43.52, -5.66

 

CMYK 0 / 56 / 32 / 29

HEX #B44F7B

RGB 180 79 123

HSL 333.86, 0.4%, 0.51%

LAB 47.91, 45.7, -4.69

 

CMYK 0 / 63 / 36 / 36

HEX #A33D68

RGB 163 61 104

HSL 334.71, 0.46%, 0.44%

LAB 41.41, 46.28, -2.96

 

CMYK 0 / 71 / 42 / 43

HEX #922B55

RGB 146 43 85

HSL 335.53, 0.54%, 0.37%

LAB 34.99, 46.49, -0.72

 

CMYK 0 / 81 / 49 / 49

HEX #811942

RGB 129 25 66

HSL 336.35, 0.68%, 0.3%

LAB 28.79, 45.98, 2.32

 

CMYK 0 / 94 / 58 / 56

HEX #70072F

RGB 112 7 47

HSL 337.14, 0.88%, 0.23%

LAB 23.01, 44.13, 6.58

 

CMYK 0 / 56 / 32 / 29

HEX #B44F7B

RGB 180 79 123

HSL 333.86, 0.4%, 0.51%

LAB 47.91, 45.7, -4.69

 

CMYK 0 / 56 / 40 / 29

HEX #B4506C

RGB 180 80 108

HSL 343.2, 0.4%, 0.51%

LAB 47.65, 43.4, 4.01

 

CMYK 0 / 56 / 49 / 29

HEX #B4505B

RGB 180 80 91

HSL 353.4, 0.4%, 0.51%

LAB 47.23, 41.63, 13.72

 

CMYK 0 / 53 / 56 / 29

HEX #B45550

RGB 180 85 80

HSL 3, 0.4%, 0.51%

LAB 47.98, 38.12, 21.33

 

CMYK 0 / 44 / 56 / 29

HEX #B46550

RGB 180 101 80

HSL 12.6, 0.4%, 0.51%

LAB 51.37, 29.65, 25.75

 

CMYK 0 / 56 / 32 / 29

HEX #B44F7B

RGB 180 79 123

HSL 333.86, 0.4%, 0.51%

LAB 47.91, 45.7, -4.69

 

CMYK 0 / 56 / 32 / 9

HEX #E7659E

RGB 231 101 158

HSL 333.69, 0.73%, 0.65%

LAB 60.57, 56.09, -5.75

 

CMYK 0 / 56 / 33 / 89

HEX #1B0C12

RGB 27 12 18

HSL 336, 0.38%, 0.08%

LAB 4.87, 7.36, -0.75

 

CMYK 0 / 56 / 32 / 69

HEX #4E2235

RGB 78 34 53

HSL 334.09, 0.39%, 0.22%

LAB 20.13, 23.22, -2.62

 

CMYK 0 / 56 / 32 / 49

HEX #813958

RGB 129 57 88

HSL 334.17, 0.39%, 0.36%

LAB 34.6, 34.67, -3.56

 

CMYK 0 / 56 / 32 / 29

HEX #B44F7B

RGB 180 79 123

HSL 333.86, 0.4%, 0.51%

LAB 47.91, 45.7, -4.69

 

CMYK 0 / 14 / 56 / 29

HEX #B49B50

RGB 180 155 80

HSL 45, 0.4%, 0.51%

LAB 64.74, -0.23, 42.24

 

CMYK 56 / 8 / 0 / 29

HEX #50A5B4

RGB 80 165 180

HSL 189, 0.4%, 0.51%

LAB 63.27, -21.31, -15.57

 

CMYK 0 / 56 / 32 / 29

HEX #B44F7B

RGB 180 79 123

HSL 333.86, 0.4%, 0.51%

LAB 47.91, 45.7, -4.69

 

CMYK 31 / 0 / 56 / 29

HEX #7DB450

RGB 125 180 80

HSL 93, 0.4%, 0.51%

LAB 67.71, -35.31, 44.7

 

CMYK 56 / 31 / 0 / 29

HEX #507DB4

RGB 80 125 180

HSL 213, 0.4%, 0.51%

LAB 51.46, 0.96, -33.74

 

CMYK 0 / 56 / 32 / 29

HEX #B44F7B

RGB 180 79 123

HSL 333.86, 0.4%, 0.51%

LAB 47.91, 45.7, -4.69

 

CMYK 0 / 14 / 56 / 29

HEX #B49B50

RGB 180 155 80

HSL 45, 0.4%, 0.51%

LAB 64.74, -0.23, 42.24

 

CMYK 56 / 0 / 25 / 29

HEX #50B487

RGB 80 180 135

HSL 153, 0.4%, 0.51%

LAB 66.59, -39.97, 14.28

 

CMYK 56 / 42 / 0 / 29

HEX #5069B4

RGB 80 105 180

HSL 225, 0.4%, 0.51%

LAB 45.78, 13.2, -42.71

 

CMYK 0 / 56 / 32 / 29

HEX #B44F7B

RGB 180 79 123

HSL 333.86, 0.4%, 0.51%

LAB 47.91, 45.7, -4.69

 

CMYK 3 / 0 / 56 / 29

HEX #AFB450

RGB 175 180 80

HSL 63, 0.4%, 0.51%

LAB 71.1, -15.53, 49.49

 

CMYK 56 / 0 / 25 / 29

HEX #50B487

RGB 80 180 135

HSL 153, 0.4%, 0.51%

LAB 66.59, -39.97, 14.28

 

CMYK 53 / 56 / 0 / 29

HEX #5550B4

RGB 85 80 180

HSL 243, 0.4%, 0.51%

LAB 39.52, 30.01, -52.71

 

Description

Color code: RGB 180 79 123 | qconv.com Color code: RGB 180 79 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 79 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 79 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 32 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 32% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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