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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 150 94 it is the complementary color RGB 75 105 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 150 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 180 150 94: RGB 185 150 89, RGB 202 168 108, RGB 219 186 127, RGB 236 204 146 and RGB 253 222 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 150 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 180 150 94: RGB 180 150 94, RGB 163 132 75, RGB 146 114 56, RGB 129 96 37 and RGB 112 78 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 48 / 29

HEX #B4965E

RGB 180 150 94

HSL 39.07, 0.36%, 0.54%

LAB 63.61, 3.78, 33.61

 

Complementary color

CMYK 53 / 35 / 0 / 37

HEX #4B69A1

RGB 75 105 161

HSL 219.07, 0.36%, 0.46%

LAB 44.48, 5.78, -33.63

 

CMYK 0 / 19 / 52 / 27

HEX #B99659

RGB 185 150 89

HSL 38.13, 0.41%, 0.54%

LAB 64.04, 5.42, 36.89

 

CMYK 0 / 17 / 47 / 21

HEX #CAA86C

RGB 202 168 108

HSL 38.3, 0.47%, 0.61%

LAB 70.63, 4.61, 35.55

 

CMYK 0 / 15 / 42 / 14

HEX #DBBA7F

RGB 219 186 127

HSL 38.48, 0.56%, 0.68%

LAB 77.11, 3.92, 34.27

 

CMYK 0 / 14 / 38 / 7

HEX #ECCC92

RGB 236 204 146

HSL 38.67, 0.7%, 0.75%

LAB 83.49, 3.32, 33.06

 

CMYK 0 / 12 / 35 / 1

HEX #FDDEA5

RGB 253 222 165

HSL 38.86, 0.96%, 0.82%

LAB 89.79, 2.8, 31.92

 

CMYK 0 / 17 / 48 / 29

HEX #B4965E

RGB 180 150 94

HSL 39.07, 0.36%, 0.54%

LAB 63.61, 3.78, 33.61

 

CMYK 0 / 19 / 54 / 36

HEX #A3844B

RGB 163 132 75

HSL 38.86, 0.37%, 0.47%

LAB 56.88, 4.63, 34.98

 

CMYK 0 / 22 / 62 / 43

HEX #927238

RGB 146 114 56

HSL 38.67, 0.45%, 0.4%

LAB 50.01, 5.66, 36.38

 

CMYK 0 / 26 / 71 / 49

HEX #816025

RGB 129 96 37

HSL 38.48, 0.55%, 0.33%

LAB 43.01, 6.96, 37.7

 

CMYK 0 / 30 / 84 / 56

HEX #704E12

RGB 112 78 18

HSL 38.3, 0.72%, 0.25%

LAB 35.86, 8.62, 38.51

 

CMYK 0 / 17 / 48 / 29

HEX #B4965E

RGB 180 150 94

HSL 39.07, 0.36%, 0.54%

LAB 63.61, 3.78, 33.61

 

CMYK 0 / 8 / 47 / 30

HEX #B3A45F

RGB 179 164 95

HSL 49.29, 0.36%, 0.54%

LAB 67.25, -4.13, 37.61

 

CMYK 0 / 1 / 47 / 30

HEX #B3B25F

RGB 179 178 95

HSL 59.29, 0.36%, 0.54%

LAB 71.04, -11.5, 42.27

 

CMYK 7 / 0 / 47 / 30

HEX #A7B35F

RGB 167 179 95

HSL 68.57, 0.36%, 0.54%

LAB 70.37, -16.94, 41.23

 

CMYK 15 / 0 / 47 / 30

HEX #99B35F

RGB 153 179 95

HSL 78.57, 0.36%, 0.54%

LAB 69.35, -22.54, 39.75

 

CMYK 0 / 17 / 48 / 29

HEX #B4965E

RGB 180 150 94

HSL 39.07, 0.36%, 0.54%

LAB 63.61, 3.78, 33.61

 

CMYK 0 / 16 / 48 / 9

HEX #E7C179

RGB 231 193 121

HSL 39.27, 0.7%, 0.69%

LAB 79.9, 4.48, 41.15

 

CMYK 0 / 15 / 48 / 89

HEX #1B170E

RGB 27 23 14

HSL 41.54, 0.32%, 0.08%

LAB 7.93, 0.15, 5.93

 

CMYK 0 / 17 / 47 / 69

HEX #4E4129

RGB 78 65 41

HSL 38.92, 0.31%, 0.23%

LAB 28.28, 1.76, 16.71

 

CMYK 0 / 16 / 48 / 49

HEX #816C43

RGB 129 108 67

HSL 39.68, 0.32%, 0.38%

LAB 46.71, 2.46, 25.96

 

CMYK 0 / 17 / 48 / 29

HEX #B4965E

RGB 180 150 94

HSL 39.07, 0.36%, 0.54%

LAB 63.61, 3.78, 33.61

 

CMYK 40 / 0 / 47 / 30

HEX #6CB35F

RGB 108 179 95

HSL 110.71, 0.36%, 0.54%

LAB 66.71, -38.88, 35.9

 

CMYK 35 / 47 / 0 / 30

HEX #745FB3

RGB 116 95 179

HSL 255, 0.36%, 0.54%

LAB 45.84, 27.99, -41.85

 

CMYK 0 / 17 / 48 / 29

HEX #B4965E

RGB 180 150 94

HSL 39.07, 0.36%, 0.54%

LAB 63.61, 3.78, 33.61

 

CMYK 47 / 0 / 16 / 30

HEX #5FB396

RGB 95 179 150

HSL 159.29, 0.36%, 0.54%

LAB 67.18, -32.55, 6.96

 

CMYK 16 / 47 / 0 / 30

HEX #965FB3

RGB 150 95 179

HSL 279.29, 0.36%, 0.54%

LAB 49.4, 37.62, -35.99

 

CMYK 0 / 17 / 48 / 29

HEX #B4965E

RGB 180 150 94

HSL 39.07, 0.36%, 0.54%

LAB 63.61, 3.78, 33.61

 

CMYK 40 / 0 / 47 / 30

HEX #6CB35F

RGB 108 179 95

HSL 110.71, 0.36%, 0.54%

LAB 66.71, -38.88, 35.9

 

CMYK 47 / 30 / 0 / 30

HEX #5F7DB3

RGB 95 125 179

HSL 218.57, 0.36%, 0.54%

LAB 52.24, 4.21, -31.89

 

CMYK 7 / 47 / 0 / 30

HEX #A75FB3

RGB 167 95 179

HSL 291.43, 0.36%, 0.54%

LAB 51.44, 42.64, -32.64

 

CMYK 0 / 17 / 48 / 29

HEX #B4965E

RGB 180 150 94

HSL 39.07, 0.36%, 0.54%

LAB 63.61, 3.78, 33.61

 

CMYK 47 / 0 / 40 / 30

HEX #5FB36C

RGB 95 179 108

HSL 129.29, 0.36%, 0.54%

LAB 66.33, -40.86, 28.55

 

CMYK 47 / 30 / 0 / 30

HEX #5F7DB3

RGB 95 125 179

HSL 218.57, 0.36%, 0.54%

LAB 52.24, 4.21, -31.89

 

CMYK 0 / 47 / 7 / 30

HEX #B35FA7

RGB 179 95 167

HSL 308.57, 0.36%, 0.54%

LAB 52.46, 44.04, -23.95

 

Description

Color code: RGB 180 150 94 | qconv.com Color code: RGB 180 150 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 150 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 150 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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