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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 239 247 it is the complementary color RGB 75 16 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 239 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 239 247: RGB 185 239 242, RGB 202 255 255, RGB 219 255 255, RGB 236 255 255 and RGB 253 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 239 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 239 247: RGB 180 239 247, RGB 163 221 228, RGB 146 203 209, RGB 129 185 190 and RGB 112 167 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 3 / 0 / 3

HEX #B4EFF7

RGB 180 239 247

HSL 187.16, 0.81%, 0.84%

LAB 90.85, -16.73, -9.91

 

Complementary color

CMYK 0 / 79 / 89 / 71

HEX #4B1008

RGB 75 16 8

HSL 7.16, 0.81%, 0.16%

LAB 14.87, 27.23, 19.5

 

CMYK 24 / 1 / 0 / 5

HEX #B9EFF2

RGB 185 239 242

HSL 183.16, 0.69%, 0.84%

LAB 90.99, -16.39, -7.06

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 27 / 3 / 0 / 3

HEX #B4EFF7

RGB 180 239 247

HSL 187.16, 0.81%, 0.84%

LAB 90.85, -16.73, -9.91

 

CMYK 29 / 3 / 0 / 11

HEX #A3DDE4

RGB 163 221 228

HSL 186.46, 0.55%, 0.77%

LAB 84.54, -16.78, -9.41

 

CMYK 30 / 3 / 0 / 18

HEX #92CBD1

RGB 146 203 209

HSL 185.71, 0.41%, 0.7%

LAB 78.13, -16.83, -8.9

 

CMYK 32 / 3 / 0 / 25

HEX #81B9BE

RGB 129 185 190

HSL 184.92, 0.32%, 0.63%

LAB 71.61, -16.89, -8.37

 

CMYK 35 / 2 / 0 / 33

HEX #70A7AB

RGB 112 167 171

HSL 184.07, 0.26%, 0.55%

LAB 64.98, -16.95, -7.82

 

CMYK 27 / 3 / 0 / 3

HEX #B4EFF7

RGB 180 239 247

HSL 187.16, 0.81%, 0.84%

LAB 90.85, -16.73, -9.91

 

CMYK 27 / 8 / 0 / 3

HEX #B5E4F7

RGB 181 228 247

HSL 197.27, 0.8%, 0.84%

LAB 87.98, -10.89, -14.18

 

CMYK 27 / 12 / 0 / 3

HEX #B5D9F7

RGB 181 217 247

HSL 207.27, 0.8%, 0.84%

LAB 85.08, -5.21, -18.54

 

CMYK 27 / 17 / 0 / 3

HEX #B5CEF7

RGB 181 206 247

HSL 217.27, 0.8%, 0.84%

LAB 82.21, 0.59, -22.89

 

CMYK 27 / 21 / 0 / 3

HEX #B5C3F7

RGB 181 195 247

HSL 227.27, 0.8%, 0.84%

LAB 79.37, 6.49, -27.22

 

CMYK 27 / 3 / 0 / 3

HEX #B4EFF7

RGB 180 239 247

HSL 187.16, 0.81%, 0.84%

LAB 90.85, -16.73, -9.91

 

CMYK 28 / 2 / 0 / 83

HEX #1F2A2B

RGB 31 42 43

HSL 185, 0.16%, 0.15%

LAB 16.11, -4.43, -2.22

 

CMYK 27 / 3 / 0 / 63

HEX #455B5E

RGB 69 91 94

HSL 187.2, 0.15%, 0.32%

LAB 37.03, -7.51, -4.46

 

CMYK 27 / 3 / 0 / 43

HEX #6A8C91

RGB 106 140 145

HSL 187.69, 0.16%, 0.49%

LAB 55.95, -10.61, -6.54

 

CMYK 27 / 3 / 0 / 23

HEX #8FBEC4

RGB 143 190 196

HSL 186.79, 0.31%, 0.66%

LAB 73.97, -14.02, -8.06

 

CMYK 27 / 3 / 0 / 3

HEX #B4EFF7

RGB 180 239 247

HSL 187.16, 0.81%, 0.84%

LAB 90.85, -16.73, -9.91

 

CMYK 18 / 27 / 0 / 3

HEX #CAB5F7

RGB 202 181 247

HSL 259.09, 0.8%, 0.84%

LAB 77.47, 20.4, -29.99

 

CMYK 0 / 8 / 27 / 3

HEX #F7E4B5

RGB 247 228 181

HSL 42.73, 0.8%, 0.84%

LAB 91.05, -0.54, 25.33

 

CMYK 27 / 3 / 0 / 3

HEX #B4EFF7

RGB 180 239 247

HSL 187.16, 0.81%, 0.84%

LAB 90.85, -16.73, -9.91

 

CMYK 0 / 27 / 3 / 3

HEX #F7B5EF

RGB 247 181 239

HSL 307.27, 0.8%, 0.84%

LAB 81.32, 33.04, -19.45

 

CMYK 3 / 0 / 27 / 3

HEX #EFF7B5

RGB 239 247 181

HSL 67.27, 0.8%, 0.84%

LAB 95.25, -13.01, 30.93

 

CMYK 27 / 3 / 0 / 3

HEX #B4EFF7

RGB 180 239 247

HSL 187.16, 0.81%, 0.84%

LAB 90.85, -16.73, -9.91

 

CMYK 18 / 27 / 0 / 3

HEX #CAB5F7

RGB 202 181 247

HSL 259.09, 0.8%, 0.84%

LAB 77.47, 20.4, -29.99

 

CMYK 0 / 24 / 27 / 3

HEX #F7BCB5

RGB 247 188 181

HSL 6.36, 0.8%, 0.84%

LAB 81.33, 20.25, 11.78

 

CMYK 9 / 0 / 27 / 3

HEX #E2F7B5

RGB 226 247 181

HSL 79.09, 0.8%, 0.84%

LAB 94.32, -17.71, 29.52

 

CMYK 27 / 3 / 0 / 3

HEX #B4EFF7

RGB 180 239 247

HSL 187.16, 0.81%, 0.84%

LAB 90.85, -16.73, -9.91

 

CMYK 11 / 27 / 0 / 3

HEX #DDB5F7

RGB 221 181 247

HSL 276.36, 0.8%, 0.84%

LAB 79.12, 26.26, -27.32

 

CMYK 0 / 24 / 27 / 3

HEX #F7BCB5

RGB 247 188 181

HSL 6.36, 0.8%, 0.84%

LAB 81.33, 20.25, 11.78

 

CMYK 17 / 0 / 27 / 3

HEX #CEF7B5

RGB 206 247 181

HSL 97.27, 0.8%, 0.84%

LAB 93.01, -24.74, 27.51

 

Description

Color code: RGB 180 239 247 | qconv.com Color code: RGB 180 239 247 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 239 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 239 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 3 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 3% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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