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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 251 100 it is the complementary color RGB 75 4 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 251 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 251 100: RGB 185 251 95, RGB 202 255 114, RGB 219 255 133, RGB 236 255 152 and RGB 253 255 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 251 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 251 100: RGB 180 251 100, RGB 163 233 81, RGB 146 215 62, RGB 129 197 43 and RGB 112 179 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

Complementary color

CMYK 52 / 97 / 0 / 39

HEX #4B049B

RGB 75 4 155

HSL 268.21, 0.95%, 0.31%

LAB 23.5, 56.45, -63.89

 

CMYK 26 / 0 / 62 / 2

HEX #B9FB5F

RGB 185 251 95

HSL 85.38, 0.95%, 0.68%

LAB 91.75, -43.83, 66.12

 

CMYK 21 / 0 / 55 / 0

HEX #CAFF72

RGB 202 255 114

HSL 82.55, 1%, 0.72%

LAB 94.01, -37.87, 60.91

 

CMYK 14 / 0 / 48 / 0

HEX #DBFF85

RGB 219 255 133

HSL 77.7, 1%, 0.76%

LAB 95.28, -29.82, 54.1

 

CMYK 7 / 0 / 40 / 0

HEX #ECFF98

RGB 236 255 152

HSL 71.07, 1%, 0.8%

LAB 96.66, -21.5, 47.08

 

CMYK 1 / 0 / 33 / 0

HEX #FDFFAB

RGB 253 255 171

HSL 61.43, 1%, 0.84%

LAB 98.17, -13.02, 39.99

 

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

CMYK 30 / 0 / 65 / 9

HEX #A3E951

RGB 163 233 81

HSL 87.63, 0.78%, 0.62%

LAB 85.33, -44.98, 64.46

 

CMYK 32 / 0 / 71 / 16

HEX #92D73E

RGB 146 215 62

HSL 87.06, 0.66%, 0.54%

LAB 79.08, -44.65, 64.85

 

CMYK 35 / 0 / 78 / 23

HEX #81C52B

RGB 129 197 43

HSL 86.49, 0.64%, 0.47%

LAB 72.74, -44.15, 64.69

 

CMYK 37 / 0 / 87 / 30

HEX #70B318

RGB 112 179 24

HSL 85.94, 0.76%, 0.4%

LAB 66.33, -43.44, 63.56

 

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

CMYK 38 / 0 / 60 / 2

HEX #9BFB64

RGB 155 251 100

HSL 98.15, 0.95%, 0.69%

LAB 90.27, -53.58, 62

 

CMYK 48 / 0 / 60 / 2

HEX #82FB64

RGB 130 251 100

HSL 108.08, 0.95%, 0.69%

LAB 89.23, -61.02, 60.55

 

CMYK 58 / 0 / 60 / 2

HEX #69FB64

RGB 105 251 100

HSL 118.01, 0.95%, 0.69%

LAB 88.41, -67.32, 59.4

 

CMYK 60 / 0 / 52 / 2

HEX #64FB78

RGB 100 251 120

HSL 127.95, 0.95%, 0.69%

LAB 88.48, -66.07, 50.57

 

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

CMYK 28 / 0 / 60 / 82

HEX #222F13

RGB 34 47 19

HSL 87.86, 0.42%, 0.13%

LAB 17.55, -11.51, 16.13

 

CMYK 29 / 0 / 60 / 62

HEX #466227

RGB 70 98 39

HSL 88.47, 0.43%, 0.27%

LAB 38.17, -21.35, 29.79

 

CMYK 28 / 0 / 60 / 42

HEX #6B953B

RGB 107 149 59

HSL 88, 0.43%, 0.41%

LAB 57.01, -29.72, 42.04

 

CMYK 29 / 0 / 60 / 22

HEX #8FC850

RGB 143 200 80

HSL 88.5, 0.52%, 0.55%

LAB 74.65, -37.8, 52.91

 

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

CMYK 60 / 0 / 20 / 2

HEX #64FBC8

RGB 100 251 200

HSL 159.74, 0.95%, 0.69%

LAB 89.8, -51.93, 12.6

 

CMYK 0 / 60 / 4 / 2

HEX #FB64F1

RGB 251 100 241

HSL 303.97, 0.95%, 0.69%

LAB 66.5, 73.83, -43.34

 

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

CMYK 60 / 28 / 0 / 2

HEX #64B4FB

RGB 100 180 251

HSL 208.21, 0.95%, 0.69%

LAB 71.09, -3.87, -42.54

 

CMYK 0 / 60 / 28 / 2

HEX #FB64B4

RGB 251 100 180

HSL 328.21, 0.95%, 0.69%

LAB 64.1, 65.21, -12.8

 

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

CMYK 60 / 0 / 20 / 2

HEX #64FBC8

RGB 100 251 200

HSL 159.74, 0.95%, 0.69%

LAB 89.8, -51.93, 12.6

 

CMYK 32 / 60 / 0 / 2

HEX #AA64FB

RGB 170 100 251

HSL 267.81, 0.95%, 0.69%

LAB 56.71, 56.7, -65.07

 

CMYK 0 / 60 / 40 / 2

HEX #FB6496

RGB 251 100 150

HSL 340.13, 0.95%, 0.69%

LAB 63.2, 61.84, 3.07

 

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

CMYK 60 / 0 / 2 / 2

HEX #64FBF6

RGB 100 251 246

HSL 178.01, 0.95%, 0.69%

LAB 90.94, -40.83, -9.59

 

CMYK 32 / 60 / 0 / 2

HEX #AA64FB

RGB 170 100 251

HSL 267.81, 0.95%, 0.69%

LAB 56.71, 56.7, -65.07

 

CMYK 0 / 60 / 58 / 2

HEX #FB6469

RGB 251 100 105

HSL 358.01, 0.95%, 0.69%

LAB 62.21, 57.99, 27.55

 

Description

Color code: RGB 180 251 100 | qconv.com Color code: RGB 180 251 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 251 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 251 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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