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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 52 198 it is the complementary color RGB 75 203 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 52 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 52 198: RGB 185 52 193, RGB 202 70 212, RGB 219 88 231, RGB 236 106 250 and RGB 253 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 52 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 52 198: RGB 180 52 198, RGB 163 34 179, RGB 146 16 160, RGB 129 0 141 and RGB 112 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 74 / 0 / 22

HEX #B434C6

RGB 180 52 198

HSL 292.6, 0.58%, 0.49%

LAB 47.28, 68.58, -50.14

 

Complementary color

CMYK 63 / 0 / 72 / 20

HEX #4BCB39

RGB 75 203 57

HSL 112.6, 0.58%, 0.51%

LAB 72.56, -61.4, 59.14

 

CMYK 4 / 73 / 0 / 24

HEX #B934C1

RGB 185 52 193

HSL 296.6, 0.58%, 0.48%

LAB 47.78, 68.75, -46.4

 

CMYK 5 / 67 / 0 / 17

HEX #CA46D4

RGB 202 70 212

HSL 295.77, 0.62%, 0.55%

LAB 53.7, 69.31, -47.76

 

CMYK 5 / 62 / 0 / 9

HEX #DB58E7

RGB 219 88 231

HSL 294.97, 0.75%, 0.63%

LAB 59.72, 69.38, -48.78

 

CMYK 6 / 58 / 0 / 2

HEX #EC6AFA

RGB 236 106 250

HSL 294.17, 0.94%, 0.7%

LAB 65.78, 69.14, -49.57

 

CMYK 1 / 51 / 0 / 0

HEX #FD7CFF

RGB 253 124 255

HSL 299.08, 1%, 0.74%

LAB 71.23, 66.26, -43.59

 

CMYK 9 / 74 / 0 / 22

HEX #B434C6

RGB 180 52 198

HSL 292.6, 0.58%, 0.49%

LAB 47.28, 68.58, -50.14

 

CMYK 9 / 81 / 0 / 30

HEX #A322B3

RGB 163 34 179

HSL 293.38, 0.68%, 0.42%

LAB 41.51, 67.32, -48.42

 

CMYK 9 / 90 / 0 / 37

HEX #9210A0

RGB 146 16 160

HSL 294.17, 0.82%, 0.35%

LAB 36.02, 64.93, -46.03

 

CMYK 9 / 100 / 0 / 45

HEX #81008D

RGB 129 0 141

HSL 294.89, 1%, 0.28%

LAB 30.86, 61.22, -42.88

 

CMYK 8 / 100 / 0 / 52

HEX #70007A

RGB 112 0 122

HSL 295.08, 1%, 0.24%

LAB 26.3, 55.23, -38.45

 

CMYK 9 / 74 / 0 / 22

HEX #B434C6

RGB 180 52 198

HSL 292.6, 0.58%, 0.49%

LAB 47.28, 68.58, -50.14

 

CMYK 0 / 74 / 3 / 23

HEX #C534C0

RGB 197 52 192

HSL 302.07, 0.58%, 0.49%

LAB 49.66, 71.13, -42.72

 

CMYK 0 / 74 / 15 / 23

HEX #C534A8

RGB 197 52 168

HSL 312, 0.58%, 0.49%

LAB 48.45, 67.55, -30.55

 

CMYK 0 / 74 / 27 / 23

HEX #C53490

RGB 197 52 144

HSL 321.93, 0.58%, 0.49%

LAB 47.42, 64.37, -17.84

 

CMYK 0 / 74 / 39 / 23

HEX #C53478

RGB 197 52 120

HSL 331.86, 0.58%, 0.49%

LAB 46.55, 61.64, -4.57

 

CMYK 9 / 74 / 0 / 22

HEX #B434C6

RGB 180 52 198

HSL 292.6, 0.58%, 0.49%

LAB 47.28, 68.58, -50.14

 

CMYK 9 / 74 / 0 / 2

HEX #E241F9

RGB 226 65 249

HSL 292.5, 0.94%, 0.62%

LAB 58.78, 82.25, -60.24

 

CMYK 9 / 73 / 0 / 82

HEX #290C2D

RGB 41 12 45

HSL 292.73, 0.58%, 0.11%

LAB 8.34, 21.05, -15.49

 

CMYK 9 / 74 / 0 / 62

HEX #571960

RGB 87 25 96

HSL 292.39, 0.59%, 0.24%

LAB 22.18, 38.73, -28.48

 

CMYK 9 / 73 / 0 / 42

HEX #862793

RGB 134 39 147

HSL 292.78, 0.58%, 0.36%

LAB 35.25, 54.14, -39.47

 

CMYK 9 / 74 / 0 / 22

HEX #B434C6

RGB 180 52 198

HSL 292.6, 0.58%, 0.49%

LAB 47.28, 68.58, -50.14

 

CMYK 0 / 69 / 74 / 23

HEX #C53E34

RGB 197 62 52

HSL 4.14, 0.58%, 0.49%

LAB 46.4, 52.97, 36.36

 

CMYK 74 / 0 / 39 / 23

HEX #34C578

RGB 52 197 120

HSL 148.14, 0.58%, 0.49%

LAB 70.88, -55.11, 28.03

 

CMYK 9 / 74 / 0 / 22

HEX #B434C6

RGB 180 52 198

HSL 292.6, 0.58%, 0.49%

LAB 47.28, 68.58, -50.14

 

CMYK 0 / 10 / 74 / 23

HEX #C5B234

RGB 197 178 52

HSL 52.14, 0.58%, 0.49%

LAB 72.2, -6.84, 62.91

 

CMYK 74 / 0 / 10 / 23

HEX #34C5B2

RGB 52 197 178

HSL 172.14, 0.58%, 0.49%

LAB 72.15, -41.72, -1.33

 

CMYK 9 / 74 / 0 / 22

HEX #B434C6

RGB 180 52 198

HSL 292.6, 0.58%, 0.49%

LAB 47.28, 68.58, -50.14

 

CMYK 0 / 69 / 74 / 23

HEX #C53E34

RGB 197 62 52

HSL 4.14, 0.58%, 0.49%

LAB 46.4, 52.97, 36.36

 

CMYK 64 / 0 / 74 / 23

HEX #47C534

RGB 71 197 52

HSL 112.14, 0.58%, 0.49%

LAB 70.54, -60.6, 58.85

 

CMYK 74 / 5 / 0 / 23

HEX #34BBC5

RGB 52 187 197

HSL 184.14, 0.58%, 0.49%

LAB 69.68, -31.7, -15.38

 

CMYK 9 / 74 / 0 / 22

HEX #B434C6

RGB 180 52 198

HSL 292.6, 0.58%, 0.49%

LAB 47.28, 68.58, -50.14

 

CMYK 0 / 47 / 74 / 23

HEX #C56934

RGB 197 105 52

HSL 21.93, 0.58%, 0.49%

LAB 54.26, 32.58, 44.92

 

CMYK 64 / 0 / 74 / 23

HEX #47C534

RGB 71 197 52

HSL 112.14, 0.58%, 0.49%

LAB 70.54, -60.6, 58.85

 

CMYK 74 / 27 / 0 / 23

HEX #3490C5

RGB 52 144 197

HSL 201.93, 0.58%, 0.49%

LAB 56.79, -9.25, -35.18

 

Description

Color code: RGB 180 52 198 | qconv.com Color code: RGB 180 52 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 52 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 52 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 74 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 74% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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