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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 162.8 31.4 it is the complementary color RGB 75 92.2 223.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 162.8 31.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 162.8 31.4 shade: RGB 185 162.8 26.4, RGB 202 180.8 45.4, RGB 219 198.8 64.4, RGB 236 216.8 83.4 and RGB 253 234.8 102.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 162.8 31.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 162.8 31.4 shade: RGB 180 162.8 31.4, RGB 163 144.8 12.4, RGB 146 126.8 0, RGB 129 108.8 0 and RGB 112 90.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 162.8 31.4 shade: RGB 178 161 31, RGB 178 121 31, RGB 178 82 31, RGB 178 42 31 and RGB 178 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 162.8 31.4 shade: RGB 178 161 31, RGB 155 178 31, RGB 116 178 31, RGB 76 178 31 and RGB 37 178 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 162.8 31.4 shade matches the following richer shades: RGB 178 161 31 and RGB 195 174 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 162.8 31.4 shade: RGB 178 161 31, RGB 161 148 48, RGB 144 135 65, RGB 127 122 82 and RGB 110 109 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 162.8 31.4 shade: RGB 178 83 31, RGB 178 122 31, RGB 178 161 31, RGB 156 178 31 and RGB 117 178 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 162.8 31.4 shade: RGB 108 97 19, RGB 143 129 25, RGB 178 161 31, RGB 213 193 38 and RGB 222 205 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 162.8 31.4 shade: RGB 180 162.8 31.4, RGB 31 178 44 and RGB 102 31 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 162.8 31.4 shade: RGB 180 162.8 31.4, RGB 31 178 161 and RGB 161 31 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 162.8 31.4 shade: RGB 180 162.8 31.4, RGB 31 178 44, RGB 31 48 178 and RGB 178 31 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 162.8 31.4 shade: RGB 180 162.8 31.4, RGB 31 178 87, RGB 31 48 178 and RGB 178 31 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 83 / 29

HEX #B4A21F

RGB 180 162.8 31.4

HSL 53.06, 0.7%, 0.41%

LAB 66.46, -7.12, 63.76

 

Complementary color

CMYK 66 / 59 / 0 / 12

HEX #4B5CDF

RGB 75 92.2 223.6

HSL 233.06, 0.7%, 0.59%

LAB 45, 35.17, -69.05

 

CMYK 0 / 12 / 86 / 27

HEX #B9A21A

RGB 185 162.8 26.4

HSL 51.6, 0.75%, 0.41%

LAB 66.91, -5.03, 65.61

 

CMYK 0 / 10 / 78 / 21

HEX #CAB42D

RGB 202 180.8 45.4

HSL 51.88, 0.63%, 0.49%

LAB 73.36, -6.4, 66.41

 

CMYK 0 / 9 / 71 / 14

HEX #DBC640

RGB 219 198.8 64.4

HSL 52.16, 0.68%, 0.56%

LAB 79.72, -7.55, 66.32

 

CMYK 0 / 8 / 65 / 7

HEX #ECD853

RGB 236 216.8 83.4

HSL 52.45, 0.8%, 0.63%

LAB 86, -8.53, 65.74

 

CMYK 0 / 7 / 60 / 1

HEX #FDEA66

RGB 253 234.8 102.4

HSL 52.75, 0.97%, 0.7%

LAB 92.2, -9.37, 64.88

 

CMYK 0 / 10 / 83 / 29

HEX #B4A21F

RGB 180 162.8 31.4

HSL 53.06, 0.7%, 0.41%

LAB 66.46, -7.12, 63.76

 

CMYK 0 / 11 / 92 / 36

HEX #A3900C

RGB 163 144.8 12.4

HSL 52.75, 0.86%, 0.34%

LAB 59.89, -5.62, 62.04

 

CMYK 0 / 13 / 100 / 43

HEX #927E00

RGB 146 126.8 0

HSL 52.11, 1%, 0.29%

LAB 53.21, -3.84, 58.41

 

CMYK 0 / 16 / 100 / 49

HEX #816C00

RGB 129 108.8 0

HSL 50.6, 1%, 0.25%

LAB 46.39, -1.77, 52.78

 

CMYK 0 / 19 / 100 / 56

HEX #705A00

RGB 112 90.8 0

HSL 48.64, 1%, 0.22%

LAB 39.4, 0.41, 47

 

CMYK 0 / 10 / 83 / 30

HEX #B2A11F

RGB 178 161 31

HSL 53.06, 0.7%, 0.41%

LAB 65.79, -7.07, 63.22

 

CMYK 0 / 32 / 83 / 30

HEX #B2791F

RGB 178 121 31

HSL 36.73, 0.7%, 0.41%

LAB 55.32, 14.85, 54.12

 

CMYK 0 / 54 / 83 / 30

HEX #B2521F

RGB 178 82 31

HSL 20.82, 0.7%, 0.41%

LAB 46.44, 36.09, 46.15

 

CMYK 0 / 76 / 83 / 30

HEX #B22A1F

RGB 178 42 31

HSL 4.49, 0.7%, 0.41%

LAB 39.95, 53.41, 40.09

 

CMYK 0 / 83 / 83 / 30

HEX #B21F1F

RGB 178 31 31

HSL 0, 0.7%, 0.41%

LAB 38.8, 56.64, 39

 

CMYK 0 / 10 / 83 / 30

HEX #B2A11F

RGB 178 161 31

HSL 53.06, 0.7%, 0.41%

LAB 65.79, -7.07, 63.22

 

CMYK 13 / 0 / 83 / 30

HEX #9BB21F

RGB 155 178 31

HSL 69.39, 0.7%, 0.41%

LAB 68.68, -25.78, 64.98

 

CMYK 35 / 0 / 83 / 30

HEX #74B21F

RGB 116 178 31

HSL 85.31, 0.7%, 0.41%

LAB 66.25, -41.3, 61.9

 

CMYK 57 / 0 / 83 / 30

HEX #4CB21F

RGB 76 178 31

HSL 101.63, 0.7%, 0.41%

LAB 64.54, -54.06, 59.72

 

CMYK 79 / 0 / 83 / 30

HEX #25B21F

RGB 37 178 31

HSL 117.55, 0.7%, 0.41%

LAB 63.62, -61.85, 58.53

 

CMYK 0 / 10 / 83 / 30

HEX #B2A11F

RGB 178 161 31

HSL 53.06, 0.7%, 0.41%

LAB 65.79, -7.07, 63.22

 

CMYK 0 / 11 / 93 / 24

HEX #C3AE0E

RGB 195 174 14

HSL 53.04, 0.87%, 0.41%

LAB 70.81, -6.73, 71.44

 

CMYK 0 / 10 / 83 / 30

HEX #B2A11F

RGB 178 161 31

HSL 53.06, 0.7%, 0.41%

LAB 65.79, -7.07, 63.22

 

CMYK 0 / 8 / 70 / 37

HEX #A19430

RGB 161 148 48

HSL 53.1, 0.54%, 0.41%

LAB 60.76, -7.01, 52.11

 

CMYK 0 / 6 / 55 / 44

HEX #908741

RGB 144 135 65

HSL 53.16, 0.38%, 0.41%

LAB 55.72, -6.31, 38.35

 

CMYK 0 / 4 / 35 / 50

HEX #7F7A52

RGB 127 122 82

HSL 53.33, 0.22%, 0.41%

LAB 50.73, -4.64, 22.62

 

CMYK 0 / 1 / 10 / 57

HEX #6E6D63

RGB 110 109 99

HSL 54.55, 0.05%, 0.41%

LAB 45.84, -1.56, 5.72

 

CMYK 0 / 53 / 83 / 30

HEX #B2531F

RGB 178 83 31

HSL 21.22, 0.7%, 0.41%

LAB 46.65, 35.57, 46.34

 

CMYK 0 / 31 / 83 / 30

HEX #B27A1F

RGB 178 122 31

HSL 37.14, 0.7%, 0.41%

LAB 55.57, 14.29, 54.34

 

CMYK 0 / 10 / 83 / 30

HEX #B2A11F

RGB 178 161 31

HSL 53.06, 0.7%, 0.41%

LAB 65.79, -7.07, 63.22

 

CMYK 12 / 0 / 83 / 30

HEX #9CB21F

RGB 156 178 31

HSL 68.98, 0.7%, 0.41%

LAB 68.76, -25.36, 65.07

 

CMYK 34 / 0 / 83 / 30

HEX #75B21F

RGB 117 178 31

HSL 84.9, 0.7%, 0.41%

LAB 66.31, -40.93, 61.97

 

CMYK 0 / 10 / 82 / 58

HEX #6C6113

RGB 108 97 19

HSL 52.58, 0.7%, 0.25%

LAB 40.87, -4.64, 42.5

 

CMYK 0 / 10 / 83 / 44

HEX #8F8119

RGB 143 129 25

HSL 52.88, 0.7%, 0.33%

LAB 53.61, -5.89, 53.14

 

CMYK 0 / 10 / 83 / 30

HEX #B2A11F

RGB 178 161 31

HSL 53.06, 0.7%, 0.41%

LAB 65.79, -7.07, 63.22

 

CMYK 0 / 9 / 82 / 16

HEX #D5C126

RGB 213 193 38

HSL 53.14, 0.7%, 0.49%

LAB 77.53, -8.17, 72.61

 

CMYK 0 / 8 / 69 / 13

HEX #DECD45

RGB 222 205 69

HSL 53.33, 0.7%, 0.57%

LAB 81.63, -9.21, 66.57

 

CMYK 0 / 10 / 83 / 29

HEX #B4A21F

RGB 180 162.8 31.4

HSL 53.06, 0.7%, 0.41%

LAB 66.46, -7.12, 63.76

 

CMYK 83 / 0 / 75 / 30

HEX #1FB22C

RGB 31 178 44

HSL 125.31, 0.7%, 0.41%

LAB 63.6, -61.73, 54.44

 

CMYK 43 / 83 / 0 / 30

HEX #661FB2

RGB 102 31 178

HSL 268.98, 0.7%, 0.41%

LAB 31.85, 57.84, -63.93

 

CMYK 0 / 10 / 83 / 29

HEX #B4A21F

RGB 180 162.8 31.4

HSL 53.06, 0.7%, 0.41%

LAB 66.46, -7.12, 63.76

 

CMYK 83 / 0 / 10 / 30

HEX #1FB2A1

RGB 31 178 161

HSL 173.06, 0.7%, 0.41%

LAB 65.52, -40.16, -1.74

 

CMYK 10 / 83 / 0 / 30

HEX #A11FB2

RGB 161 31 178

HSL 293.06, 0.7%, 0.41%

LAB 40.85, 67.54, -48.91

 

CMYK 0 / 10 / 83 / 29

HEX #B4A21F

RGB 180 162.8 31.4

HSL 53.06, 0.7%, 0.41%

LAB 66.46, -7.12, 63.76

 

CMYK 83 / 0 / 75 / 30

HEX #1FB22C

RGB 31 178 44

HSL 125.31, 0.7%, 0.41%

LAB 63.6, -61.73, 54.44

 

CMYK 83 / 73 / 0 / 30

HEX #1F30B2

RGB 31 48 178

HSL 233.06, 0.7%, 0.41%

LAB 28.43, 41.8, -69.78

 

CMYK 0 / 83 / 7 / 30

HEX #B21FA6

RGB 178 31 166

HSL 304.9, 0.7%, 0.41%

LAB 43.06, 68.89, -38.07

 

CMYK 0 / 10 / 83 / 29

HEX #B4A21F

RGB 180 162.8 31.4

HSL 53.06, 0.7%, 0.41%

LAB 66.46, -7.12, 63.76

 

CMYK 83 / 0 / 51 / 30

HEX #1FB257

RGB 31 178 87

HSL 142.86, 0.7%, 0.41%

LAB 64.02, -56.67, 36.08

 

CMYK 83 / 73 / 0 / 30

HEX #1F30B2

RGB 31 48 178

HSL 233.06, 0.7%, 0.41%

LAB 28.43, 41.8, -69.78

 

CMYK 0 / 83 / 31 / 30

HEX #B21F7A

RGB 178 31 122

HSL 322.86, 0.7%, 0.41%

LAB 40.98, 63.08, -14.54

 

Description

Color code: RGB 180 162.8 31.4 | qconv.com Color code: RGB 180 162.8 31.4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 162.8 green and 31.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 162.8 31.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 83 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 83% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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