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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705A00 it is the complementary color #8FA5FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705A00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #705A00: #755A00, #866C0E, #977E21, #A89034 and #B9A247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705A00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #705A00: #705A00, #5F4800, #4E3600, #3D2400 and #2C1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

Complementary color

CMYK 44 / 35 / 0 / 0

HEX #8FA5FF

RGB 143 165 255

HSL 228.21, 1%, 0.78%

LAB 69.45, 15.03, -47.12

 

CMYK 0 / 23 / 100 / 54

HEX #755A00

RGB 117 90 0

HSL 46.15, 1%, 0.23%

LAB 39.74, 3.35, 47.5

 

CMYK 0 / 19 / 90 / 47

HEX #866C0E

RGB 134 108 14

HSL 47, 0.81%, 0.29%

LAB 46.74, 1.38, 50.11

 

CMYK 0 / 17 / 78 / 41

HEX #977E21

RGB 151 126 33

HSL 47.29, 0.64%, 0.36%

LAB 53.61, -0.21, 50.72

 

CMYK 0 / 14 / 69 / 34

HEX #A89034

RGB 168 144 52

HSL 47.59, 0.53%, 0.43%

LAB 60.36, -1.48, 50.23

 

CMYK 0 / 12 / 62 / 27

HEX #B9A247

RGB 185 162 71

HSL 47.89, 0.45%, 0.5%

LAB 66.98, -2.52, 49.28

 

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

CMYK 0 / 24 / 100 / 63

HEX #5F4800

RGB 95 72 0

HSL 45.47, 1%, 0.19%

LAB 31.96, 3.22, 40.9

 

CMYK 0 / 31 / 100 / 69

HEX #4E3600

RGB 78 54 0

HSL 41.54, 1%, 0.15%

LAB 24.51, 5.76, 33.86

 

CMYK 0 / 41 / 100 / 76

HEX #3D2400

RGB 61 36 0

HSL 35.41, 1%, 0.12%

LAB 16.77, 8.55, 24.61

 

CMYK 0 / 59 / 100 / 83

HEX #2C1200

RGB 44 18 0

HSL 24.55, 1%, 0.09%

LAB 8.72, 11.62, 13.31

 

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

CMYK 0 / 4 / 100 / 56

HEX #706C00

RGB 112 108 0

HSL 57.86, 1%, 0.22%

LAB 44.48, -9.53, 50.63

 

CMYK 13 / 0 / 100 / 56

HEX #617000

RGB 97 112 0

HSL 68.04, 1%, 0.22%

LAB 44.42, -18.82, 50.01

 

CMYK 30 / 0 / 100 / 56

HEX #4E7000

RGB 78 112 0

HSL 78.21, 1%, 0.22%

LAB 43.08, -27.28, 48.4

 

CMYK 47 / 0 / 100 / 56

HEX #3B7000

RGB 59 112 0

HSL 88.39, 1%, 0.22%

LAB 42.03, -34.73, 47.14

 

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

CMYK 0 / 20 / 100 / 36

HEX #A38300

RGB 163 131 0

HSL 48.22, 1%, 0.32%

LAB 56.11, 1.76, 61.27

 

CMYK 0 / 20 / 100 / 16

HEX #D6AC00

RGB 214 172 0

HSL 48.22, 1%, 0.42%

LAB 72.1, 2.57, 74.88

 

CMYK 0 / 20 / 100 / 96

HEX #0A0800

RGB 10 8 0

HSL 48, 1%, 0.02%

LAB 2.15, -0.59, 3.21

 

CMYK 0 / 20 / 100 / 76

HEX #3D3100

RGB 61 49 0

HSL 48.2, 1%, 0.12%

LAB 20.78, -0.14, 29.31

 

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 61 / 100 / 0 / 56

HEX #2C0070

RGB 44 0 112

HSL 263.57, 1%, 0.22%

LAB 13.86, 44.69, -52.84

 

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

CMYK 100 / 0 / 21 / 56

HEX #007059

RGB 0 112 89

HSL 167.68, 1%, 0.22%

LAB 41.7, -33.34, 5.15

 

CMYK 21 / 100 / 0 / 56

HEX #590070

RGB 89 0 112

HSL 287.68, 1%, 0.22%

LAB 21.18, 49.75, -40.53

 

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 100 / 80 / 0 / 56

HEX #001670

RGB 0 22 112

HSL 228.21, 1%, 0.22%

LAB 14.08, 31.99, -52.56

 

CMYK 0 / 100 / 0 / 56

HEX #700070

RGB 112 0 112

HSL 300, 1%, 0.22%

LAB 25.61, 53.57, -33.17

 

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

 

CMYK 100 / 0 / 71 / 56

HEX #007021

RGB 0 112 33

HSL 137.68, 1%, 0.22%

LAB 40.73, -44.69, 34.98

 

CMYK 100 / 80 / 0 / 56

HEX #001670

RGB 0 22 112

HSL 228.21, 1%, 0.22%

LAB 14.08, 31.99, -52.56

 

CMYK 0 / 100 / 30 / 56

HEX #70004E

RGB 112 0 78

HSL 318.21, 1%, 0.22%

LAB 23.65, 48.72, -13.81

 

Description

Color code: HEX #705A00 | qconv.com Color code: HEX #705A00 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 90 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 90 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 100 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 100% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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